involuntary resistance

Happy

[lionfloss]

Old gas station in Hamburg now being used as a plant shop.

[d-vsl]

Earth

[dzenzel]

Takashi Yasumura, from the series ‘Nature Tracing’, 2003

[love]

this fucked me up

[s-s-d]

[closure]

(via pinterest)

[closure]

(via pinterest)

[mermaidenmystic]

from “Dream Boats and Other Stories” ~ 1920 ~ Dugald Stewart Walker (American, 1883-1937)

[labella-instagram]

[cosmonautroger]

[ohsresearchlibrary]

[demiiwhiffin]

[artist-vangogh]

Garden with Flowers, 1888, Vincent van Gogh

Medium: oil,canvas

https://www.wikiart.org/en/vincent-van-gogh/garden-with-flowers-1888-1

[escapekit]

Source of our Aluminium Germany-based photographer Kevin Krautgartner has captured Bauxite ore the world’s primary source of aluminum. It is a characteristic reddish ore that naturally has a particularly high concentration of aluminum oxides and hydroxides. For this reason, bauxite is particularly suitable for aluminum production - also against the background of the increasing aluminum demand worldwide, because bauxite enables efficient production of the metal. In addition to the very high energy consumption and the escaping heat in the processing of bauxite for the production of aluminum, large areas of the landscape are used in the mining of bauxite, which must be recultivated. The mining areas, which are usually several hectares in size, are controversial, but if you look at them from an aerial perspective, especially it’s tailing ponds look like huge abstract oil paintings.

[anecdotesofasurvivor]

[importantmodernart]

The Wave, 2013 Otakar Hudeček

[mdme-x]

Wanda Koop is a Canadian artist known for her monumental-scale paintings which are usually combined with poetic videos and performances in large multimedia installations.  ‘Violent color palettes are employed to paint urban or natural scenes where the human presence is reduced to small black silhouettes. Glowing circles and screens are recurring shapes superposed to scenes of urbanization, industrialization and robotic technology. They aim at representing the impact of technology in contemporary living and the way human experience is getting progressively filtered by a vision through screens and mobile-based technologies, 

“asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media”.’ x