Some wide angle shots I took back in the start of May. It was the transition of seasons and introduction of new palettes.
Keni
Not today Justin
taylor price
đŞź

tannertan36

JVL
PUT YOUR BEARD IN MY MOUTH
Monterey Bay Aquarium
Stranger Things
I'd rather be in outer space đ¸
Misplaced Lens Cap

romaâ

@theartofmadeline
Cosimo Galluzzi

Kiana Khansmith
2025 on Tumblr: Trends That Defined the Year
Mike Driver
No title available
untitled
d e v o n

seen from United States

seen from United States
seen from South Korea

seen from TĂźrkiye
seen from Indonesia

seen from Czechia

seen from United States
seen from France
seen from United Kingdom
seen from Germany
seen from Italy

seen from France
seen from India

seen from Bangladesh
seen from Ireland
seen from United States
seen from Colombia
seen from Malaysia

seen from United States
seen from Australia
@bringurownlampshade
Some wide angle shots I took back in the start of May. It was the transition of seasons and introduction of new palettes.
'you are not serious people' is a phrase that has done so much. thank you logan succession
Soo Sunny Park (b. Seoul, Korea) - Unwoven Light at Rice Universityâs Rice Gallery in Houston, Texas. Composed of 37 individual sculptural units, the installation uses iridescent plexi-glass embedded in pieces of a chain link fence to cast shimmering, colorful reflections across the spacious gallery.Â
âAuthors should not be ALLOWED to write aboutââ you are an anti-intellectual and functionally a conservative
âThis book should be taken off of shelves for featuringââ you are an anti-intellectual and functionally a conservative
âSchools shouldnât teach this book in class becauseââ you are an anti-intellectual and functionally a conservative
âNobody actually likes or wants to read classics because theyâreââ you are an anti-intellectual and an idiot
âI only read YA fantasy books because every classic novel or work of literary fiction is problematic and featuresââ you are an anti-intellectual and you are robbing yourself of the full richness of the human experience.
"you are functionally a conservative" is such a good and clarifying insult
Literally right after I saw this post, I saw another post in a discord chat for BOOK EDITORS in which an outspokenly liberal editor talked about how Nabokov should have never been published because he wrote about p*dophiles and described women's bodies in ways that made her uncomfortable. She described his writing as "objectively terrible" and said she wanted to burn his books. And other editors were bringing up classics they didn't like and talking about how they wanted to throw them in the trash. This wasn't like a light "unpopular opinion!" conversation. This was actual book editors talking about how books should be destroyed and censored.
There is something so scary and toxic in global culture right now. The revival of fascism is influencing everyone's mindset and approach to art, regardless of where they fall on the political spectrum.
I see far more books being censored today than when I was a kid. Librarians handed me The Catcher in the Rye, The Sexual Politics of Meat, and Animal Farm when I was literally 8-11. My mom would never have taken a book away from me. I read everything from the Tao Te Ching to the Qur'an to atheist texts under my desk at school. Teachers thought nothing of it or encouraged it. Books seemed universally acknowledged as sacrosanct to me.
Now I can't find any adults who don't hesitate or want to make exceptions when it comes to censorship. Even the most liberal social activist librarians I know go, "well except for book X..."
Functionally conservative. It's so important to have the language to express that.
Thank you for this addition!
I did a report on book banning once.
Actually, I did reports on book banning three separate times with three separate teachers, with three separate sets of parameters so I was able to write about the same topic in different ways, but this is specifically about the report I did in university. The actual specs for the report included that we were supposed to complete some kind of study or poll (this was not a science class). I put the questions out on a couple of forums I belonged to at the time and asked a few IRL friends as well. A lot of the questions were standard for this sort of thing, I think - were you ever assigned to read a banned book, did you ever read banned books on your own, did you read/were you assigned them BECAUSE they were banned or did you find out about them being banned later, what's your opinion on banning books, etc.
But there was one question I asked that ended up reshaping the entire thrust of my presentation: "Are there any books that you think SHOULD be banned, and if so, why?"
Here's the thing. Most of the forums I was posting on were fan spaces for a book series that, at the time, was one of the most banned/challenged books out there. It's a fandom that I have since entirely distanced myself from, that I one hundred percent do not recommend to anyone, that I will actively attempt to dissuade people from reading or talking about, and that I would like to not be popular anymore. I'm sure most of you reading this can guess which one I'm talking about (I won't name it or go into specifics because I don't want to trip any filters unnecessarily). But it was KNOWN that these books were banned in a lot of places. A lot of people wore the "I read banned books" badge with pride. I fully expected that the answer to that question would be a resounding "no" from the forums, and that I'd maybe get a few affirmative answers from one of the other spaces.
I was shocked. Not only did a lot of people come back with either "not exactly but I think we should keep [author] or [book] out of the hands of children" or "yes, [book]/anything by [author] should be banned because XYZPDQ", but not a single person who responded gave me the same answer. The only one I remember - keep in mind it's been almost twenty years - was that one person specifically said The Bone Collector, and for the "why do you think it should be banned" question, they only said, "No. I'm not explaining it. It's too horrible to even think about. Just believe me when I say nobody should ever be allowed to read this book."
I highlighted that last comment in my presentation, along with several other of my "favorite" official reasons for banning books - the Alabama school board that banned The Diary of Anne Frank in 1984 because it was "a real downer", the district that removed A Raisin in the Sun because it was "pornographic", the library that took Charlie and the Chocolate Factory out of circulation because it "might be hurtful to children without parents", and things of that nature - and pointed out that all of these were the same thing. This was somebody saying "I don't like this, therefore nobody should read it, and I shouldn't have to explain why." I also pointed out that if you can't give a good reason, the whole thing falls apart, and then I quoted "Smut" by Tom Lehrer:
All books can be indecent books, Though recent books are bolder, For filth, I'm glad to say, Is in the mind of the beholder. When correctly viewed, Everything is lewd. I can tell you things about Peter Pan And the Wizard of Oz - THERE'S a dirty old man...
Go back to that paragraph I mentioned earlier, about those books that I no longer recommend to anyone. Notice how I phrased that. I don't recommend them. I will tell you all the reasons why I don't think you should buy them. I will tell you all the problems with the author, with the franchise, with the writing. I wish they were out of print, I wish they were deeply unpopular, I wish nobody would ever read them again.
But I still won't advocate for banning them.
It's so easy to twist a justification. Look at what I quoted up there! A Raisin in the Sun was banned for being "pornographic". One of the websites I used as a source responded to that accusation with "Did they read the same play I did?" At the time, I thought the comment was funny. Now, twenty years later, I realize: It was a buzzword. It was a convenient label. At the time of the challenge, just saying "it's pornographic" was enough. Obviously you're not some kind of sicko who wants to hear about all the pornographic details, are you? Freak! That's pornography! And they're teaching it in schools! We should get rid of it!
A Raisin in the Sun, for anyone who didn't study it at any point or read it (or watch the movie, which was very good), is a play/movie about a black family in Chicago in the 1960s. The family matriarch has been in domestic service for years, but she's just received a very large insurance payment from her husband's death and is retiring. Wanting to give her family, especially her young grandson, a better life, she goes out and buys a house...in an otherwise exclusively white neighborhood. The head of the homeowner's association (essentially) comes to visit them and offers to pay them a substantial amount of money to not move into the neighborhood, because segregation isn't officially a thing and they can't legally stop them from moving in, but they don't want them there. There's a lot more that goes on in the play, and I highly recommend you go and read it, but the point is that there is nothing sexual or titillating in the entire thing. The closest we get is a scene where the daughter (Beneatha, a college student) is gifted a traditional African dress from her boyfriend, who's Nigerian, and he shows her how to put it on over the clothes she's already wearing, and maybe the scene where the daughter-in-law (Ruth, a laundress) accidentally reveals that, having found out she's pregnant, she's planning to have an abortion rather than bring another child into the world/have another mouth to feed.
It's not pornographic. But someone didn't want it taught in schools, so they called it that to get it banned.
It's so easy to twist labels. If you, a liberal, agree that books with X trait are okay to ban, the people who don't want books to exist will find a way to say they have X trait, and then what are you going to do, admit that you like that sort of thing? Sicko! Freak! Pervert!
You don't have to like the book, or the author, or the topic. But if you're advocating for banning them entirely, you're functionally a conservative.
Sometimes you really gotta decide for yourself it's the last time the universe gonna teach you that same lesson
"You could get up early and do it before work" I could also wait for a magic beanstalk to start growing in my living room LMAO. Let's focus on things that happen in the real world
(via Men In The Cities: The Photos Behind Robert Longoâs Spellbinding Art (1979-1982) - Flashbak)
"Long Live the Festival of the Workers of the World! Happy May Day"
Sticker spotted in Vancouver, Canada
All this discourse over who does "painting with light"
Hiroshi Nagai's paintings need sunglasses to look at.
They look like how it feels to walk across a parking lot on a 98° summer day without a speck of shade in sight.
They look like heaven but also like you'd burn your bare feet on the ground.
Even when you can see shade you know it's not enough and the minute you step out you'll be burnt to a crisp like a vampire.
And it's BEAUTIFUL
I'll throw in the wonderful Eizin Suzuki into this ring too, a man whose work just breathes light without actually using dynamic lighting in the usual way. It's no surprise both Nagai and Suzuki are both considered prolific in art pertaining to the city pop genre because they're able to paint these kinds of scenes with a delicate touch.
This feels like I could trip on that radio and fall right into that water, feeling the crystal waves as I drop in.
And this, a nice stroll down a resort strip, where my sunscreened skin could literally feel cooked if I leaned too close to the tiling.
And then a nice stretch of summer street, wherein you could see your face in the flushed red of that car provided it didn't blind you from its sunny reflections.
I don't think I even need to say anything more, Suzuki's a massive influence in how he even places colours so warmly in such unorthodox manner. It's a naturally sunkissed talent~ đ
Getting high on open window air
geneva l haley
the fun thing about having a mental health crashout in your thirties is that sure yeah you're crashing out, but at the same time there's a part of you standing across the room smoking ben affleck style, going yeah yeah you're crashing out. you crashed out before you will crash out again can we wrap this up yet. and the most annoying part about it is that they're right, and that that does Not stop you from crashing out even a little. love and light on planet earth.
Truly hate the way "did this person do something that actually harmed someone" and "do they deserve to be unpersoned for it" are considered the same question
"Do you support [person]?" is the kind of binary question that comes out of an atomized social landscape where people do not get to practice thinking about how many kinds of support there are
you can support someone being treated like a human being and not have their human rights violated while also not supporting giving them any power over others because theyâve been shown to abuse it. you can also support people living their lives and doing what makes them happy while also not supporting the idea of their lives overlapping with your own personal one because youâre just not compatible and thatâs best for everyone. the world isnât made up of two doorways that say âPerfect Moral Personâ and âPerson Who Needs To Be Fed To Piranhasâ. thatâs not rlly how it works. there are lots of doors.
"but you don't understand, only BAD people get fed to piranhas. ME and everyone i love are GOOD people so we will NEVER be fed to piranhas!"
petition for things to stop
When my son was about to turn two, strangers would offer condolences. Thereâs a collective cultural dread of toddlers, who get described more like animals than people. Kids in their "terrible twos," I was warned, are illogical, unregulated, and feral. "Good luck," people would say. "He'll grow out of it."
I'm lucky: My son is a very easygoing kid. But I remember the first tantrum he threw for me. He was standing by our front door and asked to go outside. So I opened the door and grabbed his shoes. But as soon as he stepped onto the porch, he pointed back into the house.
"Inside," he said.
"Okay," I said. I picked him up and brought him inside.
But as soon as I shut the front door, he pointed outside.
"Outside!" he said.
You know where this is going. We went back and forth, inside and outside, again and again. He got more frustrated. And I got more frustrated. Eventually he wound up straddling the threshold of our house, sobbing. When I tried to comfort him, he screamed at me. "You go wherever you want!" I said. He just got madder. I felt trapped, convinced heâd concocted the whole episode as a pretext to unleash his rage at me. It was ridiculous. I consoled myself with the thought that he was just being a toddler.
But later I kept thinking about him wailing at our front door, one foot inside, one foot outside. His misery wasn't unreasonable, or trivial, or silly. My son was experiencing the agony of wanting two things that were impossible to have at the same time. What a fundamentally human sorrow! My son wasn't being a toddler; he was being a person. Adults may not walk around howling, but that same pain rages within us. In that moment, as a father, I was powerless to solve my son's problem. I told him he could go wherever he wanted, but of course I was wrong. To be where he wanted was impossible.
Make Believe: On Telling Stories to Children by Mac Barnett
"Neighborhood Watch"
as a birdwatcher, i registered a certain familiarity with how the entire neighborhood converged with their horns and whistles to drive away the threat. this is definitely a rough piece, but i had to get it out of me.