Cress did not flinch when the guns fired, but she bent her head in reverence, eyes falling low. In Panem, one was only permitted the briefest period of mourning. Suffering was chronic; violence was for show. Nerissa's death marked the release of a breath the country had been collectively holding, and it cemented for Cress the realization that this was not a momentary tryst of rebels infiltrating the Capitol. This was the forceful overthrow of a nation, the destruction and reclamation of all they'd ever known.
Calliope's presence in the Tower mirrored her own. They were both trapped here, distrusted, their loyalties stated for them, selves not their own. And while Cress had chosen to fade, to take on spectral form, Calliope had blazed with fury, as sharp and as wicked as the woman from whom she was born. To see her crumpled felt taboo. Cress reached for her, fingers grazing flesh, maternal tenderness bleeding out like a war-torn wound.
The swipe was harsh, cutting through the air between them with force. Cress caught her wrist, expression shifting. Gone was the mother. In her place, the victor returned. Cress' grip tightened with Calliope's arm held between them, leaving them bent in odd, opposing forms. "Control yourself," the words low, a directive Cress herself had obeyed a hundred times. "Not here. Do not give them the satisfaction."
Cress' grip was strong, and Calliope tried once, fruitlessly to tug her arm away. Held fast at a painful angle, Calliope exhaled a whimper of protest that she hardly recognized as a noise sourced from her own throat. Pitiful. Pleading. She would hate herself for it later, no doubt.
The other woman's directions cut through the fog of panic, somehow, and for once, Calliope responded to another's authority. She froze, expression blank, though her cheeks were still wet with fresh tears. That couldn't be helped; even if she tried, they would not stop flowing. She stared wide-eyed at Cress and was silent for several seconds before the shock subsided and she found a shade of the anger that defined her.
"Get your ... filthy fingers off of me." She ordered, mirroring Cress' intensity. Then a hiss: "Now."

















