Book of the day:Taking Chances by Molly McAdams
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Love Begins
todays bird
Sweet Seals For You, Always
official daine visual archive

Discoholic šŖ©

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hello vonnie

titsay
𩵠avery cochrane š©µ

if i look back, i am lost
Misplaced Lens Cap
I'd rather be in outer space šø
EXPECTATIONS
PUT YOUR BEARD IN MY MOUTH
macklin celebrini has autism
Three Goblin Art
cherry valley forever
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Lint Roller? I Barely Know Her
almost home

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@bluemondayreview
Book of the day:Taking Chances by Molly McAdams
Get theĀ FREE Kindle Reading App
I only have two hobbies
Ā ReadingĀ
Sleeping
Patterns And Shapes:Ā On Reading Nabokov And Henry Miller
BMR is happy to share with you our senior editor (who also happens to do the illustrations and co-design the book),Ā BrianĀ Hischierās, new blog. He is just utterly amazing. Up on our website now:
http://www.bluemondayreview.com/?draft=true#!Patterns-And-Shapes-On-Reading-Nabokov-And-Henry-Miller/cs30/576c09d00cf2710e3e6a9979Ā
Sara @me_and_orla.
A recent cartoon for the Guardian. http://gu.com/p/4yj58/stw
WHEN IāM 10 PAGES FROM FINISHING MY BOOK BUT MY BREAK IS OVER
friend: Are you finished with this book?
me: Physically? Yes.
me: Emotionally? *stares into distance* NEVER...
David Bowie Tribute: Starman Gets His Own Constellation
DDB Brussels has detailed a fitting tribute by the Belgian music station Studio Brussels and MIRA Public Observatory for the late rock star David Bowie. As the music legend responsible for popular hits including Starman, Space Oddity, Life on Mars? and Hallo Spaceboy, itās clear the universe was a great inspiration to Bowie. Now a constellation has been registered to honor him, recorded at the time of his death. It is delineated by seven stars that shine in the shape of the iconic lightning bolt seen on the cover of his Aladdin Sane album.
David Bowie now has a symbolic home among the other 88 existing constellations. Philippe Mollet from MIRA Public Observatory explains the star selection process in more detail:
āIt was not easy to determine the appropriate stars. Studio Brussels asked us to give Bowie a unique place in the galaxy. Referring to his various albums, we chose seven starsāSigma Librae, Spica, Alpha Virginis, Zeta Centauri, SAA 204 132, and the Beta Sigma Octantis Trianguli Australisāin the vicinity of Mars. The constellation is a copy of the iconic Bowie lightning and was recorded at the exact time of his death.ā
Goal for 2016: Read every book ever written. Ā Then write some new ones.
Death Becomes Us
David Bowie is gone.
So now is Alan Rickman (who probably wouldāve done a bang-up job playing Bowie), too.
Shit goddamnit shit.
And also the familiar, oft-repeated refrain:
Fuck cancer. Times a thousand. Times a million. Times infinity.
Art at its core is, I think, driven by death. Itās there to help us look away from death. Art is there to help us understand it. Art is there to romanticize death ā or to stare it square in the face.
And death is also something that motivates artists.
When weāre born, weāre guaranteed two things: one breath and death. Everybody who lives gets those two certain narrative beats to their story, birth, death, born, died. It is not a morbid fantasy to note that Iām going to die and so are you. Itās not a threat. Itās a promise earned by life ā that grim balancing of the scales is not reserved for one person over the next, for you but not for me, for the under-served but not the privileged. We all have wildly different journeys but when our time is up itās like game design: we are all funneled toward the same ending, the same inevitability. Some of our life is about ignoring death and pretending it isnāt there. Some of our life is geared toward trying to prevent death ā or, for some, running headlong toward it.
The fear of death can destroy you.
But the epiphany of it can also motivate you.
People ask why I work so hard or why Iāve been so single-minded to be what I want to be and thatās because I donāt want deathbed regrets. I donāt want to get there and then look back over my shoulder and look at all the closed doors I wanted to open. I donāt fear death; I fear purposeless death. My work, my writing, is very explicitly motivated by the reality that I could get gored by a moose tomorrow, I could get crushed by a bulldozer in ten years, I could get prostate cancer and die in my 60s like my father, I could get pneumonia (again) and die when Iām 99. Itās coming. I know it. And so I cleave to the act of creation both to spite and to make sense of the ineluctable destruction. I donāt know what happens after we go. Thatās an adventure either of realms beyond life or becoming food for trees and worms (both of which sound very nice in their own special way). Concentrating on whatās past the mortal gates, though, is a very bad way to live.
As such, Iāll say here what I said on Twitter this morning:
Everybody dies.
Love those that you have while you have them.
And do what you love while the world has you.
Bowie did that. Rickman did that. Be like Bowie. Be like Rickman.
Live. Make. Love. And then, only then, die.
http://terribleminds.com/ramble/2016/01/14/death-becomes-us/
A Travelerās Guide to Reading
think that the old clichƩ, "It's not about the destination, it's about the journey," is more applicable to reading than it is to straight-up traveling. Getting to physical places is often hard, monotonous, tiring, and boring. Getting to the end of a story, on the other hand, can be surprising, entertaining, mind blowing, and any other positive adjective. Hence why people have different facial expressions reading than they do standing in line at an airport.
You may have also noticed, however, that people who are standing in line at the airport reading are having a much better time than everyone else. The good news? You can be one of those people! To help ensure you have the best possible traveling reader experience, I've decided to give you my guidelines for what literature has worked for me during my many travels (as well as what hasn't worked) so you can make the most out of your down time on standby, riding in the middle seat of your family's volvo, or sitting next to a man with a flatulence problem on the bus
Editor's Note: Volume 3 Issue 1
Dear Reader,
As Blue Monday Review moves into its third year of production, itās hard not to feel amazed at everything thatās happened this past year. Moving from two to twenty-four staff members, from zero to four brick-and-mortar retailers, and hosting our first three events (with another on the way!), weāve seen growth like nobodyās business. Itās truly gratifying to see the positive response from readers and writers alike about what weāre doing at BMR.
From the bottom of our hearts, weād like to thank you for your support -- whether you bought a subscription, borrowed a PDF issue, attended an event, or stole a copy from your local store, we appreciate your eyes on our pages. It means more than you can imagine and it is what keeps us publishing the best storytelling we can get our hands on.
And if you like what you see, share the love. Connect on social media, show off the book or PDF, and encourage your friends to grab a copy or send their own work -- or all of the above! Small publications like BMR thrive on the enthusiasm and word-of-mouth from our readers, so we hope youāll take a moment of your time to pass the word along.
Be sure to check out āPassing,ā by Steve Werkmeister, our Kansas City Creator for this issue, and as always, keep reading.
Yours Sincerely,
Amanda Hamilton
Editor-in-Chief
Blue Monday Review
Does it bother anyone else that there are parts of your life you donāt remember? You have done and said things that you donāt even know about anymore. That means you donāt even have the right perception of yourself because you donāt even fully know who you are. However, something that youāve forgotten about could be a prominent memory in somebody elseās mind. It trips me out.
Sometimes you gotta look on the bright side
Iāll read my books and Iāll drink coffee and Iāll listen to music, and Iāll bolt the door.
J.D. Salinger (via thatlitsite)