if Sherlock Holmes was a tumblr user heād be like prev reblog I noticed you tagged this gifset of Ryan Gosling in the Barbie movie trailer with āI want to *** *** *****ā which you likely wanted us to interpret with a vague sexual meaning however three weeks ago you posted that you were researching Greek myths for fun and ever since then you have ācoincidentallyā used prometheus as a topic in several of your funnyguy posts that you wanted to blow up but only got 200 notes and coupled with your love of birds I can only assume that your tag actually meant āeat his liverā and that youāre deep in some sort of Prometheus hyperfixation that youāre coy about for some reason probably because itās so weird. and then everyone on here would get all scared because of him
I've been meaning to make a post talking about my stroke because y'all got bits and pieces of the recovery but I never actually told the story of HOW it went down and the thing is the type of stroke I had is usually the type young people have and since having mine i've now heard multiple stories of people under 40 having very similar strokes and the scary thing is, is that they didn't get help right away. Because you're young and healthy and sure you feel weird but it'll pass right? but it doesn't, and it gets worse, and by the time you get to the hospital (some people literally take days to go) the deficits are worse and recovery is harder.
so here's a super long post about strokes in general, and mine in particular/what I went through.
So for strokes the signs are abbreviated BE FAST. Balance loss, Eyesight changes, Face drooping, Arm weakness, Speech difficulty, -> Time to call 911.
Had I known those MAYBE I would have figured it out but my symptoms were a little mixed. I was reading (fanfic!) in bed because it was a sunday morning and i had nothing pressing to do and suddenly got dizzy. I put my laptop aside because my eyes were blurring (Eyesight changes - symptom #1), and laid down, thinking it would pass, it didn't, it's a little vague how it progressed because I'd been having headaches and neckpain for about 3 weeks leading up to it so I was like 'idk is this a migraine?' (headaches can be a stroke symptom so symptom #2) but i got nauseous and eventually got up and to my utmost surprise I immediately fell over as if I was the drunkest of frat bros. The room literally spun before my eyes as I fell to the floor (Balance loss - symptom #3). I have had some Nights and I had never been that unsteady before. I crawled my way to the bathroom, threw up (nausea - not a common stroke symptom) , took 800mg of ibuprofen, and crawled back to bed.
if you know anything about ibuprofen you might know it's a mild blood thinner and that's a high dose. I may have inadvertently helped myself with that one. I was just feeling like shit and thinking 'idk this might help'
At this point I still thought we were still in Normal Land. Sure, it was a weird morning, but Surely There Was A Reason. (Yes There Was) Anyway, as I'm lying there willing my body to stop suffering I realize my arm is going numb (stroke symptom #4) and I switch positions, because weird, but it doesn't go away, and I gave it a good little while. I'm on a medication that can make my limbs tingle but it usually just does it to my fingers and it dissipates quickly but this wasn't dissipating, and then I realized one of my legs was also going numb. Then one side of my face is going numb.
(at the time I did not look in the mirror but I had a drooping eyelid - symptom #5)
Those all seem bad. I grab my computer and google 'when to go to the hospital for dizzyness' as that felt like the worst of my problems. and indeed the list I found highlighted that if you are also experiencing loss of balance, blurred vision, nausea, and limb numbness, you should see a doctor. That seems like far too many symptoms to be having all to be listed. I grab my phone (thankfully plugged in and by my bed), and start layering on more clothing because it's about 10 degrees out and i'm in a pajama dress. The very nice man at 911 talks with me and sends an ambulance, I tell him I don't think I can get out the front door of my building on my own and he asks if I can get to MY apartment door to which I say yes and he assures me that's fine they will have keys to my building.
(I have been since informed they love to chop down doors but no, I could get that far)
I wait by my door laying down on the ground and they arrive pretty quickly. They see to me in the hallway, which is more of a lobby in my building and the only place with room for me to lie down (I cannot stand unassisted at this point) they ask me a bunch of questions, take vitals, and ask me where I would like to be taken. Me, having never had to go to the fucking hospital in an emergency before, simply go 'wherever is close' because I again, I am having a stroke and do not have the wherewithal to think through these things.
A big firefighter helps me down the stairs (it's only a half flight and I still almost did not make it) and we get underway.
At the hospital they wheel me into triage and I mostly lie there gratefully and answer some questions and respond to some tests (grip strength, following a pen with my eyes, that sort of thing) and then I hear what is great when you've been at urgent care for two hours but what is Very Bad when you just arrived in an ambulance and that's 'She's next'. I jumped the line for a CT scan and an MRI. I was there less than ten minutes before I was actively being scanned. honestly closer to five.
my active symptoms seem to have been worse than some of the stories I've heard, not being able to walk AT ALL in particular, although some other are pretty equal (Footless Jo on youtube had a stroke around the same time I did of the same type and has discussed hers, she delayed going in despite the severity for a variety of reasons and it sounds like her recovery has been difficult) My recovery was pretty easy because i was actively being cared for and on blood thinners right away. My stroke was caused by an vertebral arterial tear, aka the inner part of an artery tore which can cause a clot. This tends to be the type of stroke young people have although I'm sure it's possible to have a different type.
I was pretty out of it in the beginning, but I was only in the hospital for 6 days and then in a rehab for another 4 to relearn how to walk and balance, then i was released unto the world and just spent time going to physical therapy and recovering for awhile. I was out of work for about 8 weeks total. I basically had the best outcome for a stroke. I recovered almost fully back to 100% (I'm about 2% less sure footed than I used to be, but it's rarely noticeable), my face still feels a little weird but has markedly improved so I live in hope it will eventually get back to normal. It massively sucked. But strokes can fuck you up for life and I came out a weird medical story to tell and have to take some extra medication now/precautions to take (i cannot do certain types of yoga, no weightlifting, no push ups, no going on rollercoasters.... things that could strain my neck essentially) but overall I escaped very lucky.
image description: tweet by olayemi olurin @/msolurin, reading: There's no high like making a successful hail mary argument. A prosecutor once asked for bail on my client because he had like 63 convictions and I was like judge... 63 convictions sounds like a man who showed up to court at least 63 times. And the judge was like yea you right /end description
Iām soooooo embarrassed. My lord told me āgood night,ā but I thought he was calling me a good knight, and, well, you could hear it clink against my codpiece.
okay this is getting notes again from people baffled at the concept of roblox porn. ("you mean the blocky game for children?") some replies mention the universality of rule 34, which is a thing, but for roblox specifically you have to keep in mind that as a game it's been around for about 2 decades with most growth happening in the last 10 years. a cursory search indicates 200 million monthly active users in 2021, meaning a cohort of 13 year olds back then would be experiencing psychosexual development on that platform just in time to be 18 and churning out pornography right now. i initially made this post after coming across horny roblox artwork that was clearly not some guy going "heh >:) that lego ripoff game that exploits kids? here's what the characters would look like naked >:)" - this was heartfelt smut drawn by someone who lived it; this was fandom porn. we jerk off to what we grow up with, and we make art of what we jerk off to, a pipeline which this very website used to exemplify back when porn was still legal. as someone who beats it to cartoons and draws about it it is certainly not my place to judge. that's not even mentioning that 44% of roblox's playerbase seems to be 17 or older. in conclusion i have never played roblox (i did my time on second life instead) and minecraft came out a while after i'd already reached sexual maturity; therefore my dick remains completely soft regarding either game. thank you
I really donāt want to open this can of worms because Tumblr hath no fury like people called out on their political performativeness but it is literally driving me up the wall to watch people react to Serkisā ākeep Tolkien whiteā commentary by insisting twice as hard that Tolkien would descend down to earth and dropkick the entire Republican party to hell or whatever, just because they want to ensure that a piece of media they enjoy isnāt seen as being morally impure. Case in point: I have seen at least five instances of Tolkienās āI hate apartheidā valedictorian address being used as a ācounterā to Serkis being racist, including by actual news outlets.
Except itās only ever the āI hate apartheidā line thatās shared, and not the actual quote in its full context. Because here it is:
If we consider what Merton College and what the Oxford School of English owes to the Antipodes, to the Southern Hemisphere, especially to scholars born in Australia and New Zealand, it may well be felt that it is only just that one of them should now ascend an Oxford chair of English. Indeed it may be thought that justice has been delayed since 1925. There are of course other lands under the Southern Cross. I was born in one; though I do not claim to be the most learned of those who have come hither from the far end of the Dark Continent. But I have the hatred of apartheid in my bones; and most of all I detest the segregation or separation of Language and Literature. I do not care which of them you think White.
Which is to say. This isnāt exactly the antiracist quote of the century, to say the least. This is a white South Africa born man and a white Australian shaking hands and going āomg we relateā and expressing what is a very, very mild āsegregation is not greatā opinion in order to convey his thoughts on an academic subject, ie the confluence of language and literature. Using race to make a point about his own subject of interest, in his own interest, which is, amusingly enough, what a lot of ostensibly well meaning progressive seem to be doing.
I also think that some of the general surprise around āwhat do you mean large swathes of the Tolkien fandom are incredibly conservative!?ā in lib/left Tolkien fandom is the result of a tendency in said parts of the fandom to transpose oneās own progressiveness onto Tolkien and turn a blind eye to things like, say, the Shire being a very specifically mid-century British racist construct that is very, very clear in its politics, often going so far as to insist itās anarchist or an ideal society or whatever the fuckā¦ and then getting really Pikachu-meme ābut theyāre misreading itā every single time a conservative explains exactly what it is about the legendarium that they really love, and get surprised when someone uses the Shire being a racist construct to do more racism. It is 2026 let us do away with āI donāt see colourā interpretations of media, I beg. Nobody is cancelling you for enjoying a book that is not kind to race. Most of the books I love are not kind to race.
I genuinely donāt have the energy to go deeper into it now because I and others have been beating this drum for ages but like man. Man. Iām not surprised by Serkisā comment. I donāt really give a shit about what Andy Serkis says and does because if I was the kind of person who gave a fuck about Andy āI felt like an ethnic minority on the Black Panther setā āI somehow interpreted Animal Farm in the most ridiculous way possibleā Serkisā opinions on anything, let alone race, my life would be much sadder. I think the adaptation will be an enshittified money-grab, and I will probably embrace cannibalism when McDonalds inevitably starts giving out little Gollums with every Happy Meal. Again.
What I am surprised and disappointed by is how the liberal-left reaction to this shit is to always and forever just either pretend it doesnāt exist in the text, or is the result of a complete misreading. So seldom is the response āfuck me, this book has some real wild thoughts on race, letās see how we can engage creatively with that in an adaptationā. Which has never happened. In fact, all your thoughts on Amazon and lore faithfulness and other adaption criticism or applause aside, TROP, the only Tolkien interpretation that has directly engaged with race has thus far done so very, very badly, and only on a surface level. Why?
Because the loudest parts of liberal Tolkien fandom is not interested in exploring race as it exists in the text, to explore it progressively, to engage creatively with the structural conservatism present within the very construction of Middle Earth. Theyāre interested in concessions that change very little: you can have your brown elves, as long as we donāt have to think about the implications of foundational aspects of our beloved world, which we relate to greatly and do not wish to think about why we relate to it beyond our own experience of encountering the text.
No, itās always either an insistence that the Racists are Wrong because the Text is Pure, or a slight, grudging concession that Tolkien had āa few racist elementsā but ānothing like the racism of todayā. Of course itās nothing like the racism of today. Tolkien isnāt writing in 2026. It was the racism of yesterday, and it is very clearly written into the text. Tolkien is not your mildly problematic grandpa. Tolkien was an Oxford don with an enormous, wide-ranging cultural impact, and refusing to acknowledge that is the misreading, not the pointing out of or engagement with structural racism within the text.
There's also a version of this where people cite Tolkien's 1938 letter to the German publisher, ie the one where he refuses to confirm he's of "Aryan" descent and basically tells them to fuck off, as the other canonical "proof text" that Tolkien Was Not Racist, and it does the same flattening as the valedictorian quote. It's a great letter, very āget thee gone from my gateā but it is also a letter about refusing a specific, legally coded Nazi racial category, not a statement about the internal racial logic of his own fiction.
Nobody is saying Tolkien was a fascist white supremacist Nazi. Hell, Tolkienās own thoughts on military atrocity is pretty clear in the depictions of the escalating kinslayings. But people love to conflate "hated actual fascism, said so on the record and is very evident in his fiction" with "therefore the legendarium contains no racialised hierarchy," as though those two things have to rise or fall together, when they don't. You can be sincerely, personally opposed to Nazi race science and apartheid violence and still write a mythology where moral and aesthetic worth consistently map onto a Northern-European somatic ideal. Because the racialisation Tolkien both inherited and passed on wasn't Nazi race science, it was the broader Edwardian/interwar philological raciology he was actually swimming in, hell, drowning in, considering the Oxford environment. And I find it so, so frustrating how fandom keeps failing to make this distinction: structural racialisation and personal bigotry are not the same axis, and refusing to be measured on one doesn't clear you on the other.
The Southrons/Easterlings material is obviously the part most quoted when it comes to Tolkienās āproblematic elementsā except it's imo super telling how rarely it actually gets quoted compared to how often it gets vaguely waved at (except Charles E Mills. I love you Charles E Mills). Anyway āBlack men like half-trolls," swarthy, slant-eyed, riding out of the south and east to serve Sauronā¦ itās the same mapping of good-north/evil-south-and-east you get in a dozen other early-twentieth-century adventure texts. And this imo actually undermines the "it's just medievalism, calm down" defense, because medievalism is a selectively retrospective construction of which past you're claiming and which one you're othering, not some sort of static, neutral historical styling.
Tolkien's medievalism is specifically Northern European heroic-elegiac medievalism, the "Northernness" he talks about loving as a kid, and that aesthetic preference is not extractable from the racial hierarchy it produces on the page. You cannot keep the aesthetic and disclaim the politics because as in all art, the aesthetic is the politics, that's what "structural" means as opposed to "incidentalā, and I just wish that many extremely clever people who understand this in a contemporary sense would allow themselves to feel uncomfortable and look at it in a beloved text.
Jackson's trilogy didn't invent racialisation in Tolkien, hell I think he even softened some of it because the Scouring is straight up impossible to adapt without it being very clear about its politics, but his adaptation does go quite some way make the existing racism legibleā¦ casting, costuming, choreography and cinematography does the same racialised sorting the text does, and does it visually: Uruk-hai as a kind of grunting brutalised, brutalistic mass, Haradrim on oliphaunts as a fairly straightforward Orientalist boogeyman, and the Fellowship itself photographed like a Pre-Raphaelite fantasy lmfao. Serkis isn't introducing a new interpretive layer with his commentary, hell Serkis was in all those Jackson films as well! Serkis is being very clear about what aspects of the legendarium matter to him, and that aspect happens to be the whiteness of it all. And I genuinely cannot understand why the huge āscandalā around his comment is not that someone said the quiet part, but that saying it out loud is what became the scandal, taken as some kind of transgression against Tolkien and all his readers with Good Politicsā¢ļø, rather than the quarter-century of adaptations, readings, and analysis of the text that wordlessly encoded the racism and got called faithful and dedicated for it.
I didnāt want to go to author is dead territory but. Fandom discourse keeps reaching for authorial intent as the arbiter of textual meaning in exactly the way most of these same people would reject in any other context. Everyone is a massive New Critic the second the author in question is someone they love. But Tolkien doesnāt need to have consciously intended a racial hierarchy or a white nationalist mythology for the text to functionally produce one, for it to be so loved by conservatives and ethnonationalists who come fifty years after his time.
Intent is not even a contested position in literary theory, it's just the very basic understanding that "text has ideology independent of authorial intent". The insistence on relitigating Tolkien's personal feelings as though that settles the structural question is wild to me, and I find it so extremely unproductive how liberal fandom reaches for this constantly, repeatedly chanting Tolkienās few vaguely liberal statements that read far less liberally in context. But I guess the alternative, ie reading the actual construction of race in the legendarium on its own terms, requires giving up the fantasy that the thing you love is politically inert. And itās just so sad man. Like I fucking love the legendarium, and I think insisting on its moral purity is the worst thing you can do to it.
I think my entire argument can be summed up in a few questions. Why do conservatives keep saying "I love Tolkien" completely unashamedly, in a way they donāt realy say about most other ācanonicalā twentieth-century texts, while we on the left have to perform a whole apologetic dance before we say it? What is it that they embrace about the text, that we have to occlude in order to express an unproblematic āloveā? Why do we have to disavow parts of a text to claim we love it? Who are we performing to? What are we losing in focusing so hard on this performance?
This is why the Serkis-style comment, or the Rings of Power casting discourse, ends up being the deepest engagement we collectively get in fandom terms. Because both "sides" of that fight are actually shallow in the same way, just from opposite ends. The right-wing backlash to diverse casting is, repulsively, responding to something absolutely present in the text: a defensive crouch around a racial aesthetic it identifies as being under threat. The liberal-left response, the "just add brown elves" gesture, claims the problem to be one of representation and casting rather than structure, which is precisely why the racial elements of The Rings of Power satisfies no one and changes nothing.
You can put actors of colour in NĆŗmenor and Harfoot villages and yet the underlying moral framework of who is coded as inherently noble and who as inherently monstrous, whose skin colour the textual narrative uses as a standin for corruption, stays completely untouched. Again, see my TROP link above, with the jihadi-coding of the villains. Because that framework isn't located in the casting of an adaptation, it's located in the construction of Arda itself and physiognomy-as-morality at the level of the prose itself, constantly present throughout the text. Casting a Black actor as an elf doesn't do anything to the fact that "evil race coded as racially other" is still sitting right there in the Southrons and the orcs, unadapted, undiscussed, doing exactly the same work it always did, and this work takes on a new look in post-2001 adaptations.
So what you get is two adaptations of the same tiresome insanemaking discourse rather than two different arguments: the right defends the racial aesthetic as the substance of their love, and the liberal mainstream defends the fantasy that representation-level tweaks constitute engagement with race. And so, nobody actually produces the adaptation that takes seriously what nonwhite Tolkien scholars have been saying for decades, which is that you'd have to touch the orc/Southron/Valar/Valinor/blondeness architecture itself to ever productively have this conversation. Not diversify who plays the good guys, but interrogate why "evil" in this legendarium has a face and a hair colour and points compass east.
But if the talk about this goes on as it does, and continues between Tolkien the Pure versus Tolkien the Misread, there will never be anyone willing to make that adaptation, and weāll go on forever in a sisyphean climb, where both the reactionary embrace and the progressive denial are just two versions of refusing to read the same damn book. Basically, I think we on the left etc need to stop treating "is Tolkien racist" as a yes/no gate you have to clear before you're allowed to enjoy the books, and stop acting like enjoying problematic media makes you a fascist. We need to start treating the racialised architecture within Tolkienās world as the actual object of study, same way you'd read imperial romance or Forster or Kipling or Haggard, without needing to acquit or convict the author first.
Which means we have to name the conservatism specifically rather than gesturing at "some outdated attitudes," trace where it comes from historically (the philological Northernness Tolkien grew up steeped in, not some special personal failing that reflects badly on you), and then ask what an adaptation would look like which dramatised that rather than smoothing over it or weaponising it. We have to let go of the idea that critical engagement is disloyalty, and let go of the idea that loving something requires defending its honour. We need to get the resilience needed to engage with the idea that a work can be both formative and ideologically compromised at the same time.
We donāt need to resolve that tension into either adoring hagiography or totalising cancellation. If we do, we're going to keep getting ākeep the Shire whiteā Serkis soundbites and āhooray we cast a brown elf in our we-invented-elf-jihadis show!ā news cycles standing in for a conversation that hasn't actually started yet, and ngl buddies I have to say I personally will be biting people the next time I see yet another rendition of the same damn response-reaction cycle start again because everyone, both the conservatives and the left, wants the things they love to be a reflection of themselves, and will twist themselves into pretzels to ensure that remains the case.
weed gummies are such a fake sounding concept like yeah if you eat this piece of candy and wait an hour you'll suddenly become very easily entertained and airheaded and cuddly
there's a group of high school boys in this McDonald's and I just heard one of them say "I bet you you cannae break your own arm" so something interesting might happen shortly
at one point I went so limp and unresponsive Ship started trying to find my pulse, and I immediately clocked that they were doing this and thought "oh they don't need to do that; I have a pulse oximeter on" but it took me like a full minute of focusing all my mental effort and willpower to be able to actually communicate that with my mouth words to them. I was thinking very clearly! I was thinking more clearly than Ship was!
when you're on antipsychotics like that, it doesn't make things fuzzy inside your head. it doesn't make you less conscious. it makes you locked in. its medically mandated Locked In Syndrome for as long as the drug is working like that for. its like being tortured. it only looks like being sedate and calm and quiet from the outside because you CAN'T CONTROL YOUR BODY. its truly torture and I have no doubt that in 200 years, inshallah medical science continues advancing, people will be rightly teaching that it was a horribly inhumane way to treat patients. it is so, so fucking awful.
It has been ten hours and I have two more in which to accomplish this and I am going to accomplish this. I am going to take a break between this sentence and the next and go read the first of the two. And I did. And now I will go read the second.
It has been ten hours and I have two more in which to accomplish this and I am going to accomplish this. I am going to take a break between this sentence and the next and go read the first of the two. And I did. And now I will go read the second.
This isn't necessarily literal. It can apply to characters who aren't children too. But there's something about characters who are either certain of the fact, or terrified of the possibility, that they are just fundamentally wrong and bad at their core
