Nature loves you, Gizem Akdag, 2025
Monterey Bay Aquarium

shark vs the universe
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Keni
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TMBGareOK. The Official They Might Be Giants tumblr
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tannertan36
almost home

Game Changer & Make Some Noise

oozey mess
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Cosimo Galluzzi
noise dept.
let's talk about Bridgerton tea, my ask is open
Mike Driver
sheepfilms
The Bowery Presents
Lint Roller? I Barely Know Her

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@bluesoupie
Nature loves you, Gizem Akdag, 2025
August has a certain fiery & sultry quality of her own, which fades before her last days of the month are over. September has mellowed whatever there was of roughness in her heat: the days are more perfect, but less vigorous. The summer in fact is on the wane; peacefully fading like some brilliant spot of light. The colours of the sunset are everywhere. When the sun sets you may see from this window little sparks of light scattered among the sandhills where no houses themselves are visible; the windows are thus emblazoned by the sun.
Virginia Woolf, A Passionate Apprentice: The Early Journals Journals 1897-1909
August has a certain fiery & sultry quality of her own, which fades before her last days of the month are over. September has mellowed whatever there was of roughness in her heat: the days are more perfect, but less vigorous. The summer in fact is on the wane; peacefully fading like some brilliant spot of light. The colours of the sunset are everywhere. When the sun sets you may see from this window little sparks of light scattered among the sandhills where no houses themselves are visible; the windows are thus emblazoned by the sun.
Virginia Woolf, A Passionate Apprentice: The Early Journals Journals 1897-1909
Moonrise, 1884 by Stanisław Masłowski
Steeple Mountain on Jupiter’s moon, Io.
Hong Kong Cafe, Chinatown, Greg Girard, 1975
John Wilson, american sculptor and artist, 1980s
on a similar note, working an office job has me thinking a lot abt the weird dissonance between the projected disembodied identity of the Professional and the reality of a person as like. an oozing sweating animal. like you think abt it enough and the whole building starts to feel like a lot of dogs wearing collared shirts
Something big happens. Something bigger than you. My mother marches at a student protest in 1984, wearing suede boots, the sun rising over the mountain. Or, seventy years earlier, Kafka wakes up and learns that Franz Ferdinand was assassinated. Sunlight moves through the water glass on the nightstand. God comes down to Moses and tells him to refuse to golden calf, to take his children out of Egypt. My great-great-grand-father leaves his tribe on the Iranian border and settles in Afghanistan and says the Shahada. A whistleblower sits in a courtroom, his gaze turned towards a blue book that contains the sentence that will define his fate. Trials are held. The world spins. We send rockets into space, robots that take pictures of planets we have never been to. We write down the law, we amend it, and we define who is good, who bad. Documents are classified, hidden for years. Exile. War. Terrorism. A girl brushes her hair and plants a bomb in a café in Algeria. I felt no regrets. I did it for my people, she will say from her prison cell. Apokalypsis, which means revelation: the bride removing the veil, turning her face in the direction of the grainy wind. Sand fluttering in her eyes. You watch the news; everything you feared is true: They hate us. You belong, you understand, to the others. You think of Celan’s “Todesfuge,” the image of graves in the sky. You think of Palestine. And then, as always, there is loneliness. A loneliness as old as your childhood.
— Aria Aber, Good Girl
Inkyoo Lee, from "Arctic Meditations"
Studio Lunch - John Bokor , 2024.
Australian , b. 1973 -
Oil on board, 80 x 60 cm.
“The Cheapside Hoard c. 1600. A hoard of jewellery found under a house in Cheapside in 1912. Presumably the stock-in-trade of a local jeweller.”
Many places have a "forest that shouldn't be entered." Even people who are used to working in the mountains feel there is something there. They are suddenly overcome with fear and it becomes the custom to avoid certain places. These places exist. I don't know what is there, but I think they are real . . . The world is more than we can fathom with our five senses. The world doesn't exist just for humans. So I think it is all right to have such things. This is why I think it's a mistake to think about nature from the idea of efficiency, that forests should be preserved because they are essential for human beings . . . I am concerned, because for me the deep forest is connected in some way to the darkness deep in my heart. I feel that if it is erased, then the darkness inside my heart would also disappear, and my existence would grow shallow.
Hayao Miyazaki, “Totoro Was Not Made as a Nostalgia Piece” in Starting Point: 1979-1996
Back on my congee commitments
Wheel and call, cloud dreams all, Amalia Tsakiri
people watching