2022-07-20
PUT YOUR BEARD IN MY MOUTH

izzy's playlists!

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Show & Tell
wallacepolsom
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taylor price
hello vonnie
Lint Roller? I Barely Know Her
Stranger Things

祝日 / Permanent Vacation
$LAYYYTER

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KIROKAZE
Sweet Seals For You, Always
Three Goblin Art

Discoholic 🪩

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@bzzy-b
2022-07-20
“While in Britain cultural studies evolved on the margins of sociology departments, in the U.S. such study has been prominent in literature departments. More and more ensconced within the postcolonial field, it has come to be increasingly indebted to psychoanalytic, especially Lacanian, methodologies. At least in its U.S. housing the division between cultural studies and postcolonial studies is not evident. In many cases postcolonialism is seen as a subfield of cultural studies. If Critical Fanonism is a weathervane then we should be wary of the way the cultural studies of Fanon have shied away from engaging politically or philosophically with Fanon as a revolutionary and political actor. Additionally, the image of the “Birmingham School” of cultural studies as rooted in Marx and Gramsci is not entirely correct. As Colin Sparks argues in his essay “Stuart Hall, Cultural Studies and Marxism,” the identification of Marxism and cultural studies “lasted about four years” (1996, 72) and was “more contingent and transitory than it once appeared to its main actors” (1996, 97). In its present-day poststructualist phase, cultural studies finds a closer affinity with the insights from postcolonialism that have developed through a Lacanian frame than through Marxism. And, even if he wants to bring additional issues to the table, Stuart Hall (an earlier advocate of a Gramscian cultural studies) agrees with Homi Bhabha’s approach to Fanon (see Hall 1996). The context of an elective affinity between cultural studies (i.e., Hall) and postcolonial theory (i.e., Bhabha) is also particularly important for any study of the recent dispersion of “Black British cultural studies” into the U.S. academy. Postcolonialism blossomed as a field of enquiry in the 1980s, having less to do with developments in post-colonial societies themselves than with a reflection of the restructuring of the American national cultural identity in the universities (see King 1997, 7 n. 1). The new Fanon of postcoloniality, reflects, as Kobena Mercer has put it, the “fading fortunes of the independent left in the 1980s” (Hall 1996, 16). It is a Fanon that, as Bhabha does, emphasizes uncertainty and fragmentation, almost replacing social analysis with psychoanalysis.”
— Nigel Gibson - Thoughts About Doing Fanonism in the 1990s [College Literature, Vol. 26, No. 2 (Spring, 1999), pp. 96-117]
Aariana Rose Philip attends the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City. (Photo by Jamie McCarthy/Getty Images) pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com
you’re so smooth
@tankhall
Portrait Of The Inner Journey
Susan-Seddon Boulet
I’ve seen you people thirst after men I wouldn’t even feed to my creature
i have never ever in a boat, in a train or with a goat
i have neeeever ever on a plane, on a hill or with a cane
and never ever by a pill, by a lake, or with a bill!
i love this image because not only is it accurate but also every time i see it i subconsciously scan the image to make sure its not somewhere i know. because everywhere in england looks like this. could be literally anywhere.
"? No" is such a foundational linguistic construction to my psyche. a hieroglyph. it should be a standard emoji
oshiozena