Atonement cinematographer Seamus McGarvey famously streched Christian Dior stockings over the camera lens to give the film its soft, dream-like focus.
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Kaledo Art
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Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her

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Atonement cinematographer Seamus McGarvey famously streched Christian Dior stockings over the camera lens to give the film its soft, dream-like focus.
Joe Strummer photographed by Bob Gruen
The Filth and the Fury|Sex Pistols documentary|2000
[cr.]
“Basically a scene of a guy going to a house to pick up a date and like you know he’s just waiting for her. Alright and there’s all like this tension, he’s heard a lot about her but he hasn’t met her yet and she’s talking all on this intercom and there’s a note on the door saying just let yourself in so you’re like waiting for her first appearance and he’s kind of like apprehensive about it. That whole idea for a story I’ve had in my head for like you know 6 or 7 years, that sequence, and it always was scored to Son of a Preacher Man.”
-Quentin Tarantino on the first meeting of Vince and Mia sequence in Tarantino Talks!
“We’re in love. We just want to be together. What’s wrong with that?”
Moonrise Kingdom (2012) dir. Wes Anderson
Interstellar (2014) dir. Christopher Nolan Cinematography by Hoyte van Hoytema
On the set of Pulp Fiction (1994)
Uma Thurman and Robert De Niro at the screening of Mad Dog and Glory during the Cannes Film Festival, 1993