While ad spending is expected to grow by nearly 5% in 2013, it looks like more of that increase will be going to digital media rather than TV. Â Here's a great summary report from Deadline ...
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@brandcentralstation-blog
While ad spending is expected to grow by nearly 5% in 2013, it looks like more of that increase will be going to digital media rather than TV. Â Here's a great summary report from Deadline ...
Gahlord DeWald shares some terrific insights into how systems can become "dreadfully efficient". The implications for marketing communications are explained in detail - but the larger implications for other kinds of systems (from economies to human immunology) make this a great "head scratcher." Definitely the kind of thing you should read during your first cup of coffee to help get the day started in a thoughtful direction.
So, if a person lies his way onto a major news channel, but doesn't say or do anything out of the ordinary once he's there, who's harmed other than the journalist who looks foolish for not doing his job in the first place?
Interesting story of woe (and woah!) from Forbes Magazine.
Agency new biz consultant Michael Gass does a great job of explaining why the one thing that affects an ad agency's new business efforts more than anything else is the one thing every ad agency should understand ...
Market positioning.
Unfortunately, that's too often not the case.
The NYT's Stuart Elliot reports on a "shocking" new campaign designed to get people to think twice about lung cancer, but raises questions as to whether or not the campaign by Laughlin Constable is riveting or just revolting.
I vote for lazy ... and I find that revolting.
More confusion over what branding is ...
⊠and what itâs not.
The Media Orchard blog has an interesting post about brands and branding. They take on Jeff Bezoâs comment that âa brand for a company is like a reputation for a person.â And rightly so. As the Baradelsâ team at the Orchard point out, branding is a little more complex than that.
Instead, they say, branding is much more:
Branding is all about personification â giving human traits to things that arenât human ⊠Branding communicates the continuity of a companyâs business model â to shareholders, to customers, to employees. It says, âThis is the kind of person we are â if we were actually a person.â
But hereâs the hard truth to the matter:
Corporations are not human. And thatâs a good thing, because if they were human, they would be sociopaths. This isnât a cheap shot. A sociopath is a person who is interested only in their personal needs and desires. By definition, corporations are designed expressly to serve the interests of their shareholders â and only those interests.
Now, these are important facts to bring up when discussing brands and branding, but they only tell part of the story.
Branding is not all about personification. Brands are representative, thatâs all. They are emotional shorthand for a relationship an individual has created between a thing (a product, a person, a company, etc.) and the values, ideas, emotions and knowledge associated with that thing.
Personification, the process of creating a âhuman qualityâ for a brand, is one way of establishing that relationship â but itâs not the only way. Thereâs nothing wrong with that approach, it just may not be the most direct route to establishing brand equity because its path may be impeded by secondary concerns or prejudices.
The second part of the first observation offered â that branding communicates continuity â just scratches the surface. Continuity is communicated through practiced consistency. What really needs to be communicated are the values associated with the brand. Andthose need to be congruent with the brandâs proposed position to the market. Failure to continuously make your case through all lines of available communication upsets your brandâs continuity and tears away at your brandâs equity in the mind of the audience.
Good branding work builds continuity and brand value. But failure to do that work will still result in a brand impression.
The wrong kind of impression.
You see, branding happens whether we want it to or not. Itâs part of how we, as humans, learn, understand and organize information. Failing to understand how it all works â or, worse yet, dismissing it as âwarm and fuzzyâ marketing of little to no value â exposes your venture unnecessarily.
Finally, I canât point out how important it is for people (professional communicators, clients and consumers/customers) to realize the relevance of the last point made in the Media Orchard post. Corporations might be âgood citizensâ â but they are amoral. They donât care. They canât. Theyâre not human.
That is why branding, as a discipline, can never take a day off. Professional communicators, business owners, managers and employees have to work every day to infuse some element of humanity into the operation of the amoral enterprise they operate. Thatâs okay. If itâs done right, organizational might can multiply the effect of the individuals involved.
But to ever think youâve âfinishedâ establishing a brand is perilous.
Great post. Got me thinking on a Monday morning. Thanks to Scott and the rest of the folks at Media Orchard.
In search of greener pastures
The desire to seek something better is a natural human desire. After all, who doesnât want something better? But humans are also naturally reluctant to change. Itâs the constant alure of something better pulling against the security of something we know that creates tension in the workplace (and, often in our personal lives as well).
Nowhere is that tension felt more than in the sometimes tempermental relationship between client and agency.
The way things used to be, it cost a lot to find an Agency of Record (AOR), especially if you measured cost in time, frustration and lost opportunities in addition to money. Clients were historically reluctant to make a change, finding it easier to stick with âthe devil they knewâ rather than the one they didnât.
But with the advent of agency directories like the Ad Agency Red Book and then agency search consultants, clients found a much deeper pool of potential candidates and a willing group of hired guns to vet them.
To be sure there were (and still are) problems with this system. The cost of hiring a search consultant was prohibitively expensive meaning only clients with larger budgets could rationalize the expense. Directories were good at providing basic contact information but not particularly reliable in allowing clients to do an objective âapples-to-applesâ comparison of one agency against another.
Then along comes the internet and the ability to process significant data points almost instantly. In the ad agency search and selection game, this technology manifested itself in the form of www.agencyfinder.com.
Now, just one disclaimer, Iâve worked with AgencyFinder before. My agency has received work from AgencyFinder and Iâve run agency reviews through AgencyFinder as a consultant. But Chuck Meyst and his crew have developed a fair and objective methodology and a rich database on agencies based in North America (and now the UK, too). And the price is right for clients who decide to search (or the search consultants they hire to do the search).
Itâs free.
Yep. Clients search the database for free because the agencies who are listed there pay a fee every year to maintain a listing and participate in the searches conducted by the service. Every agency pays the same fee no matter how big or small it is, so there are no âfavoritesâ in the system. Every agency also has to complete a long and detailed agency survey that helps clients pinpoint exactly the right service or experience they need.
And because the service is free, clients of all shapes and sizes use it. This past year, that was nearly 800 searches for agencies. Not every account went to a big agency â because not every account is a big account.
But enough about AgencyFinder. Whether you use that service or another, as a client there are five things you need to do in order to make sure your search for a new marketing agency is efficient, fair and productive:
Make sure you have taken the time, up front, to clearly identify what your agency will need to accomplish in order to be successful. Any agency worth their salt will want to know what theyâre up against. As youâve seen in our piece on client briefs falling more than a little short, many clients donât do this kind of thing very well. If this happens with an existing agency, it may slow down a project or create redundant expenses. If a client is unprepared going into an agency review (or selection process) the results could be disasterous. Imagine NEVER being on the same page with your agency ⊠yikes.
Identify the best agencies that do what you need to have done in the industry sectors in which you operate. Starting there, broaden your candidate list out to agencies with similar experiences and/or capabilities. Certainly, this is where a service like AgencyFinder has a tremendous advantage over something like an agency directory. Just remember, developing your candidate list of potential agencies is significantly more involved than just typing a search term into Google and seeing what comes up.
Have some idea of what youâre willing to invest into your marketing program once the agency is hired. It doesnât have to be a firm number, but trust me â youâll lose the good agencies if you canât tell them what youâre prepared to spend if they come up with the great ideas and show an ability to work effeciently. Telling an agency you donât have a budget or you donât know what your budget is; is the same as telling the agency youâre not serious about finding a new agency.
Have a schedule for your review in place, publish it and then stick with it. Today, a full-on agency review shouldnât take more than 8 weeks; 12 at the outside. And at the pace of todayâs economy, losing a quarter because youâre reviewing agencies can spell disaster. Be prepared to move quickly, make decisions and get the job done. As critical as the time is to you, itâs doubly critical to the agencies who will be participating in the review.
Finally, make sure you spend time with agency you DONâT select to thank them and tell them why you picked the agency you did. As a search consultant, I can tell you this is the hardest part of the job â but itâs the part that has yielded the biggest dividends for me. The agencyâs appreciate the show of respect and, more importantly, they try to improve. It raises everyoneâs game and the profession, as a whole, is better off for it.
Just like a rising tide lifts all boats, I suppose a well-run review greens all the pastures in the future.
Thinking about switching agencies and want to learn more about how to conduct a review, feel free to email me and we can arrange an obligation-free phone consultation.
A new StevensGouldPincus survey released this week showed a slight rise in the average rates charged by 105 PR firms who responded to a survey conducted by the consultancy. Â
Small agency CEO's averaged $300/hour while account executives averaged $183/hour. Â For agencies achieving a 20% profitability on gross billings, account managers and other support people averaged 91.6% billable time per work week.
Get the whole story and see the rates here.
David Ogilvy - the inspirational spark behind Ogilvy & Mather - passed away in 1999, but he left a lot of wisdom behind. Â Ogilvy's 100th birthday was this past week, so it seems to make sense we borow from Michele Miller's recent post sharing some of the old man's most noteworthy observations:
âI do not regard advertising as entertainment or an art form, but as a medium of information. When I write an advertisement, I donât want you to tell me that you find it âcreative.â I want you to find it so interesting you buy the product.â
âYou arenât advertising to a standing army; you are advertising to a moving parade.â
âSpecifics work better than generalities. When research reported that the average shopper thought Sears Roebuck made a profit of 37% on sales, I headlined an advertisement âSears makes a profit of 5%.â This specific was more persuasive than saying that Searsâ profit was âless than you might supposeâ or something equally vague.â
âWhat is a good advertisement? An advertisement which pleases you because of its style or an advertisement which sells the most? They are seldom the same.â
âThere have always been noisy lunatics on the fringes of the advertising business. Their stock-in-trade includes ethnic humor, eccentric art direction, contempt for research, and their self-proclaimed genius. They are seldom found out, because they gravitate to the kind of clients who, bamboozled by their rhetoric, do not hold them responsible for sales results.â
âBig ideas come from the unconscious. This is true in art, in science and in business. But your conscious has to be well informed or your idea will be irrelevant. Stuff your conscious mind with information, then unhook your rational thought process. You can help this process by going for a long walk, or taking a hot bath, or drinking half a pint of claret.â
âRepeat your winners. If you are lucky enough to write a good advertisement, repeat it until it stops selling. Scores of good advertisements have been discarded before they lost their potency.â
âDonât keep a dog and bark yourself. Any fool can write a bad advertisement, but it takes a genius to keep his hands off a good one.â
âWhen people read your copy, they are alone. Pretend you are writing each of them a letter on behalf of your client. One human being to another, second person singular.â
âThe best way to improve the sale of a product is to improve the product.â
âThey (general advertisers) worship at the altar of creativity, which really means originality â the most dangerous word in the lexicon of advertising.â
âWhen you advertise fire-extinguishers, open with fire.â
Good stuff to remember.
Not sure exactly how mobile marketing is going to affect local/retail business? Â Take a lesson from high-end restaurant chain P.F. Chang who spent a mere $25k and generated nearly 1 million click-throughs on their Chinese New Year offer.
Twitter's ease of use and short message makes it an ideal couponing tool.