Elisabeth/Noah ; the end is the beginning

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@broccolitcelli
Elisabeth/Noah ; the end is the beginning
how morally corrupt is your 19th century love interest on a scale of “aloof rich guy who doesn’t know how to express his feelings” to “has a secret wife in the attic” and “tries to dig up your grave so he can embrace your dead body”
She remembered how to kill and how to hate, but she’d forgotten how to grow.
لا أستطيع أن أكتبَ عن دمشق، دون أن يُعرِّشَ الياسمين على أصابعي. ولا أستطيع أن أنطقَ اسمها، دون أن يكتظَّ فمي بعصير .المشمش، والرمان، والتوت، والسفرجل - I cannot write about Damascus, without the jasmine climbing on my fingers. I cannot say Her name, without my mouth getting overcrowded with apricot juice, blackberries and quince.
Nizar Qabbani, A Green Lantern on Damascus’ Door (via lesgardenias)
what wall?, eric owen moss, 1998 | culver city, california
ig: phdonohue
Call Me By Your Name (2017) Dir. Luca Guadagnino
100 Fiberglass and Resin Skulls Fill a Room at the National Gallery of Victoria in Melbourne
Helene Cixous. I was obsessed with this for a long time / obsession as a way of seeing / obsession as a working method / a dream we all know.
Andy Dixon
“Venus Painting”
2017, 70″ x 51″
“A Map of Nowhere Showing Everything”: Andre’s Plan & Map Drawing (1891) | Making Maps: DIY Cartography
Filed under: maps
“How right that the body changed over time, becoming a gallery of scars, a canvas of experience, a testament to life and one’s capacity to endure it.“
Danai Tsouloufa . 2012
// the napoleon of crime
UNRAVEL3
Midnight Door, “Everybody Is Dreaming,” Tomorrow Was (The Cello Quartets) LP (Music Is The Road Records, 2011)
Composer: Luke Janela
And I, infinitesimal being, drunk with the great starry void, likeness, image of mystery, I felt myself a pure part of the abyss, I wheeled with the stars, my heart broke loose on the wind.
Pablo Neruda, 100 Love Sonnets (via arebirthofwonder)