Give me less "being kind requires zero effort" and more "being kind is worth the effort it takes."
Show & Tell
Lint Roller? I Barely Know Her
Keni
will byers stan first human second
taylor price
art blog(derogatory)
trying on a metaphor

pixel skylines
Cosmic Funnies
No title available

❣ Chile in a Photography ❣
Not today Justin
i don't do bad sauce passes
h
I'd rather be in outer space 🛸
DEAR READER
noise dept.
dirt enthusiast

祝日 / Permanent Vacation

Kiana Khansmith
seen from United States
seen from United States

seen from United States
seen from United States
seen from Ireland
seen from Germany
seen from United States

seen from United States
seen from Ecuador
seen from Ecuador
seen from United States

seen from United States

seen from South Korea
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
@brunettemermaid
Give me less "being kind requires zero effort" and more "being kind is worth the effort it takes."
me looking up the definition of a word i totally know the meaning of i just have to make sure it didn’t change for some reason or i made it up
i think the life of a showgirl is about creating your own happiness. she’s literally singing about that on opalite. on actually romantic she’s making light of something heavy so she doesn’t have to carry around that extra weight. on cancelled she uses her lived experience to support the people around her through their hard times. on honey a lover gives new meaning to words that once felt pointed and sharp. your life is never set it stone. it can change—YOU can change it.
i need to simmer on this more but "redefine all of those blues" might be the album thesis statement.
No matter how profoundly sad a Buffy episode is, someone will walk in on you watching a scene like this
i've posted about this on another blog before BUT i was thinking about hamnet again in the wake of the film's continued production and i am again wondering how maggie o'farrell would have told the story differently if she'd known then, as we now do, that anne hathaway did live with shakespeare in london:
But this past April, Shakespeare, the journal of the British Shakespeare Association, published new research from scholar Matthew Steggle of the University of Bristol about a 17th-century letter addressed to “Good Mrs Shakspaire.” The discoveries show the couple might have lived together in London at the time that Shakespeare was writing Hamlet and Othello, dispelling certain myths about their marriage.
a central element of the tension in hamnet is the emotional tension between agnes and shakespeare because of the physical distance between them—but we now know, historically, they very likely lived together at the precise time o'farrell emphasizes they were most apart: when shakespeare was writing hamlet (thus potentially in the wake of hamnet's death). i obviously think hamnet is a beautiful piece of historical fiction and a powerful exploration of grief (i have certain critiques about its conceit, but that's for another post lol), but in the wake of this revelation, its emphasis shifts further from the historical to the fiction. which again begets the question: how would o'farrell have told the story differently? how would she have illustrated agnes and shakespeare processing their grief physically together in a small london apartment but likely emotionally apart? there's something arguably more painful about the idea of exploring their immense grief within a single room of one another, in the same living quarters, but neither can find the words—what a heavy silence that would be.
heartbreaking:
girl has sooooooo many ambitions and ideas for projects but can only get 1.5 basic tasks done per day
i don't know why i've never made the connection that both exile and betty (so the two w.b songs) use the imagery of the couple dancing and the third person watching from across the room -> that is of course now repeated also in ruin the friendship. i wonder if she uses that scene over and over cause shes likes it / cause it's a common imagery or because it's based on a real specific memory
yes!!! i've noticed this too!! it's probably in her shorthand playbook of common, relatable but cinematic images for sure. but i think it's also a microcosm of a specific tension that she's fixated on across her body of work so far. like people say she loves a love triangle, but that's not always right imo. what i've noticed is she specifically loves that dynamic of a perhaps objectively mismatched pairing where the third person (often her) longs unrequited. almost like they're not allowed to even long for them for whatever reason. Ivy has this too, and midnight rain to a degree, even ybwm holds this configuration. style mentions it however abstractly "you've been out and about with some other girl". countless others. maybe that she has a thing for forbidden fruit, or that she's into being the forbidden fruit herself, a rebellious inclination born of her lifelong anxious compulsion to be "good." or its a broader exploration of an eternal regret she can't shake. it's so specific, that tension, always wondering if you made a mistake actually, always a choice not chosen hovering on the periphery. I look in people's windows really explores that too where she talks about how she can't help but long for what if's and if only's, from across the platform, across the street, the subject of her longing nameless and anyone really. capitulating to the revelation that it's perhaps the perpetual state of longing she longs for rather than the person on the other side of the room. but also there's a bit of hope there too. she still hovers on the fringe as the unchosen choice, just outside the window as if to say yes, you made your choice, but it's not too late, I'm still here, you can choose again. and inversely, as the one making the choice herself, the longing observer stands on the sideline as not a ghost of paths not taken haunting her forever but a lifeline still dangling. it's not too late, i'm still here, you can still choose again. Whether she even wants to choose again is beside the point and it's more the comfort of knowing she can if she wants to, that her fate is not sealed. Perhaps that's what makes ruin the friendship situation so devastating to her, that lifeline has been severed forever and that choice she made, that she still turns over in her head, is sealed now, irreversible. to her, it seems there is nothing worse than that.
not to be annoying or anything but,🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️ 🎃🦇🍂👻🕸️
Death and The Maiden by Marianne Stoke [1908] The Other Side by Dean Cornwell [1918] Romeo and Juliet by Sir Frank Dicksee [1884]
“That’s why it’s hard to make friends when you’re older,” she said. “Friendship is rude.”
Her friend’s eyes widened. “What?”
“Think about it! When we’re kids we decide who we like and stick by them no matter what. As adults, we’re taught to be polite.
But, friendship is an imposition— at least, I want it to be. Call me after nine o’clock. Don’t think you’ll ever wear out your welcome. Overshare, show up at my door, go to the grocery store with me so we can waste another hour chatting.
We’ll never be friends if we spend all of our energy trying not to bother each other.”
“That’s why it’s hard to
make friends when you’re older,” she
said. “Friendship is rude.”
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
I once heard a quote by a dude named Alan Watts that went “A person who thinks all the time has nothing to think about except thoughts. So, he loses touch with reality, and lives in a world of illusions” and now when I get trapped in an anxiety spiral that likes to pop in too
I think the internet might be like this as well actually
This quote may in fact be the philosophical highbrow equivalent of Bitch Go Touch Grass
“Why do people like a character who’s committed war crimes but hate this other character just because they’re annoying” because it’s fiction Susan, and being annoying in fiction is a greater sin than being a supervillain, because it won’t make me want to read about them. It isn’t difficult to understand
“It is absurd to divide people into good and bad. People are either charming or tedious.” (Oscar Wilde)
The war crimes are fictional but my annoyance is real.
John Thorpe is not the worst Jane Austen man by any measure but he IS the most annoying and if I could teleport into a book and punch 1 (one) fictional man, it would probably be him, not a fictional war criminal.
#i literally crack up everytime #at least ten of the notes are from me
F.R.I.E.N.D.S (1994-2004) ☕ The One Where Ross Finds Out
Buffy the Vampire Slayer – 2.06: Halloween
#My Favorite Homewreckers