book covers i really like

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Dressing for the Afterlife (2020), Maria Taylor

Nine Arches Press

Dressing for the Afterlife is a diamond-tough and tender second collection of poems from British Cypriot poet Maria Taylor, which explores love, life, and how we adapt to the passage of time. From the steely glamour of silent film-star goddesses to moonlit seasons and the ghosts of other possible, parallel lives, these poems shimmy and glimmer bittersweet with humour and brio, as Taylor conjures afresh a world where Joan Crawford feistily simmers and James Bond’s modern incarnation is mistaken for an illicit lover.

Consistently crisp and vivid, these poems examine motherhood, heritage and inheritance, finding stories woven in girlhood’s faltering dance-steps, the thrum of the sewing-machine at the end-days of the rag trade, or the fizz and bubble of a chip-shop fryer. And throughout, breaking through, is the sense of women finding their wings and taking flight - “and her wings, what wings she has” - as Taylor’s own poems soar and defiantly choose their own adventures.

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Stories I Forgot To Tell You (2020), Dorothy Gallagher

New York Review of Books

Dorothy Gallagher’s husband, Ben Sonnenberg, died in 2010. He had suffered from multiple sclerosis for many years and was almost completely paralyzed, but his wonderful, playful mind remained quite undimmed. In the ten sections of Stories I Forgot to Tell You, Gallagher moves freely and intuitively between the present and the past to evoke the life they made together and her life after his death, alone and yet at the same time never without thoughts of him, in a present that is haunted but also comforted by the recollection of their common past. She talks—the whole book is written conversationally, confidingly, unpretentiously—about small things, such as moving into a new apartment and setting it up, growing tomatoes on a new deck, and as she does she recalls her missing husband’s elegant clothes and British affectations, what she knew about him and didn’t know, the devastating toll of his disease and the ways they found to deal with it. She talks about their two dogs and their cat, Bones, and the role that a photograph she never took had in bringing her together with her husband. Her mother, eventually succumbing to dementia, is also here, along with friends, an old typewriter, episodes from a writing life, and her husband’s last days. The stories Gallagher has to tell, as quirky as they are profound, could not be more ordinary, and yet her glancing, wry approach to memory and life gives them an extraordinary resonance that makes the reader feel both the logic and the mystery of a couple’s common existence. Her prose is perfectly pitched and her eye for detail unerring. This slim book about irremediable loss and unending love distills the essence of a lifetime.

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Here is the Sweet Hand (2020), francine j. harris

Farrar, Straus and Giroux

The poems in Here is the Sweet Hand explore solitude as a way of seeing. In particular, the speakers in francine j. harris’ third collection explore the mystique, and myth, of female loneliness as it relates to blackness, aging, landscape and artistic tradition.

The speakers in these poems are often protagonists. Against the backdrop of numerous American cities and towns, and in a time of political uncertainty, they are heroines in their quest to find logic through their own sense of the world.

The poems here are interested in the power of observation. But if there is authority in the individual versus the collective, Here is the Sweet Hand also poses questions about the source of that power, or where it may lead.

As in her acclaimed previous collections, harris’ skillful use of imagery and experimentation with the boundaries of language set the stage for unorthodox election commemoration, subway panic, zoomorphism, and linguistic battlefields. From poems in dialogue with the artistry of Toni Morrison and Charles Burnett to poems that wrestle with the moods of Frank Stanford and Ty Dolla $ign, the speakers in this book signal a turn at once inward and opening.

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The Shock of the Anthropocene: The Earth, History and Us (2017), Christophe Bonneuil and Jean-Baptiste Fressoz, Translated by David Fernbach

Verso

Dissecting the new theoretical buzzword of the “Anthropocene”

The Earth has entered a new epoch: the Anthropocene. What we are facing is not only an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point? Refuting the convenient view of a “human species” that upset the Earth system, unaware of what it was doing, this book proposes the first critical history of the Anthropocene, shaking up many accepted ideas: about our supposedly recent “environmental awareness,” about previous challenges to industrialism, about the manufacture of ignorance and consumerism, about so-called energy transitions, as well as about the role of the military in environmental destruction. In a dialogue between science and history, The Shock of the Anthropocene dissects a new theoretical buzzword and explores paths for living and acting politically in this rapidly developing geological epoch.

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Natural History (2020), Carlos Fonseca

Farrar, Straus and Giroux

From Carlos Fonseca comes a dazzling, kaleidoscopic epic of art, politics, and hidden realities Just before the dawn of the new millennium, a curator at a New Jersey museum of natural history receives an unusual invitation from a celebrated fashion designer. She shares the curator's fascination with the hidden forms of the animal kingdom—with camouflage and subterfuge—and she proposes that they collaborate on an exhibition, the form of which itself remains largely obscure, even as they enter into a strange relationship marked by evasion and elision. Seven years later, after the death of the designer, the curator recovers the archive of their never-completed project. During a long night of insomnia, he finds within the archive a series of clues to the true story of the designer’s family, a mind-bending puzzle that winds from Haifa, Israel, to bohemian 1970s New York to the Latin American jungle. On the way, he discovers a cast of characters whose own fixations interrogate the unstable frontiers between art, science, politics, and religion: an aging photographer, living nearly alone in an abandoned mining town where subterranean fires rage without end, who creates models of ruined cities; a former model turned conceptual artist—and a defendant in a trial over the very nature and purpose of art; a young indigenous boy who has received a vision of the end of the world. Reality is a curtain, as the curator realizes, and to draw it back is to reveal the theater of obsession. Natural History is the portrait of a world trapped between faith and irony, between tragedy and farce. A defiantly contemporary and impressively ambitious novel in the tradition of Italo Calvino and Ricardo Piglia, it confirms Carlos Fonseca as one of the most daring writers of his generation.

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The Museum of Forgotten Memories (2020), Anstey Harris

Gallery Press

At Hatters Museum of the Wide Wide World, where the animals never age but time takes its toll, one woman must find the courage to overcome the greatest loss of her life. Four years after her husband Richard’s death, Cate Morris is let go from her teaching job and unable to pay rent on the London flat she shares with her son, Leo. With nowhere else to turn, they pack up and venture to Richard’s ancestral Victorian museum in the small town of Crouch-on-Sea. Despite growing pains and a grouchy caretaker, Cate begins to fall in love with the quirky taxidermy exhibits and sprawling grounds, and she makes it her mission to revive them. But threats from both inside and outside the museum derail her plans and send her spiraling into self-doubt. As Cate becomes more invested in Hatters, she must finally confront the reality of Richard’s death—and the role she played in it—in order to reimagine her future. Perfect for fans of Katherine Center and Evvie Drake Starts Over.

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Lie With Me (2020), Philippe Besson, trans. Molly Ringwald

Scribner

“I remember the movement of his hips pressing against the pinball machine. This one sentence had me in its grip until the end. Two young men find each other, always fearing that life itself might be the villain standing in their way. A stunning and heart-gripping tale.” —André Aciman, author of Call Me by Your Name

A New York Times Book Review Editor’s Choice

The critically acclaimed, internationally beloved novel by Philippe Besson—“this year’s Call Me By Your Name” (Vulture) with raves in The New York Times, The New Yorker, The Wall Street Journal, NPR, Vanity Fair, Vogue, O, The Oprah Magazine, and Out—about an affair between two teenage boys in 1984 France, translated with subtle beauty and haunting lyricism by the iconic and internationally acclaimed actress and writer Molly Ringwald.

In this “sexy, pure, and radiant story” (Out), Philippe chances upon a young man outside a hotel in Bordeaux who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a boy named Thomas during their last year of high school. Thomas is the son of a farmer; Philippe the son of a school principal. At school, they don’t acknowledge each other. But they steal time to meet in secret, carrying on a passionate, world-altering affair.

Despite the intensity of their attraction, from the beginning Thomas knows how it will end: “Because you will leave and we will stay,” he says. Philippe becomes a writer and travels the world, though as this “tender, sensuous novel” (The New York Times Book Review) shows, he never lets go of the relationship that shaped him, and every story he’s ever told.

“Beautifully translated by Ringwald” (NPR), this is “Philippe Besson’s book of a lifetime...an elegiac tale of first, hidden love” (The New Yorker).

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The Same River Twice (2020), Pam Mandel

Skyhorse

Acclaimed travel writer Pam Mandel's thrilling account of a life-defining journey from the California suburbs to Israel to the Himalayan peaks and back.

Given the choice, Pam Mandel would say no and stay home. It was getting her nowhere, so she decided to say yes. Yes to hard work and hitch-hiking, to mean boyfriends and dirty travel, to unfolding the map and walking to its edges. Yes to unknown countries, night shifts, language lessons, bad decisions, to anything to make her feel real, visible, alive.

A product of beige California suburbs, Mandel was overlooked and unexceptional. When her father ships her off on a youth group tour of Israel, he inadvertently catapults his seventeen-year-old daughter into a world of angry European backpackers, seize-the-day Israelis, and the fall out of cold war-era politics. Border violence hadn't been on the birthright tour agenda. But then neither had domestic violence, going broke, getting wasted, getting sick, or getting lost.

With no guidance and no particular plan, utterly unprepared for what lies ahead, Mandel says yes to everything and everyone, embarking on an adventure across three continents and thousands of miles, from a cold water London flat to rural Pakistan, from the Nile River Delta to the snowy peaks of Ladakh and finally, back home to California, determined to shape a life that is truly hers. An extraordinary memoir of going away and growing up, The Same River Twice follows Mandel's tangled journey and shows how travel teaches and changes us, even while it helps us become exactly who we have been all along.

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Riots I Have Known (2020), Ryan Chapman

Simon & Schuster

Longlisted for the 2019 Center for Fiction First Novel Prize, Ryan Chapman’s “gritty, bracing debut” (Esquire) set during a prison riot is “dark, daring, and laugh-out-loud hilarious…one of the smartest—and best—novels of the year” (NPR).

A largescale riot rages through Westbrook prison in upstate New York, incited by a poem in the house literary journal. Our unnamed narrator, barricaded inside the computer lab, swears he’s blameless—even though, as editor-in-chief, he published the piece in question. As he awaits violent interruption by his many, many enemies, he liveblogs one final Editor’s Letter. Riots I Have Known is his memoir, confession, and act of literary revenge.

His tale spans a childhood in Sri Lanka, navigating the postwar black markets and hotel chains; employment as a Park Avenue doorman, serving the widows of the one percent; life in prison, with the silver lining of his beloved McNairy; and his stewardship of The Holding Pen, a “masterpiece of post-penal literature” favored by Brooklynites everywhere. All will be revealed, and everyone will see he’s really a good guy, doing it for the right reasons.

“Fitfully funny and murderously wry,” Riots I Have Known is “a frenzied yet wistful monologue from a lover of literature under siege” (Kirkus Reviews).

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The Paper Menagerie and Other Stories (2016), Ken Liu

Saga Press

Featured in the Netflix series Love, Death & Robots

Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume.

With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon Award finalists), “All the Flavors” (Nebula Award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards).

Insightful and stunning stories that plumb the struggle against history and betrayal of relationships in pivotal moments, this collection showcases one of our greatest and original voices.

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The Doctor Who Fooled the World: Andrew Wakefield’s war on vaccines (2020), Brian Deer

Scribe

A reporter uncovers the secrets behind the scientific scam of the century.

The news breaks first as a tale of fear and pity. Doctors at a London hospital claim a link between autism and a vaccine given to millions of children: MMR. Young parents are terrified. Immunisation rates slump. And as a worldwide ‘anti-vax’ movement kicks off, old diseases return to sicken and kill.

But a veteran reporter isn’t so sure, and sets out on an epic investigation. Battling establishment cover-ups, smear campaigns, and gagging lawsuits, he exposes rigged research and secret schemes, the heartbreaking plight of families struggling with disability, and the scientific deception of our time.

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First, They Erased Our Name: a Rohingya speaks (2019), Habiburahman, Sophie Ansel, Translated by Andrea Reece

Scribe

For the first time, a Rohingya speaks up to expose the persecution facing his people.

‘I am three years old and will have to grow up with the hostility of others. I am already an outlaw in my own country, an outlaw in the world. I am three years old, and don’t yet know that I am stateless.’

Habiburahman was born in 1979 and raised in a small village in western Burma. When he was three years old, the country’s military leader declared that his people, the Rohingya, were not one of the 135 recognised ethnic groups that formed the eight 'national races'. He was left stateless in his own country.

Since 1982, millions of Rohingya have had to flee their homes as a result of extreme prejudice and persecution. In 2016 and 2017, the government intensified the process of ethnic cleansing, and over 600,000 Rohingya people were forced to cross the border into Bangladesh.

Here, for the first time, a Rohingya speaks up to expose the truth behind this global humanitarian crisis. Through the eyes of a child, we learn about the historic persecution of the Rohingya people and witness the violence Habiburahman endured throughout his life until he escaped the country in 2000, eventually reaching Australia by boat in December 2009. He spent nearly three years in detention centres before being released, and now lives in Melbourne..

First, They Erased Our Name is an urgent, moving memoir about what it feels like to be repressed in one’s own country and a refugee in others. It gives voice to the voiceless.

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Cities I’ve Never Lived In (2016), Sara Majka

Greywolf Press

Fearlessly riding the line between imagination and experience, fact and fiction, the linked stories in Sara Majka’s debut collection offer intimate glimpses of a young New England woman whose life must begin afresh after a divorce. Traveling the roads of Maine and the train tracks of Grand Central Station, moving from vast shorelines to the unmade beds of strangers, these fourteen stories circle the dreams of a narrator who finds herself turning to storytelling as a means of working through the world and of understanding herself. A book that upends our ideas of love and belonging, and which asks how much of ourselves we leave behind with each departure we make, Cities I’ve Never Lived In exposes, with great sadness and great humor, the ways in which we are most of all citizens of the places where we cannot stay.

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The Haunting of Tram Car 015 (2019), P. Djèlí Clark

Tor.com

P. Djèlí Clark returns to the historical fantasy universe of "A Dead Djinn in Cairo", with the otherworldly adventure novella The Haunting of Tram Car 015.

Finalist for the 2020 Hugo Award Finalist for the 2020 Nebula Award Finalist for the 2020 Locus Award

Cairo, 1912: The case started as a simple one for the Ministry of Alchemy, Enchantments and Supernatural Entities — handling a possessed tram car.

Soon, however, Agent Hamed Nasr and his new partner Agent Onsi Youssef are exposed to a new side of Cairo stirring with suffragettes, secret societies, and sentient automatons in a race against time to protect the city from an encroaching danger that crosses the line between the magical and the mundane.

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Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (2007), Fredric Jameson

Verso

The relationship between utopia and science fiction, in the age of globalization. In an age of globalization characterized by the dizzying technologies of the First World, and the social disintegration of the Third, is the concept of utopia still meaningful? Archaeologies of the Future, Jameson’s most substantial work since Postmodernism, Or, the Cultural Logic of Late Capitalism, investigates the development of this form since Thomas More, and interrogates the functions of utopian thinking in a post-Communist age. The relationship between utopia and science fiction is explored through the representations of otherness … alien life and alien worlds … and a study of the works of Philip K. Dick, Ursula LeGuin, William Gibson, Brian Aldiss, Kim Stanley Robinson and more. Jameson’s essential essays, including “The Desire Called Utopia,” conclude with an examination of the opposing positions on utopia and an assessment of its political value today.

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Good Neighbors: Gentrifying Diversity in Boston’s South End (2015), Sylvie Tissot, Translated by David Broder and Catherine Romatowski

Verso

What we talk about when we talk about gentrification

Does gentrification destroy diversity? Or does it thrive on it? Boston’s South End, a legendary working-class neighborhood with the largest Victorian brick row house district in the United States and a celebrated reputation for diversity, has become in recent years a flashpoint for the problems of gentrification. It has born witness to the kind of rapid transformation leading to pitched battles over the class and race politics throughout the country and indeed the contemporary world.

This subtle study of a storied urban neighborhood reveals the way that upper-middle-class newcomers have positioned themselves as champions of diversity, and how their mobilization around this key concept has reordered class divisions rather than abolished them.

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Raymond Chandler: The Detections of Totality (2016), Fredric Jameson

Verso

The master of literary theory takes on the master of the detective novel Raymond Chandler, a dazzling stylist and portrayer of American life, holds a unique place in literary history, straddling both pulp fiction and modernism. With The Big Sleep, published in 1939, he left an indelible imprint on the detective novel. Fredric Jameson offers an interpretation of Chandler’s work that reconstructs both the context in which it was written and the social world or totality it projects. Chandler’s invariable setting, Los Angeles, appears both as a microcosm of the United States and a prefiguration of its future: a megalopolis uniquely distributed by an unpromising nature into a variety of distinct neighborhoods and private worlds. But this essentially urban and spatial work seems also to be drawn towards a vacuum, an absence that is nothing other than death. With Chandler, the thriller genre becomes metaphysical.