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Cosimo Galluzzi
styofa doing anything
almost home
Peter Solarz

★
Xuebing Du
RMH
YOU ARE THE REASON
Lint Roller? I Barely Know Her
he wasn't even looking at me and he found me
Sade Olutola

ellievsbear
Not today Justin

Andulka
🪼

祝日 / Permanent Vacation
"I'm Dorothy Gale from Kansas"

Product Placement
d e v o n
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@brain-scrampled
2/5/26
The Speech of Aristophanes
patience has never been my virtue
my ravenous core binding my captive conscious
to the yearn for a Love that would meld my battered heart into theirs
combing the web of strangers
searching every face for a whisper of potential
teetering at the edge of surrender
but my greatest fear
the moment I stop looking
they’ll pass me by.
◇ Adam Stanheight ◇
12/15/25
this cursed tongue spins a grave tunneled into the depths
wilted petal eyes scattered
amongst the pile of bones that grows
each time I let this cursed tongue
paint a tale of yearning
to the detriment of my mouth
As gen-AI becomes more normalized (Chappell Roan encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use gen-AI because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by tech companies. I draw not because I want a drawing but because I love the process of drawing. So even in a future where everyone’s accepted it, I’m never gonna sway on this.
Someone, please, explain to me why I’m so fucking obsessed with the two most garbage characters in Z Nation that have a total of 5 episodes of screen time.
(I’m not counting Doc’s Stones History because IT DOESN’T COUNT.)
Because they're perfect and gay.
From Mumbo’s second episode of S11
Simultaneously love and hate tumblr because what do you mean this meme I made in 30 seconds gets more attention and love than any art I've painstakingly created?
Antidote of a Wordsmith, 2025, Digital Collage
Credits under the cut:
10/17/25
I held a funeral
for the butterflies you used to give me
there were so many little bodies
wings twisted tangled
tormented tissue paper
fluttering
d o w n
to rest among
leaves sodden somber
the season of our love decaying slow
each wilted petal drifting down
to the procession
for the butterflies you used to give me
Rorschach's Monster, 2024/25, Digital Drawing
Safety in Shadows, 2025, Poem/Drawing
Dependence, 2025, Blackout Poem
Endlessly diabolical how you can't say words like rape and suicide uncensored without either being criticised by idiots or punished by conglomerates.
It's not r*pe, it's rape. It's not su*cide, it's suicide. Not unalive, dead. The backbone needs to be reintroduced en masse because softening the blow of these concepts with advertising language does absolutely nothing but allow people unaffected by them to feel not even a sting of what they can do, prompting inaction.
And it's been proven that on certain websites, you don't even face a repercussion for using the words as they are. People just started censoring themselves because they feared the potential lack of views and likes and followers which is so nasty itself.
5/5/25
Song of the Forsaken
Just once, let me be the muse, not the artist
I’d die happy if I could take my last breath with a lover’s name on my lips
I’ve been told I’m just unlucky in love,
But lately I’ve started to wonder,
What if my soulmate died a long, long time ago,
And I’m doomed to search the earth for them
Only to be met with the ghost of what could’ve happened
Had I been ready a century ago?