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The Stonewall Inn

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trying on a metaphor
Cosimo Galluzzi

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Lint Roller? I Barely Know Her
One Nice Bug Per Day
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I'd rather be in outer space 🛸
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@byhaphs
i wish there was more social existence you could participate in laying down. I wish there were cafes that were two little futon beds parallel to each other with a low table in between so you could eat and drink while lounging. I wish there were group activities like painting or glazing clay or theaters that were designed to have beds and bed-height tables instead of chairs. I wish there were beds alongside benches outside for anyone to use. I wish air mattresses or roll-out beds were as common as cheap shitty chairs at things like barbeques, beaches, and concerts. so much life would open up to me and be enjoyable if I could lay down instead of sitting or standing for prolonged periods and completely wearing myself down with pain.
the funnest part of reading books is telling people the plot like its hot gossip
if i was in charge of the world first i would create 6 giant towers ( 2 at the poles, 4 spread evenly around the equator ) and they emit healing beams that heals everything
Ok. What you're gonna want to do is chop up a cucumber and put it in a bowl. Then you're gonna sprinkle a generous portion of salt on top. Then you're gonna drizzle them with a balsamic vinaigrette and gently shake to combine, leaving you with a cool and refreshing summer snack. In 15 seconds dangerous and burly men are going to drag me away to an unknown second location. Remember everything I've taught you. I love you
Illustration of the BOSS Great Wall, a vast superstructure of 830 galaxies that is a billion light years across
David Cusick was a Tuscarora (Haudenosaunee) artist who self-published the first known English-language record of Indigenous stories told BY an Indigenous writer-illustrator. His book is called David Cusick’s Sketches of Ancient History of the Six Nations and you can read it for free online.
here's a secret: whatever you're doing, you have to root for your peers with all your heart because it forces you to root for yourself too. I've seen people in various spheres of my life (workplaces, education, art, activism) fall into the trap of envy and resentment when they see others succeed while they struggle, and it always always goes hand in hand with them pulling back and giving up and stagnating.
when you let yourself get sour grapes about shit, you tacitly give up on yourself. when you sit around hoping other people will flop and fail so you can catch up to them, you stop trying. it's a fantasy of mediocrity, the vain wish that other people would walk so you could take the gold medal at a jog. wouldn't you rather come last place at 27mph?
moles + worms + shrew
Shawl. 1860–69. Credit line: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Randolph H. Nexsen, 1944 https://www.metmuseum.org/art/collection/search/157930
Untitled, Harlem, Photo by Gordon Parks, 1948
you've been summoned for july duty
Susie Oviatt, ca 1993 https://text-mode.org/?p=24923
"The combat is, in its origin, the expression of hostile feeling, but in our great combats, which we call Wars, the hostile feeling frequently resolves itself into merely a hostile view, and there is usually no innate hostile feeling residing in individual against individual. Nevertheless, the combat never passes off without such feelings being brought into activity. National hatred, which is seldom wanting in our Wars, is a substitute for personal hostility in the breast of individual opposed to individual. But where this also is wanting, and at first no animosity of feeling subsists, a hostile feeling is kindled by the combat itself: for an act of violence which anyone commits upon us by order of his superior, will excite in us a desire to retaliate and be revenged on him, sooner than on the superior power at whose command the act was done. This is human, or animal is we will; still it is so. We are very apt to regard the combat in theory as an abstract trial of strength, without any participation on the part of the feelings, and that is one of the thousand errors which theorists deliberately commit, because they do not see its consequences."
On War, von Clausewitz, book II chapter II part 17
Mark Rothko Untitled 1969 Acrylic on paper mounted on canvas 198.8 × 148.6 cm