I baked this meme today oh boy
styofa doing anything
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Kiana Khansmith
art blog(derogatory)
taylor price

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Keni

Andulka
Monterey Bay Aquarium
almost home
Misplaced Lens Cap
hello vonnie
ojovivo

oozey mess

❣ Chile in a Photography ❣

tannertan36
"I'm Dorothy Gale from Kansas"

@theartofmadeline
sheepfilms

roma★

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@budingatuno
I baked this meme today oh boy
HI \(^^)/
Some draws I made these days☆
Also to practice some poses and have something to share here(??
A little bit of everything(???
Full draw ☆
I should make more headcanon about them but let me recover from this post first. :b
the ladybugs first appearance on the ed sullivan show c. 1964
rb with close ups bc i spent way too much time on this good lord
Watching footage of Beatlemania, you can see in the fans’ faces that the euphoria and intensity sometimes turned them into true portraits of “scream queens” from horror cinema. Here I play with what would happen if I took that idea to exploitation movie posters, using song titles from the band and twisting their meaning.
oookay so pony beatles
Beatles fans when you tell them your favourite song is hey jude and not a rehearsal tape with john’s voice calling out “paul… paul…’ in a strangely subservient, pleading way
"It's not Paul again...is it? I mean you two are like...I mean grow up..."
-1974 self interview
“‘I’m very funny when people die. I don’t handle it at all well, because I’m so brought down that I try to bring myself up. So I don’t show grief very well. It actually leads some people to think I don’t care, and I do. I’m not good at it like some people: my brother goes to many funerals, whereas I don’t, which is bad news because really, getting older, I’m just going to have to. And I hate them. ‘My excuse is a conversation I once had with my Dad who said: “I hate funerals.” So when it came to the time of my Dad’s funeral, in my own mind I was doing him the honour of not going. Which was very perverse, and nobody in the family appreciated it. But, knowing he hated funerals, I was determined to be like him. I said to myself when it happened: “I hate funerals too. I won’t be going to this one.” It’s obviously a bad handling of the situation. It’s so much easier just to go. If only for what people think of you. ‘But I’ve always been kind of inward about those things. So I just deal with it myself. When John Lennon died, someone stuck a microphone in my car as I was coming out of AIR Studios in London. We’d all gone to work, George Martin, me and the guys. We were all so devastated and shocked, none of us wanted to stay home. When someone stuck that microphone in front of me and asked: “What do you think about John Lennon’s death?” I said: “It’s a drag,” trying to come up with the most meaningful thing.’ Later, realizing how that remark appeared flippant in print, Paul regretted not saying something that reflected his real sadness. ‘Of course when I got home that night I wept like a baby, calling Chapman the jerk of all jerks. If my true feelings would have come out in the press, I would have looked better. But I’m actually very bad at showing my true feelings at times like that. I keep them to myself, except for showing them to my wife, my kids, and people close to me. I’m not very good in public at showing what my true feelings are.’”
— Paul McCartney, c/o Ray Coleman, McCartney: Yesterday and Today. (1996)
Biographers know more than you think
Bob Spitz, 2006
To me this supports my theory that the reason why biographers use suggestive language when talking about John and Paul it's because they were told things, but can't tell them explicitly. Just look at the things Bob himself said in his book and interviews:
"They fell in love. I’m convinced. They looked at each other and they went like, “this is it for me”.They got married when they were in their teens and they got divorced when they were 29 and 30. There you have it." "School proved a nagging obstacle for John and Paul, the occasional stolen afternoons unsatisfying, hardly time enough to get something going before Jim arrived home from work. Weekends were reserved primarily for the band. It wasn't so much that they needed time to write as much as it was each other's company. "Something special was growing between them," says Colin Hanton, "something that went past friendship as we knew it." “The last week in August, Paul McCartney returned to Liverpool, tanned and noticeably slimmer. In addition to starting school, he came back to begin a relationship he seemed destined for: hooking up with John Lennon." "John hooked right in and fed off the energy. John and Paul had remarkably similar tastes [in music]; they liked it fast, hard, and loose." "Not only had they played music together, they'd hung out together, dreamed together, fucked together, become famous together."
Can you make a compilation of all the times Paul, John and other have talked about the breakdown of their relationship and the whole John/Paul/Yoko triangle?
John/Paul/Yoko
"I mean, 'cause [their problem] was, uh, about Yoko, really. [...] Let me tell you what I can remember is Paul and John were the best pals, really, right? They spent all their time together and stuff, and they had individual lives. But in the end they were the final sort of arbiters of everything between themselves. Yoko completely took over John. I mean, Paul just really felt left out and just hated it, you know what I mean? (John Dunbar)
"It was clear to Paul by this point that Yoko had become by far the most important person in John Lennon's life; even were she to somehow vaporize, John would not come running back to Paul after that unfortunate disappearance." (Danny fields)
“Paul and I had our differences early on, mostly creative ones, but we always got over them. Then I met Yoko and we fell in love. When I invited her to the recording studio during the Let It Be sessions, none of them took it well. This was a men’s club, and no women were allowed in the recording room. But Paul seemed the most bothered about Yoko, and part of me felt it was because he was jealous. Because up till then, he had all my attention, all my love when we were recording. And now there was another. Now there was Yoko.”(John)
"This was my best mate from my youth, the collaborator with whom I'd done some of the best work of the twentieth century. If he fell in love with this woman, what did that have to do with me? Not only did I have to let him do it, but I had to admire him for doing it. That was the position I eventually reached. There was nothing else I could do but be cool with it." (Paul)
"Being around Paul gave me a sense of stability. When I met Yoko, I knew it was time to cut myself loose. Paul hated me for turning my back on him and did everything he could to turn the others against me. He saw that he couldn't compete with Yoko, so he tried to stab us in the back. He was absolutely vicious, and it shattered whatever illusions I had about our so-called friendship." (John)
"I was jealous because of Yoko, and afraid about the break-up of a great musical partnership. It’s taken me a year to realise that they were in love." (Paul)
"Paul wasn't happy. But the big things that were driving him mad were beyond me. He kept on working and writing, but when John came over, all he could talk about was how much he loved Yoko. That disturbed Paul. In spite of John's obvious happiness, Paul stifled his jealousy with not-very-cute bursts of racist crap." (Francie)
"Paul hates Yoko for stealing the love of his life away from him. No, not Linda…. John! Paul has never forgiven her for that." (Francie)
"John did put it that way, he was 'riding on the boat called Paul, and now I'm going to ride on a boat called Yoko." (Yoko)
"Yeah, I think we spurred each other into marriage. I mean, you know...They were very strong together, which left me out of the picture. So I got together with Linda and then we got our own kind of thing. [...] Um..and then yeah, I think they were a little bit peeved that we got married first. Probably. In a little way, you know, just minor jealousies. And so they got married. I don't know if that's ...I mean, who knows.."(Paul)
“I didn’t realise how sensitive the other Beatles were to John’s opinion. Paul worried about what John would say and was still longing for his friendship. [...] Those interviews were done before John’s death and Paul’s heart was broken, even then. It wasn’t just the break-up of the Beatles. It was more personal than that.” (Steven Gaines)
"Why this odd little Japanese lady? The reason, many people believed, was that more than a trophy wife, a model or an actress, John needed a chum. His love affair with Paul McCartney was ending." (Peter Brown)
"The Beatle thing is over. It has been exploded, partly by what we have done, and partly by other people. We are individuals, all different. John married Yoko, I married Linda. We didn’t marry the same girl." (Paul)
"When John and Paul split up (think of them as a couple for a moment) their second mates [Linda and Yoko] had to stand by them." (Francie)
"One week and one day after Paul married Linda, I received a phone call from John. He and Yoko were at the Hôtel Plaza Athénée in Paris and wanted to get married, immediately. People believe that John's desire to get married so soon after Paul's marriage was a knee-jerk reaction. Perhaps it was psychologically about breaking up with Paul." (Peter Brown)
"For a reason to hold a grudge [against Yoko], think about the possibility of this: She took John from him. And she didn't particularly want to share John with his "ex significant other" on certain levels." (Francie Schwartz)
"It's like a marriage. These two broke up. And it took Paul a long time to get over it. John too, but he was just too macho to show it. But they had a marriage before Yoko arrived, although they both had girlfriends before." (Ray Connolly)
"With Yoko present, Paul's reign as Lennon's princess was doomed."(Peter McCabe)
"I mean . . . the disruption really came with the women anyway. Where you have very close personal relationships between two men, and one of them goes off and gets a girl, and the other one goes off and gets another girl, and the two women don’t particularly like each other . . . then there’s a divergence. I don’t think Paul minded Yoko — Yoko’s fine, nothing wrong with Yoko — except that she was always there. When she wasn’t well, she had a bed in the studio, and the other boys got fed up with that. I think that was the beginning of it. And almost in self-defense, Paul got Linda. (George Martin)
"If you go to a party and the husband and wife have been having a row - there's a tension, an atmosphere. And you wonder whether you are making things worse by being there. I think that was kind of the situation we found with Ringo. He was probably feeling a little bit odd because of the mental strangeness with John and Yoko and Paul." (George Martin)
"One of my feelings even when he used to lay into me was that he really didn’t mean it. I could always see why he was doing it. There was this attempt [on John’s part] to get rid of the spectre of me, which I understand, because he had to clear the decks just like I did." (Paul)
"Then also we were like married, so you got the bitterness. It’s not a woman scorned this time, it’s two men scorned — probably even worse. And I had to make way for Yoko. My relationship with John could not have remained as it was and Yoko feel secure." (Paul)
"Really all that happened was that John fell in love. With Yoko. And so, with such a powerful alliance like that, it was difficult for him to still be seeing me. It was as if I was another girlfriend, almost. Our relationship was a strong relationship. And if he was to start a new relationship, he had to put this other one away." (Paul)
"I understood what happened when he met Yoko. He had to clear the decks of his old emotions. He went through all his old affairs, confessed them all. Me and Linda did that when we first met. You prove how much you love someone by confessing all that old stuff. John's method was to slag me off." (Paul)
"Of course, for me Yoko provoked all the echoes of the past, of Stuart and John. How Stuart was the one who was between John and Paul. We must all bring our own interpretations of what jealousies or fears did really lead to the abandonment of the Beatles. I would suggest that it had to do as much with personal relationships and power as with artistic ambition and financial awareness." (Pauline Stutcliffe)
"Perhaps Jane wanted Paul to be something other than what he was, more like the young man in the public image of the perfect couple. But that wasn’t what he wanted. More important to Paul than his relationship with Jane, was his partnership with John Lennon, whom he’d met shortly after his mother died of breast cancer (the same illness from which Linda was to die) when he was 14. And when John’s mother was also to die in a road accident just over a year later, the friendship had intensified with a shared sense of loss. And so it was to remain as adulthood and fame arrived, and the girls came and went. And, in John’s case, a wife as well. [...] Exactly a year after their first encounter, Paul met Linda again when he contacted her while he and John were on business in New York. A few weeks later Paul called and invited Linda to join him at another business meeting in Los Angeles. Slowly but surely, they were coming together, just as certainly as John and Paul were breaking apart. John had fallen in love with Yoko Ono, and, increasingly fuelled by hard drugs, seemed bent on destroying what Paul saw as their creation. Losing interest in the Beatles, John had less time for Paul. The two could no longer write or record freely together without Yoko offering advice. Her presence put Paul off and John didn’t care. Paul was finding himself abandoned. Outwardly super-confident, inwardly he was growing increasingly insecure. There were girls all around him, of course. He couldn’t get rid of some of them, but he needed someone special at his side. He sent for Linda. [...] Catching Paul at the Beatles’ Apple headquarters in Savile Row, he told me they wanted a quiet wedding. A quiet wedding for a Beatle in the centre of London in 1969 was impossible. Eight days later John and Yoko married in secret in Gibraltar. [...] Paul had always played on stage with his best friend. He couldn’t play with John Lennon anymore, so he turned his new best friend, Linda, into a keyboard musician in his new group, Wings." (Ray Connolly)
"The Beatles were having severe problems then, with Yoko Ono apparently having driven a wedge between Paul McCartney and the most important person in his life, John Lennon." (Danny Fields)
"‘John always used to say,’ Yoko told me at one point, ‘that no one ever hurt him the way Paul hurt him.’ The words suggested a far deeper emotional attachment between the two than the world ever suspected - they were like those of a spurned lover." (Philip Norman)
"The wedding [of Paul and Linda] was front-page news all over the world [...] Girls wore the black of mourning for weeks afterwards, and, like an answering move in a chess game, John and Yoko were married in Gibraltar eight days later." (Danny Fields)
"I always wished I’d been involved in the Beatles’ early happier days, but my role was to cover the final act of their career, and to observe the fall-out, largely, though by no means totally, with John and Paul. There were some bizarre and revealing moments during those days." (Ray Connolly)
John fueling rumors about his own sexuality (and trying to drag Paul along with him) throughout the 70’s
“P.S. The bit that really puzzled us was asking to meet WITHOUT LINDA AND YOKO. I know you’re camp! But let’s not go too far! I thought you’d have understood BY NOW, that I’m JOHNANDYOKO.”
— John Lennon’s letter to Paul McCartney, published in Melody Maker (November, 1971)
“Q. Have you ever fucked a guy?
A. Not yet, I thought I’d save it til I was 40, life begins at 40 you know, tho I never noticed it.
Q. It is trendy to be bisexual and you’re usually ‘keeping up with the Jones’, haven’t you ever... there was talk about you and PAUL...
A. Oh, I thought it was about me and Brian Epstein... anyway I’m saving all the juice for my own version of THE REAL FAB FOUR BEATLES STORY etc... etc…”
— John Lennon, “Interview with by/on John Lennon and/or Dr. Winston O’Boogie” for Interview Magazine (November, 1974)
“Q: Actually, there wasn’t that much press attention to the separation as one might have expected.
JOHN: Well I read more about myself than you probably do, and I’ll tell you there was. I mean, they would catalogue everyone you went around with, and things like, ‘Lennon In Florida Trip’… things like Rona Barrett wrote that Yoko was living with my ex-wife in a ‘strange relationship.’ She was putting that around... we got the clippings and everything. I mean that was dead wrong, because Yoko was definitely NOT living with my ex-wife in ‘a very feminist relationship!’ I see them all, because I've got a clipping service and I get all the newspapers, and you can bet your life somebody’s going to send you the clippings...
Q: Yeah, your friends...
JOHN: Yes, all your best friends let you know what’s going on. I was trying to put it ‘round that I was gay, you know — I thought that would throw them off... dancing at all the gay clubs in Los Angeles, flirting with the boys... but it never got off the ground.
Q: I think I’ve only heard that lately about Paul.
JOHN: Oh, I’ve had him, he’s no good. (We laugh.)”
— John Lennon, interview w/ Lisa Robinson for Hit Parader: “A conversation with John Lennon” (December, 1975)
“The next night Elliot took us out with a friend of his, Sal Mineo, and we all went to a gay cabaret/discotheque. John was oblivious to the gay ambience. He was curious about everyone’s sexuality and liked to gossip about who was sleeping with whom, whether they were gay or straight. John made no judgements about homosexuality but was really curious about who was and who wasn’t gay.
He knew that his appearance at a gay club might start rumors about his own sexuality, and it made him laugh. He told me that there had been rumors about him and his first manager, Brian Epstein, and that he usually didn’t deny them. He liked the fact that people could be titillated by having suspicions about his masculinity. Then I was the one who was laughing. ‘How could anyone believe a man who likes women as much as you do is gay?’ I told him.”
— May Pang, “Loving John: The Untold Story” (1983)
“JOHN: Well, that’s rubbish, you know. Because nobody controls me. I’m uncontrollable. The only one that can control me is me, and that’s just barely possible. But that’s what life is about. And that’s the lesson I’m learning. Because — nobody ever said anything about Paul having a spell over me, when I was with him for a long time. Or me having a spell over Paul. They didn’t think that was abnormal, two guys together. Or four guys together. In those days? Why didn’t anybody ever say, ‘How come those guys don’t split up? I mean, what’s going on backstage? I mean, what is that Paul and John business? Why — you know, how can they be together so long?’ We spent more time together than John and Yoko, in the early days, the four of us sleeping in the same room, practically in the same bed, in the same truck... living together night and day, doing everything together. Nobody said a damn thing about being under the spell.
— John Lennon, interview w/ David Sheff for Playboy (August, 1980)
(1993) Paul is asked how does he feel each 8th of December, and if he regrets not having told John something:
ARGENTINAAAAAAAAA
i’m still not over John Lennon’s death (i’ve never met the guy)
I saw someone say recently (can't remember where, might have been on TikTok. I'm not sure.) that most of the time John and Paul would choose not to share a room together on tour. When I saw this, it confused me, because typically everything I see about room sharing on tour hints to the fact that it was usually John and Paul sharing a room.
Yeah, much has been said about this. That had confused me for a while, but I recently found this great website (https://www.beatlesabbey.com/p/14-are-you-afraid-or-is-it-true#_) that discussed this. Here is an excerpt:
"The insistence that John and Paul did not share a hotel room together on tour is categorically false. One of the tells that it’s false is that it’s information that’s only offered secondhand by biographers and others who were not in a position to know firsthand. There are only a handful of people who would know this firsthand. And of that handful of people, only a few have said anything at all about it, and of those few who have commented, all have said that John and Paul did indeed share a hotel room on tour. Notable is tour manager Bob Bonis, who literally booked their hotel rooms—“They always had a suite. George and Ringo stayed together in one room, and John and Paul in the other bedroom, and a big, big room between them." Here’s a snippet from an interview with John and Paul in 1963 —“Paul sleeps with his eyes open though,” Lennon said with a frozen smile.“Yeah— and you speak in whole sentences in your sleep,” McCartney countered.“What kind of sentences?” I asked.“It seems,” Lennon replied loftily, “that my most frequent phrase is ‘Well, get on that bloody bus then.”(“The Big Beat Craze,” Daily Mirror, September 10, 1963) And of course, we have lots of anecdotes from John and Paul themselves about writing songs in hotel rooms on tour — too many to list in a footnote — including the two of them sequestered in their shared suite at the George V in Paris and emerging having written “Can’t Buy Me Love.” And then there’s this anecdote from their 1964 Australian tour—“At the Sheraton, Malcolm Searle was given privileged access for his daily 3AK bulletins. Reporting from the kitchenette of the penthouse suite, he chatted to Paul, John and George, as Paul cooked steak and spuds for his and John’s dinner. The conversation turned playfully camp when Searle called Paul “a regular little housewife” and described the gingham apron he was wearing. “Does he cook for you very much?” John (indignantly): “Don’t say it like that, it sounds funny.” (Andy Neill and Greg Armstrong, When We Was Fab: Inside the Beatles Australasian Tour 1964, Woodslane Pty Ltd., 1964.) Note that this is Paul cooking for himself and John, not for the four of them. Also note that this is Paul cooking in the first place, at the height of Beatlemania with room service as well as an entourage of helpers available to get them any kind of food they want, just the wave of a hand away. Of course, room arrangements are flexible, when you have the whole floor, and what’s signed on the hotel register doesn’t necessarily reflect reality. Tony Barrow, who also occasionally traveled with them on tour, observed that “The Beatles hated to have separate suites when they were on the road. They happily doubled up to share a couple of bedrooms between the four of them and the pairing off was a random business that took place on the spur of the moment.” (John, Paul, George, Ringo & Me, Tony Barrow, 2005.) And while it’s maybe a bit much to go into here, it’s also worth noting that maybe there was some incentive to put it into the press that John and Paul didn’t regularly share a room, if they are being managed by someone who is well-aware of the need to keep that sort of thing private."
I must add that Tony Barrow also later said:
"They [John and Paul] often shared the same hotel rooms, not only in the early days when the group was too poor to afford suites, but even later on when we were touring the world and staying in five-star places. They changed around though; it wasn't always Paul sharing with John..."
And Paul himself said:
"It was only me that sat in those hotel rooms, in his house in the attic; it wasn't Yoko, it wasn't Sean, it wasn't Julian, it wasn't George, it wasn't Mimi, it wasn't Ringo, it wasn't Miles. It was me that sat in those rooms, seeing him in all his moods and all his little things."
68 years ago toxic yaoi was invented
bro is laughing as if his dad wasn’t one of Paul’s girlfriends