Fred Eversley
Untitled, 1970.
DEAR READER

⁂
AnasAbdin
Game of Thrones Daily
d e v o n

No title available
Cosimo Galluzzi
i don't do bad sauce passes
occasionally subtle
I'd rather be in outer space 🛸
"I'm Dorothy Gale from Kansas"
Claire Keane

Kiana Khansmith
dirt enthusiast
he wasn't even looking at me and he found me
tumblr dot com
No title available
Alisa U Zemlji Chuda
Aqua Utopia|海の底で記憶を紡ぐ

izzy's playlists!
seen from United Kingdom
seen from China
seen from T1

seen from Germany
seen from United States

seen from United States

seen from Germany
seen from United Kingdom
seen from Ireland
seen from United Kingdom

seen from Türkiye

seen from United States

seen from Malaysia
seen from Germany

seen from Singapore

seen from Malaysia

seen from Singapore

seen from United States
seen from Argentina

seen from France
@blueberryplatitudes
Fred Eversley
Untitled, 1970.
Kianja Strobert, Untitled, 2011
Kianja Strobert
Untitled, 2011
20th Avenue ODILI DONALD ODITA Kaleidoscope, 2012 Laminated glass in platform windscreens
James Little Juju Boogie Woogie, 2013.
mary lovelace o'neal untitled, 1975
sam gilliam half circle, red 1975.
But blackness is not the absence of color. So far is black art also always late work, correspondent to the victory of escape
Fred Moten, "The Case of Blackness", 2008.
Howardena Pindell Untitled #98, 1977
ed clark. ife rose. oil on canvas. 1974
Howardena Pindell Untitled 1968-70
Joe Overstreet Purple Flight (from the "Purple Pattern" series) 1971
A Letter from Bob Thompson
“for a twisted sort of way I am doomed to be buried alive in cadmium orange, red, yellow light with flowers on my grave of magenta violet, and my casket being the canvas for forcefully having to wrap, walk, and slide into it everyday I like the wave Russian blue shore and the shore of the tree the leaf the wind the end…I want to paint – paint, paint! Paint! Paint! And then paint more and more. I’m what is jokingly called an esthetic junkie- I’m hooked on pigment. So please forgive me and most of all believe in me.”
Rodney McMillian, Untitled, 2011. Carpet. Courtesy of Susanne Vielmetter Los Angeles Projects, Culver City, CA.
Bob Thompson. The Judgement 1963. oil on canvas. on view now at the Brooklyn Museum
Orly Genger. Untitled 2010. rope, latex, paint, marker.
"Curating, it seems to me, might best be understood as a kind of relationship – a friendship – that is both committed and somehow capricious enough to be, in any product of the relation, altruistic. There’s a very real possibility that artists and curators are the same and the other to one another." - Ed Atkins on "Being Curated"