Too many words

"Sé que mientras viva nada me justifica porque yo misma me lo impido." Wisława Szymborska

[barcarole]

Sunset Boulevard, Billy Wilder, 1950.

[365filmsbyauroranocte]

The Wicker Man (Robin Hardy, 1973)

[barcarole]

Natalia Bessmertnova and Mikhail Lavrovsky in Grigorovich’s Romeo & Juliet at the Bolshoi, ca. 1960s.

[de-salva]

Wałbrzych (Silesia, Poland, 1979)

© Michal Cala

[dvoinik]

Rendez-vous à Bray

[thesweatercolourgreen]

[bluemintsea]

I am not sure if what has come between us is based on misunderstandings or something requiring clarification. I see it differently: sudden silences, an absence of the most basic reactions, something that makes me helpless because I can only make assumptions and these inevitably lead nowhere; and then I hear from you again, like now, hear how bad you are feeling and remain just as helpless as I was during the silence, and do not know how I can find the way out, how I can ever feel lively and alive with you again.

Bachmann to Celan, Zurich, after 27 September 1961, NOT SENT

[nattie-k]

Isabelle Huppert as Orlando directed by Robert Wilson, 1993 L'Odeon

[blejz]

Scenografska skica za prizor v modnem salonu (za film Ples v dežju).

Foto: Arhiv Slovenske kinoteke

[afternoonbreezes]

Ples v dežju | Dancing in the Rain (Boštjan Hladnik, Slovenia, 1961)        

[365filmsbyauroranocte]

Harry Dean Stanton: Partly Fiction (Sophie Huber, 2012)

[insearchofpaganhollywood]

Charlotte Alexandra’s Hair, Immoral Tales (Walerian Borowczyk, 1973)

[loumargi]

William Morris 1887 The Forest Tapestry

[24hoursinthelifeofawoman]

Ernst Haas, Po Valley, Italy, 1970

[artfilmfan]

[huariqueje]

Cinema Skandia, Stockholm *    -     Gunnar Asplund , 1921.

Swedish,1885-1940

* Perspective design for the interior.  

[bandtshirt]

space seeing space hearing, valie export, 1974