VISUALISE VICTORY. @brilliantbutton - Tumblr Blog

fashion-runways

MAQUINN Couture Spring/Summer 2024 if you want to support this blog consider donating to: ko-fi.com/fashionrunways

foldbaron

This is some of the most beautiful animation I've ever seen.

quiddie

still not even a little over this 🥹

experienceandobservation

Simone Ashley | "Le Défilé L'Oréal Paris – Walk Your Worth" Womenswear Spring-Summer 2025 Show in France | September 23, 2024

miss-holloways

Dimension 20: Time Quangle Episode 2: Betrayed by the Theatre

eerna

you'd have to stop the world just to stop the feeling!!

(now available as a sort-of-wallpaper and print~)

allthingseurope

Rosenlaui, Switzerland (by Simon Spring)

kaitlynefallon

Ceiling in the Courtyard at Casa Milà, Barcelona

michonnegrimes

GEORGE: I remember saying, “Well, one of us has gotta be the bass player, and it’s not me. I’m not doing it.” And John said, “I’m not doing it, either.” Paul just went for it. (1995) JOHN: Paul’s bass playing is underrated. Paul was one of the most innovative bass players ever. And half the stuff that is going on now is directly ripped off from his Beatles period. He’s an egomaniac about everything else about himself, but his bass playing he was always a bit coy about. He’s a great musician who plays the bass like few other people could play it. (1980) RINGO: Paul is still, to this day for me, one of the most incredible melodic bass players around. He’s just incredible. (2016) PAUL: As time went on, I realized that I didn’t have to just play the root notes. At first if it was C, F, G, then it was normally C, F, G that I played. But then I started to realize that you could be pulling on that G, or just staying on the C when it went into F. And then I took it beyond that. I thought, well, if you can do that, what else could you do? You might even be able to play notes that aren’t in the chord. I just started to experiment. What could you do? Well, maybe you can use different notes. Sevenths instead of the regular notes, or maybe even a little tune through the chords that doesn’t exist anywhere else. Maybe I can have an independent melody. (2018)