Escribir, leer, memes y patos

[luciiferous]

PART 1: Querencia, compiled

[ Read as individual posts ]

Since Tumblr will only allow 30 images per post and the full thing is around 40, I'm going to split this up into two mega posts.

Part 2 is being worked on now!

[vermivox]

“your friend is dead, and their corpse is inhabited by something only you can see for what it truly is" is already good horror. but "you begin to love the thing that wears their face"? the blasphemy of it. terror turning into desire. grief turning into longing. being enticed by what should repel you. it twists the knife deeper, because the horror is not based on deception anymore. the fear comes from recognizing the monster in its raw form and finding beauty there. you're not clinging to scraps of your friend, you're surrendering to something other, something wrong, and loving it. you're not holding onto a ghost of the past, it’s the monster itself that you choose

[minart-was-taken]

Let's have a chat with mama

[amriagaelraincaller]

Tears of joy and tears of regret.

[silvisays]

i have been drawing this smug bastard for three days.

i like the canon design well enough, but i wanted something a little more... austere? old world nobility with some more "modern" flair. he looks cleaned up for hosting dinners AND can still get out in the field and torment some PCs <3 There's also just a LITTLE bit of tywin lannister in there somewhere i think.

also before you ask, my DM made him 6'5 (195 cm) U////U

feel free to use the design in your game if you want- just please tag me or comment because i'd LOVE to hear people's thoughts ^v^

[ilariel]

"As the world went up I remade us both. I hid me in you… I hid you in me. And when we were together… once the shaman had claimed the sun … I became God."

Forever thinking about The Abbot doting on Vasilka.

[anae-art]

Day 15 - Blood moon

(Prop list is from @crowholtz )

[emp-roar]

"After all, they are still Von Zarovich."

Another art for the Raven's Inquisition campaign! This time celebrating the two Von Zarovich brothers and their individual plights.

In my prequel campaign I've had a blast expanding the story on the two brothers from the material in "I, Strahd". Both harbors their own brand of ferocity in this world's extended time of war. In the end, both sons of Barov, no matter how much they deny it.

[luciiferous]

[oc] He's running out of clarifying cured meat

sort of a companion to [this]

[artmadval]

here i abandoned my doubt and vacillation 💜💔

[l4mplight]

Miquella and Trina; A Tragedy

Hey Tumblr. I have a lot of thoughts about Shadow of the Erdtree, and these ones... let's just say I don't think they'd do well on Reddit. It's not often that I feel particularly impacted by a particular fictional character. Usually I connect more with narrative arcs and themes, which is why I think I'm so drawn to the ephemeral, vibes based storytelling of Fromsoft's games. Playing through SOTE, though, I found Miquella (and St Trina) to be extremely emotionally compelling and relatable, and I wasn't sure exactly why. I think I've put my finger on it now though. First of all, know that I am writing from the perspective that Miquella is a sympathetic character. I know that it's not uncommon to read him as a manipulative Machiavellian villain, but I think that's both a misreading of the text as well as just plain boring. Like, he's not a Griffith clone you guys, give From some credit. Anyway, here we go.

"You have no understanding. Of Miquella the Kind. Of St. Trina's Love.

Content Warning: I'll be discussing themes of depression, and the implication of suicidal ideation.

So, a classic Fromsoftware theme is despair, and the ways we cope with a world full of it. It shows up twice in Shadow of the Erdtree; with Midra and the Frenzied Flame, where despair leads to a selfish nihilism that asks us to burn everything down, and with Thiollier and St Trina, who offer sleep as a comfort to the weary. Running a small errand for Thiollier has him say the following.

"If you find yourself… weary of the weight of this life, then just give me the word. Sleep is a balm, and eternal sleep… is an elixir."

Drinking the elixir he offers will, of course, result in an instant death. This is our first encounter with the idea of "Eternal Sleep," a more potent form of the sleep status effect that only appears here in the Shadowlands, after St Trina has been abandoned. The Velvet Sword of St. Trina tells us as much: "Silver sword of St. Trina, now stained the color of velvet. Inflicts eternal sleep. When St. Trina was abandoned, the faint, light-purple mists coalesced into an intoxicating deep-purple cloud." In order to ascend to godhood, Miquella abandons first his physical body, and then the more abstract aspects of himself. As we begin to descend down the fissure where we'll find Trina, a cross marks the spot as the place where Miquella abandoned his love. This connects Trina, "the discarded half" as Thiollier puts it, with Miquella's love. Leda confirms this in her own dialogue:

"St. Trina's love for Kind Miquella is boundless. She is, after all, his other half. Or perhaps her feelings go beyond even that. Even if she was left behind, I doubt her heart would waver."

Keep that in mind, it'll be relevant later.

Near the cross, a spirit offers up some of the most heartbreaking dialogue I've come across so far. The spirit gives us a bigger picture of Miquella's goals:

"Kindly Miquella... I see you've thrown away... something you should not have. Under any circumstances. How will you salvation offer... to those who cannot be saved? When you could not even save your other self?"

I teared up at this. The emotional impacted was aided by the fact that I ran into the spirit right after telling Moore to put his past behind him, leading him to rededicate himself to Miquella. He says:

"Hm. Maybe that’s Kindly Miquella’s love. Love for all the unloved. Love, to banish the pain."

Note here that Moore suggest Miquella's love will "banish the pain." This is also essentially what Trina's sleep does. It's a comfort to those in need. Anyway, between these two instances, we end up with a pretty good picture of the sort of god Miquella wants to become. He was already sympathetic to the outcasts of The Lands Between in the basegame, where he built Elphael and the Haligtree as a haven for those rejected by the Golden Order, such as the Albinaurics and Misbegotten we find there. In the Shadowlands, he has gone a step further. Hornsent tells us that he has committed himself, in essence, to righting Marika's wrongs.

"Miquella has said as much himself – he wishes now to throw it all away. He says the act – though undoubtedly painful – will sear clean the Erdtree’s wanton sin. The truth of his claim can be found at each cross. 'Tis evidence enough to earn my belief."

Of all of Marika's children, Miquella is the only one to see the serious flaws in her empire. Ymir points this out to us as well.

"No matter our efforts, if the roots are rotten, then we have little recourse. Ever-Young Miquella saw things for what they were. He knew his bloodline was tainted, his roots mired in madness. A tragedy if there ever was one. That he would feel compelled to renounce everything when the blame lay squarely with the mother."

My thinking here is aligned with Mother Ymir. You really have to feel for Miquella; he has essentially taken on, alone, the responsibility of making up for centuries of Golden Order imperialism. That's a massive burden to bear, especially for Miquella, cursed with eternal childhood.

(It's easy to miss, but Miquella actually ages up significantly when we see him in god-form. Until he steps back through the Divine Gate, he would have looked and sounded like he does in the introductory art and in ending memory scene. Compare those with how he appears in the boss fight, and it's clear godhood at least helped him reach puberty lol) So we've established that Miquella is the child of Imperial Rome on Steroids, is cursed with eternal childhood, and is an empathetic prodigy with the weight of the world on his shoulders. Surely his mental state is perfectly healthy, right? Right??

Final warning, this is where things get quite sad. Here is where I will try to tie Miquella's arc together with Thiollier and St Trina, and the comforting oblivion and relief from despair that sleep represents for them.

As we search for St Trina, we descend down into the Stone Coffin Fissure. This is a place of death, with massive coffins built into the fissure walls, and Gravebirds, Bloodfiends and Putrescent enemies everywhere. St Trina is found at the deepest possible pit of this fissure, in a swamp of putrescence that has since blossomed into a garden of deep velvet lilies because of her influence. Trina offers us nectar of "eternal sleep," as Thiollier did previously, and as established then, "eternal sleep" is essentially nothing more than a peaceful death. Trina seems to fit in quite well in this place of ancient dead things, with some of the ancient remains even being compelled to fight for her in exchange for eternal rest, becoming the Putrescent Knight.

(Side note for levity because we're about to get sad again; I love this guy. It's a knight made out of the skeleton of a horse, riding on that same horse's decaying flesh goop body. Like, ugh. Beautiful. Plus, it may even have taken that shape because of Trina sharing Miquella's memories of Radahn, who was never far from his horse Leonard...)

We meet St Trina in her garden, and when we imbibe her nectar, we eventually begin to hear her voice in our death-dreams. She seems to pity him. Mourn for him, almost.

"Make Miquella stop... Don't turn the poor thing into a god..."

Trina appears to be in a bad state after her fall. She can only manage to get a few words across to us at once. Just as Leda predicted, her heart hasn't wavered. She is only concerned with Miquella's well-being.

"Godhood would be Miquella's prison. A caged divinity... is beyond saving."

Trina's most pressing concern is that godhood will be a prison for Miquella. Now, this could in theory be because gods are subject to manipulation from the Fingers and the Greater Will or a similar reason, but given that she calls him a "poor thing," I think there is likely a more emotional reason behind Trina's plea. I think that Trina is speaking as the embodiment of Miquella's love, but especially his ability to love and care for himself...

"You must kill Miquella... Grant him forgiveness."

...and she asks us to kill him.

In excising Trina from his being, I think Miquella also expelled the part of himself that was able to recognize how miserable divinity would be for him, and how miserable he was. The part of him that was tired of carrying the responsibilities that his compassion demanded of him. The part of him that was exhausted, despairing and desperate from having failed to cure Malenia, failed to save Godwyn, failed to perfect the Haligtree. St Trina is the part of Miquella that wanted to be stopped, to rest, to sleep, to die. In abandoning her as he does, Miquella is essentially repressing those thoughts and feelings, replacing them with more "selfless" ones; self-sacrifice, suffering on behalf of others, his martyrdom and apotheosis. I don't want to forget about "grant him forgiveness" either. She might mean forgiveness for failing to become a god, for not being good enough to succeed Marika and right her wrings. Maybe forgiveness for failing Malenia and Godwyn, or for leaving the Haligtree behind. Maybe even for abandoning her. But on the road to godhood, Miquella can't afford to indulge in this sort of self-pity. A child craves forgiveness and approval, a god must cast these things out.

"I'm feeling rather lost. Haunted by memories. Of St. Trina. Her visage. Her scent. The lure of velvety sleep. Would Kindly Miquella chasten me? For falling for St. Trina, while knowing that she was the discarded half? The problem is… I simply cannot help it. I would sacrifice everything, just to gaze upon her, one last time."

I want to mention Thiollier one more time here too. His primary visual motif is the long white braids that he wears on his clothes, reminiscent of Miquella and Trina's own signature braids (remember, she looked like an older feminine Miquella before her fall and injury). Thiollier is obsessed with Trina, pursuing her to hear her voice and fade into the comfort of her velvet sleep, though this doesn't kill him like it does us. I don't think Thiollier is connected to Miquella in any textual way, but I think he does serve as a reflection of the sorts of thoughts Miquella may have been surpressing. The self-pity, the need for approval and love, the feelings of weakness and uselessness. These are the things that lead Thiollier to pursue endless slumber.

Thiollier doesn't give in to that despair, however. Though he initially takes St. Trina's words... poorly, he eventually realizes what must be done, and dedicates himself to his new purpose: carrying out her final wish.

"I am here to serve St. Trina evermore. I am deeply sorry. For doubting you. I am here only to grant St. Trina's singular wish. I will stop Miquella the kind. He will never become a god."

This post is already quite long, but I also want to mention the obvious gender stuff going on here. There are a number of moments that make it seem as though St. Trina might actually be more than just "half" of Miquella. Firstly, as she is shown falling in the story trailer, Leda is describing how Miquella abandoned his fate, as if Trina had a vital role to play in Miquella's future. It also seems as though Trina isn't cursed in the same way that Miquella is; her voice and size indicate that she is at least more substantial than his "infant form," and she is depicted in "adult form, somewhat unnervingly" on the Torch of St. Trina. Furthermore, her "adult form" has a third eye in the middle of her forehead. The third eye is a symbol of enlightenment in both Hinduism and Buddhism; it seems that Trina has achieved some level of wholeness in this depiction. Meanwhile, when Miquella achieves godhood, his eyes remain permanently shut. He also appears to have only one physical arm. He holds Radahn with two incorporeal arms while casting with his real right arm, but his left arm appears to fade away to nothing before the elbow, as if unfinished. Miquella's blindness and asymmetry here, I think, reflect how unbalanced and incomplete his divinity is without Trina.

One more hint towards St Trina being a part of Miquella's future lies way back at the Haligtree. In Malenia's bossroom, just above where Miquella's cocoon was once embedded into the tree, the branches and roots appear to form a silhouette. This could be Miquella, Trina, or both, but I do see a certain resemblance to Trina's depiction on the torch in the way the "hair" covers the eyes. Given that Miquella's body appears to have grown a decent amount inside of the cocoon when we see in at Mohg's palace, it's possible that the cocoon situation was his original attempt to cure himself of his own curse, or perhaps become a part of the Haligtree itself. In the Shaman Village, Marika's home, there is a similar scene. A woman's body that resembles Marika seemingly mummified within the hollow of a tree. I honestly have no idea what to make of that just yet, but I thought it worth a mention.

So, with all that in mind, abandoning Trina seems to be even more significant. Not only has Miquella divested himself of his love and his fate, but maybe even his future, too. Being eternally nascent, he is always in a state of potential, after all. Am I suggesting that Miquella is a transfeminine character? That he was meant to grow up to become a goddess in the aspect of St. Trina, or maybe even more like Marika than he already is? Well, maybe. If you find it compelling, then absolutely. Fromsoftware's storytelling is always ambiguous, and is always design to leave us some room to read and interpret, to really play in the space we are given. Personally, I do find it compelling in a horribly tragic sort of way, fitting for the setting. It's also entirely possible that I have rather self-indulgently projected some of my own angst onto these character. I likely have, to be perfectly honest. It's rare that I really connect with a set of characters or a story like I have with this lot, and I hope that maybe some of you reading this will feel similarly. If you have read this far, thanks <3

[drenched-in-sunlight]

Erdtree’s Sacred Tears.

(discussion of my inspiration to draw this under the cut)

[persephonaae]

Fuck it, Elden Ring text posts

[feukt-42]

Yet another post about Leda

You know, its kind of funny, but I've been browsing ER fanfics and fancontent almost daily for a while now (pls help), and one thing I've noticed is that a lot of people just. do not want. to put Leda and the gang in their fanfics. The most out of all Miquella's followers I found was Ansbach with 68 fics on Ao3. Leda herself comes at second with 48 fics and the others just kind of fizzle out after that. By comparison, Messmer, another DLC character, already has 500 fics.

Now, I know that this in large part due to the Messmer horny. But still. There's been 1,372 fics released in the ER tag since the DLC released as of me writing this. That doesn't really explain it. A good explanation might be that souls fans like to dwell on the pre-canon lore era we don't get to see, but even then, I remain disappointed by the lack of Leda in those fics as well. I have read several Haligtree-or-adjacent-focused fics written post SotE and few of them feature Leda or the needle knights, which is honestly a shame because Miquella having his own order of knights (almost counterbalance to the cleanrots), is a very interesting idea, and I am starving for Leda interacting with literally any member of that cast, her whole deal is just so interesting. And its not like Miquella doesn't care about her and she's just a weird fanboy, he gave her a wholeass rune and shit.

"But OP," you might be asking, "why dont you just write your own fic then ?". And you see, that is an excellent point, but I am unfortunately a coward with no confidence in my writing skills. So instead, I decide to make this.

I hereby present :

My Leda facts/analysis/interpretation/theories collection !

I am making this mostly to gush about Leda to spark interest in her as a character and maybe give interested writers who have actual skill to use this to get some inspiration. By no means am I suggesting that this is a guide everyone should follow, this is mostly just my inane ramblings about a character i am obsessed with. Still, if it helps someone make something, that's a net positive in my book.

without further ado, let's get into it.

Part 1 : Miscellaneous Facts

Fact number 1 : Leda doesn't see grace (at least her character model implies so):

I don't remember where it was, but I remember seeing a post that had every SotE NPC's eye colour in it. And a cool thing about that was that only a few characters didn't have the grace of gold in their eyes. And I remember specifically getting to Leda, noble knight of Miquella, and finding out that her eyes do not have a single trace of gold in them. They are grey with a blood-red clouding.

And I just found that so interesting it made me make this post, because what does it mean ? How did she lose it ? Did she ever have it in the 1st place ? Some of you might be thinking it's because she follows Miquella and not the GO, but the funny part is that, again, most of the others have it !

Hornsent has it, Ansbach has it, Freyja has it, Ymir has it, Moore has it, even the fucking madding hand has it. So why doesnt Leda ? (this also goes for some of the other NPCs who don't have it but im not spinning them in my head like a microwave so too bad ig)

Fact number 2 : She definitely killed the other needle knights

Ok so I already talked about this somewhere but I don't remember where so let's just start over from the beginning. The description of the Retaliatory Crossed-Tree states there were once more Needle Knights but now there's only one left. Meanwhile, Leda's sword says it "still reeks with the stench of crusted blood that lingers from the cull of her knightly comrades". Love myself a good "can't wash away the blood" trope.

Anyways, I took those two facts together to mean that she killed the other Needle Knights and talked about it in that alleged prior conversation I mentioned, but someone else replied that her "knightly comrades" could very well mean Hornsent and Ansbach, whom she attempts to cull before you reach Enir-Ilim. And I wanted to disagree with that, but I didn't actually have any evidence except "it's funnier this way" so you know, fair's fair. Except ! No it isn't !

When you help kill Hornsent, she says this :

He never placed his full trust in me, even under the effect of Kindly Miquella's spell. He must've recognised something. The scent of the killer that slept within me. The stench of crusted blood.

Mind you, this is before killing Ansbach, and right after killing Hornsent. The crusted blood from the cull of her comrades cannot be theirs, meaning Leda did kill the other NKs.

Fact number 3 : She deadass just smells like blood the whole time we see her

As just stated, we have 2 items describing how Leda just smells like dried blood. This has endless comedic potential imo, hear me out :

You first meet this dignified, knightly woman in Mohgs arena. You don't notice anything wrong with her smell, because of course it smells like blood in here, have you seen the place ?

The next time you meet her is in Scadu Altus. You begin to think something does smell really bad here. It's still not her however, because the Hornsent and his canonically shitstained loincloth are standing like 10 meters away from you, likely overpowering the scent.

You only get to realize its her constantly smelling like blood after the charm is broken and Hornsent leaves, and that coincides perfectly with the reveal that she's just paranoid as fuck.

10/10 olfactive storytelling. I mostly just put this fact here in honor of that Bloodborne bosses ranked by smell post tbh, that shit lives rent-free in my brain.

Character analysis time ! This bit is more given to interpretation so feel free to disagree on this :

Shes really not that bloodthirsty you guys

Alright, so this one might be a bit surprising given we just went over the fact she smells like blood, but the popular interpretation of Leda doing this because she likes killing and shit is just dead wrong to me. I spoke about it before, but there are so many lines of dialogue that suggest otherwise. Hell, even the sword description says she tried her damnedest to get the blood to come off. Here are some of the most telling lines i found (from fextralife/the github with all the text from SotE) :

-Her describing herself as a "killer" in that line about hornsent and crusted blood earlier, she seems to be very blunt and honest about what she does, almost to a self-deprecating point.

-I know I shouldn't let myself... But I suppose it's only natural to feel the weight of one's deeds at times like these. There is plenty left to be done. And I will see to it. <- what else do i even add here

-I don't enjoy casting suspicion on anyone I've called a comrade. But it's a small sacrifice in the grand scheme of things. We must eradicate all doubt...

-None can deny Sir Ansbach was truly a great man. We can be proud, that we were the last opponents he ever faced.

-Sir Ansbach must have considered it an honourable end, being felled by your hand. After all, the good fellow held you in the highest regard. When we speak of it, we may speak with pride—that we were Sir Ansbach's final adversaries

Those lines seem to be alternate versions of the dialogue you get after helping her kill Ansbach. And oh my fucking goodness gracious, i fucking love the second one. Like ghhhhhh, the grief for a comrade and the guilt and the self-justification and the need to move forward and theres somehow even more blood on her sword that she can't ever wash off but she can't stop here, she has to keep doing this because its not about her for her, its not about her feelings or her guilt its all just for the greater purpose shes reaching towards arghhh its so good.

There's also a notable throughline of her shutting her emotions down more and more as she goes, whether its to better do her job or to follow in miquella's footsteps :

-Unruly emotions only lead to misfortune. All the more reason we need someone like Miquella the Kind.

-Man is a compassionate animal, for better or worse.

-So be it. If you insist upon facing Miquella the Kind, Then I will run you through, whoever you might be.

-A single betrayal, enough to turn the tides… Unfortunate, but I will leave you be, for now. 

-I expected things to end differently with you. What a pity

-I suppose it was Sir Ansbach who won you over. Fine. One more heart for my blade to skewer.

Side Note : Those three last ones also read like shes really salty about being betrayed, and that's really juicy because it feels like she trusted you. She trusted you a lot more than most of the others, so it really stings quite a bit to learn you were lying the entire time.

All in all, it really does feel like she has to shut herself down to be a better knight, a more efficient tool for Miquella to wield. It's also quite tragic because she seems to be a compassionate person at heart, she welcomes you into the club, she constantly tries to understand the reasonings for other people's actions, and she tries to find ways to let those she suspects off the hook :

-The hornsent, hmm. On one hand, he trusts Miquella the Kind to bring salvation to his people. With the enchantment lifted, his vengeful passions may once again ignite, but surely he'd be mindful of Kindly Miquella's promise... <- this reads like her trying to convince herself she doesn't have to kill him

It's also very interesting because despite that, she really doesn't seem to be much of a people person :

-But for this very reason, Thiollier is incapable of betrayal. St. Trina's love for Kind Miquella is boundless. She is, after all, his other half. Or perhaps her feelings go beyond even that. Even if she was left behind, I doubt her heart would waver. <- she's just deadass wrong about Thiollier and St Trina

-If you don't meet her before the charm breaks, she does a really awkward introduction and then immediately starts infodumping about her crippling paranoia and zealotry

-Ansbach straight up just tells you : So, you've taken Lady Leda's side. I'm glad she stands with an ally. She tends to overestimate the burden she might carry alone. This is straight up just "oh nice, you finally made a friend, im so glad for you". This implies that Ansbach didn't believe Leda really had anyone on her side before then, and she kinda doesn't tbh. No one is really here because of Leda in the final battle, Dane is here for Miquella, Freyja is here for Radahn, Moore is here to cope with existence, and Hornsent just has an (understandable) hate boner for everything Golden Order. She doesn't really have any friends.

(Also shoutout to Ansbach for being concerned about the people trying to kill him, he really is the goat fr. Also: I've utterly failed you both... No wait grandpa its not your fault im so sorry)

--the funniest moment in the DLC imo : I've come to a realisation... There's ample evidence... Without Kindly Miquella's influence... I'm quite mistrustful of others...

Ah yes of course, the trust issues. Where do I even start.

This woman has nothing but contempt for mankind as a species. She is, as stated earlier, compassionate and tries to be nice to people but she constantly assumes the worst of everyone as a reflex. Her trying to find a way not to kill Hornsent is only because she wholeheartedly believe he will be the worst version of himself as a baseline, and thus thinks of him as a threat who must be dealt with.

-I'm afraid Sir Ansbach will have to be next. He claims he hasn't the spirit to take up his sword again, But in his day, he was the feared commander of the Pureblood Knights, who cleaved open Miquella the Kind with his blood blade. But I doubt it'll be very long... Before he recalls, as I have, the cascading sheets of blood. <- no trust at all

-her dialogue about you "turning on her" also feel like she's resigned about it, like someone who came in expecting failure and was still disappointed, like why did i even try, i should really know better.

-That aside, man is by nature a creature of conquest. They were never saints. They just happened to be on the losing side of a war. <- the classic. What else needs to be said. These are the words of someone who takes war, violence and hatred as a given.

And that leads me to my next point. I think Leda has had a very violent life overall. Some of the shit she says sounds too specific to just be a generalisation:

-But vengeance changes a man.

-Unruly emotions only lead to misfortune.

-Before he recalls, as I have, the cascading sheets of blood.

-One more heart for my blade to skewer.  

-The scent of the killer that slept within me.

This all sounds like she's talking from experience, and there's also her skills as a knight : she has the highest hp pools of the gank squad and can 2-3 shot most players. I know gameplay =/=lore but Freyja respects the hell out of her: Lady Leda and honourable Ansbach are of a special breed.

It's a very interesting combination of an extremely skilled knight who is very good at killing, has presumably been living a very violent existence and who trusts no one but herself, but who also hates having to kill and feels really guilty about it, despite having to do it for the sake of her cause.

And I believe that is the crux of her purpose, and why she is going through so much to fulfill it at any cost:

Leda believes intelligent beings are inherently flawed , and can never be trusted to do anything but make each other suffer. Leda is tired of inflicting and receiving violence, and sees little purpose in seeing the good in others. Leda would have probably made a terrific Lord of Frenzied Flame with how little hope she has.

But instead, she found Miquella. Miquella, who dreams of an age of compassion and who is in a position to achieve it, Miquella, who was raised in an order built and maintained through violence and grew to abhor it. Miquella, who Leda probably sees herself in, who Leda trusts blindly and unconditionally, for whom Leda is ready to commit any atrocity, no matter how it makes her feel, because he is her lifeline. He is her very last hope, the only solution short of complete annihilation she can see for mankind to reach pace.

So what if that peace is forced, is all of this suffering truly worth what little free will we can exert onto our world ? Leda has seen what mankind does with its free will, and she is tired of it.

She doesn't care if she lives to see it, she doesn't care if she has to kill every last part of herself in order for the world to see peace. No one will miss her anyway, she's nothing but a blood-soaked murderer. It doesn't matter if she likes these people, friendship and trust aren't worth all this senseless violence.

So she'll keep killing and killing and culling, until her blade is dull with crusted blood and every last obstacle to Miquella's age of compassion is gone. That's what a Needle knight does, is it not ? Kindly Miquella fashioned us as his needles to quell all, to ward away all.

And if Miquella doesn't understand her, it doesn't matter. He's far too good to understand the sacrifices necessary. She'll do what he can't. The other needle knights did not understand this, they were too naive to do what has to be done, so they were a liability. Don't think about their betrayed looks of terror, don't think about the cloying stench of blood sticking to your footsteps, this is your burden, this is what you deserve. You already knew you couldn't trust anyone, why would this be different ?

If Miquella must cast away parts of his very being to have this world then so can you. So sever that part of yourself that says you should be nice, that you should trust those willing to help, it only makes things worse. It will all be worth it in the end.

Phew, i kind of went apeshit while writing that last part. I hadn't really planned all that honestly.

To conclude this essay, I'd like to point out a really fun parallel to draw here. In this analysis, I have described my interpretation of Leda as a very skilled self-loathing blood-soaked knight who is tired of their endless crusade and yet is endlessly pushed forward by their utter devotion to their god, their salvation made flesh, whom they will shield for the atrocities committed in their name by being the sole person to blame. If that doesnt remind you of Messmer, then i think ill just curl up into a ball and yell very loudly.

Thanks for reading till the end of this absolutely nightmarishly long ramble, let me know if you liked it ! And don't hesitate to send any Leda fics you find or write along the way !

[sanaez214]

Elden Ring Fan art. Leda: Kindly Miquella. I'll be your sword, until my last breath...

[chilliesh]

My sticker designs are on redbubble now! you can find them here if you want to check them out :)

[cosmerelists]

Pros and Cons of Stormlight Characters in the Middle Seat Next to You on a Budget Airline.

As requested by anon. :)

1. Kaladin

Cons: His legs are so long. His hair is so luxurious. His shoulders are so broad. This large, beautiful man is not trying to be in your space, but the budget airline seat cannot contain him. Pros: You started what you thought was an idle conversation, but by the end of your flight, he had diagnosed your chronic pain and become your therapist??

2. Shallan

Pros: Well, she's more of a regular-sized human and she's friendly but quiet. She seems to just want to sketch the whole flight, so no complaints! Cons: Why does she keep staring directly at a space across the plane and sketching the creepiest symbol-headed creatures you've ever seen with her eyes vaguely glazed over like she doesn't even know she's doing it holy shit is this a Twilight Zone situation where there are invisible gremlin monsters on this plane that only she can see and is it your imagination or do you hear humming from somewhere

3. Adolin

Cons: Listen, this is a budget airline, and this guy seems to think it's a fancy spa?? He's got the slippers, the posh eye mask, the luxurious travel pillow, some really nice face creams, and he seems to be video chatting with a girl even though the internet on the plane doesn't even work. Frankly, you're jealous and grouchy about it. Pros: Okay, he actually seems really sweet and he gave you some of his way-too-nice-for-an-airplane snacks. You take it all back; this guy is awesome.

4. Szeth

Pros: He is so still. So quiet. Almost folded in on himself. Barely...breathing? Honestly, you keep forgetting the middle seat is occupied, and how rare is that! Cons: You just...you think you'd feel better if he just blinked. Just once. Please.

5. Lift

Cons: You had to sigh just a little when a little kid plopped down next to you. Also, she goes to the bathroom every five minutes, and comes back with food every time. You think she might be robbing people. Pros: She complimented your butt quite sincerely. You've always been kinda self-conscious about your butt! But apparently yours is the "second best she's ever seen." Feels nice.

6. Jasnah

Pros: Like, is it possible for someone to just be really good at flying? She came in, expertly stowed her luggage, sat down elegantly, did her seatbelt, used a wipe to clean up the tray table and surrounding area, and immediately starting reading some thick tome. Do you have a crush on her? You might have a crush on her. Cons: She glanced at the book you're reading, and you know she judged you for it.

7. Wit

Cons: Does this guy EVER stop talking? Pros: Okay, actually, you found him kind of annoying at first, but that story he told you about the temple and the duck might have healed years of trauma? Did you just realize that you don't have to forgive your mom and that's okay?

8. Renarin

Pros: He sat down and you were like, "Okay. Cute nerd. I dig it." Cons: You just wish he wouldn't scrawl foreboding-seeming numerals on the back of the airline chair in front of him. Is it counting down to...just before the plane lands? What does it mean???

9. Amarem

Cons: He came in and was IMMEDIATELY like, "I am taller than you and so I should have your seat." And then he just...waited? Like he thought you'd just comply??? Pros: He seems intent on pretending that never happened. Fine by you. That guy seems like an asshole.

10. Zahel

Pros: He falls asleep, like, immediately and doesn't stir for the entire flight. Cons: He's just kinda stinky.

11. Dalinar

Cons: He sits down and, unprompted, says something like, "In my youth I would always battle to occupy every armrest but now, after reading The Way of Planes, I have realized that it is the journey, not the armrests, that matter, so you can have them" and then you're like, "Dude, the person in the middle seat gets the armrests that's just common courtesy" and then he looks at you and you look at him and it's vaguely awkward the whole flight and nobody uses the armrests. Pros: Actually, after a while you do take the armrest and the tension goes down a lot.

12. Taravangian

Pros: He just kinda seems like a nice old man, you know? Kinda confused about stuff, but harmless enough. Cons: He falls asleep partway through and droops his head onto your shoulder and drools a bit and you know you sound ridiculous but it feels somehow calculated. Intentional. Evil.

13. Sebarial

Cons: The very second beverage service starts he's all, "Bring me a BOTTLE of wine" and you're like, "Oh no. It's one of those dudes who gets way too drunk on planes!" Pros: You know? This guy actually seems pretty jolly and chill. You catch yourself thinking, "I wish I could pretend he was my uncle." You're not sure where that came from.

14. Rock

Pros: He scoffs at the provided airline snacks and gets out this thermos and gives you the best damn soup you've ever had in your life. Cons: He's just a large, warm man. Very large. Very warm. Not his fault, of course, but now YOU are very warm.

15. Elhokar

Cons: Every time there is plane turbulence, he mutters something about how it's the assassins coming to finish the job. Poor dude must be really scared of flying. Pros: You feel a warm, parental feeling growing in you as you look at this sad, scared man. Maybe your mom was right. Maybe you WOULD be good with kids.

16. Eshonai

Pros: This lady is, just, SO excited to be traveling that it can't help but make YOU excited to travel. Like, you always thought plane travel sucked, especially budget airline travel, be she is so delighted by everything that you find yourself thinking, "You know, it IS pretty amazing that we're soaring through the sky right now traveling to a new land." Cons: Cons? No cons. You wish you could ALWAYS see flying through this woman's eyes.