Three Goblin Art
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oozey mess
Monterey Bay Aquarium
Cosimo Galluzzi
Peter Solarz
titsay
★
Stranger Things
tumblr dot com
Origami Around
tannertan36
$LAYYYTER
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roma★
"I'm Dorothy Gale from Kansas"
noise dept.
PUT YOUR BEARD IN MY MOUTH
Not today Justin
DEAR READER
seen from United States
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@campprintz
Venom (2018)
“Venom and Eddie are gay for each other” I say into the mic
The crowd boos. I begin to walk off in shame, when a voice speaks & commands silence from the room.
“ She’s right” he says. I look for the owner of the voice. There in the 5th row stands: Tom Hardy.
(shouting through megaphone)
LOUD REMINDER THAT IF U HAVE QUESTIONS ABOUT MY OCs YOU CAN ASK THEM AT LITERALLY ANY TIME
[id: two pictures of the same handmade tarot card for the adventure zone. The card is unlabelled, but as the artist, im saying its The High Priestess. It features Lucretia, a black, older woman in a long blue vest-coat. Her back is towards the viewer, but her head is turned to be looking straight at us. This pose is meant to evoke a specific point in the TAZ Balance trailer, which had Lucretia in a similar pose. The first image shows the card in full - with lucretia standing between two pillars and in front of a starry night sky. The crescent moon hangs right behind her silently. In Lucretias hand is the bulwark staff, a long white wood staff thats curved at the top. Her face is neutral - but there seems to be a weight to her gaze. End is]
Hi this one turned out even better than I wanted pls enjoy. Also i SERIOUSLY loved that one moment in the animated trailer and I thought that was the perfect pose for Lucretia
[id: image of a fanmade tarot card for TAZ. Its Johann the bard as ‘The Fool’ card. He’s in the Bureau, walking along the edge of the tank holding the Voidfish. He’s focused, playing the violing as he walks. Johann is dressed in a purple jester-inspired outfit - with poofy dark purple and yellow shorts, a poofy hat with a feather, and lavender tifhts. You can see his bracer on his left arm as he plays. You can also see a part of the voidfish, which appears to be galaxy-colored with a million stars inside of it. Johann is leaning slightly towards falling into the tank, but only slightly. End id]
I’m so proud of this one???
[id: image of a fanmade tarot card for TAZ. This card is “The Magician” card, and it features Jenkins from Murder of the Rockport Limited. Jenkins stands in front of an interior train door. The train interior is mostly brown/wooden with some maroon-violet and gold on the walls. You can see through the glass in the door that there appears to be a lush array of plants beyond. Jenkins, a pale elven middle-aged man, stands in front with his hands folded behind him. He’s holding the port rod and his wand. Hes dressed in a train uniform, a red hacket with gold-trimmed edges, a small cap, black slacks and black shoes. He’s also wearing a technicolor bowtie, and is frowning, with one eyebrow raised, unamused by whatever he sees. End id]
Oops I had two on the ready
Found some hands tutorial by me
Not in English but hope it will help???????
THIS IS SUPER HELPFUL. especially the hand one.
I’ve translated the ones that aren’t in English! (at least the ones in the main photoset, my Chinese isn’t good and I’m too tired from doing those translations to sit and decipher some of the characters that are blurry haha sorry)
under the cut because it got really long:
Keep reading
do you ever just
“no that’s not dramatic and cheesy enough”
“getting warmer”
“t HERE IT IS”
i love this but i dont know how to do this
hoW
For those wondering about HOW to do this, here’s a short explanation according to me:
Drawing A to Drawing B: -the most obvious change is the exaggeration of the line of motion in the character.
In Drawing B the line of motion is much more pronounced, creating more drama and movement to the whole composition
-The arms are open wider, showing more confidence and exuberance in the character, exaggerating their emotions so they can be more clearly read without having to look to the face for emotional cues.
-the legs are wider apart, adding to the aforementioned confidence but also giving the character a solid foundation, visually speaking.
-The head is tilted back and overlapped by the chest, adding a touch of dynamic perspective to the drawing.
Drawing B to Drawing C: -Most obvious change is to zoom in on the character. Character framing is just as important as what the character is doing. Zooming in can help infensify emotions. this shot is ALL about this character and what they’re feeling. -Because of the zooming in, the arms/hands would have gotten lost, so instead of making the canvas wider, the artist has elected to rotate the character slightly, bringing a dynamic angle to things and more intensity to the close shot. -While the character is more upright in this shot compared to Drawing B, in Drawing C the chest still slightly overlaps the neck, preserving the feeling of being slightly below the character (putting them in a position of power relative to the viewer), which helps maintain confidence and power in the character. -the chest is exaggerated to carry the majority of the body’s line of action so even though you cannot see the legs, our brains are able to fill in the gap and envision that line of action. -The cropping/framing of the character allows for a more interesting composition/negative shapes created by the positive (character) on the negative (background), creating more visual interest as well as a circular motion to the composition through the arms, across the face to the negative space for the eyes to rest in before dropping to the hand in the background and back through the composition again.
Pretty sure I’ve posted this before. But worth a repost
I miss this kid’s silly face
by Bryan Konietzko
As a kickoff to the summer, I thought I’d run a small giveaway for…well, anyone who wants to enter! You don’t HAVE to be following me, but if you like the art I would certainly appreciate it!
In order to enter, reblog this between NOW - June 21st, 2018 MIDNIGHT CST. That’s midnight at Central Standard Time (American | Chicago). You must have asks or messenger enabled on your blog because that is how I will conact you. If you don’t answer within three business days, I’ll choose another winner for your slot.
On June 22nd I’ll randomly generate a number from the list and give away three prices, starting with 3rd prize and running to 1st prize. Prizes are:
3rd Place - (1) monochrome-coloured bust of any OC or fan character you desire!
2nd Place - (1) fully coloured bust of any OC or fan character you desire!
1st Place - (1) textured waste-up of any OC or fan character you desire!
Please have references available, or a strong written description. <3
Rules:
ONLY reblogs count, and you can reblog as often as you like! (Likes are also welcome but won’t count toward the draw.)
no giveaway blogs
keep your ask box open so I can notify you if you win!
You can only win ONE place.
Winners will be drawn in order via random number generator
I will re-draw a winner if they have not responded in three days
This giveaway ends on June 21st 2018 at MIDNIGHT.
Following this blog (my art blog!) is very, very welcome~ I will be doing more giveaways in the future.
Commissions * Ko-Fi * Twitch
lots of doodles today!
Here’s my full piece for the Ghibli charity fanzine SPIRIT (@ghiblizine)! If you missed the first round, we’re reopening preorders, so be sure to grab yourself a copy :) thanks guys!!
working on a double page spread no way I can resist sharing these pages, so might as well show some wips
edit: I just had this weird realization that all the imagery in this page like kites, timber frames, and skeletons are sorta related visually. hmm
“Don’t trace” originally started as a warning against tracing as art theft (as in, tracing someone else’s art without permission or credit is art theft) and then over the intervening years turned into “you can’t use references because it’s cheating” and I think that’s one of the worst cases of the telephone game I’ve ever personally experienced
you are allowed to trace as practice
you are allowed to trace your own work (for example photographs you took yourself or to keep architectural consistency)
you are allowed to trace things the original artist is encouraging you to trace
you SHOULD use references
you SHOULD be allowed to pick up other artists’ artistic tics you like (…as long as they’re not offensive, like blackfacing, but that’s a different kettle of fish)
you SHOULDN’T go around moralizing at other people about how they learn best because you can and will lose friends that way and you can and will hurt other artists’ development that way.
Also other than art theft there IS no such thing as cheating in art okay use sparkle pens and fan brushes to your heart’s content why is that even a thing I have to say (…and yes I’ve had conversations in the analog world about fan brushes as “cheating” I’m so tired of snotty artists who think you shouldn’t be allowed to use tools that make things easier because they can do it the hard way)
But honestly, this need to be said louder, as an artist you end up feeling like you aint getting better, trying to draw in perspective without having a guide line . And when others shame artist for using references its like they are expecting the artist to know by memory how everything works on every perspective.
To Consider that fan brushes, or custom brushes are cheating and expecting the artist to do everything in the “original” way is like wanting the cashier to charge you without using a calculator to do the sum. Tools are invented to be used.
“tools are invented to be used” well put
Not allowing using references is same as telling to a chef they can’t use recipes but they have to pull any dish in the world out of their asses just like that. The first thing, the very first thing my photography teacher told us was “When photographing was invented, ARTISTS took pictures of cities and traced them on their paintings because hey - easier work! Why bother to work hard when you can make it easy for yourself and save your time and energy?”
I’ve been drawing for years, and I still trace. It helps me learn relationships between shapes, and to understand perspectives that are difficult. Other days, I eyeball it until it looks right. 90% of what I have on my computer is reference images.
Thing is, use what makes you learn best. Don’t steal, but don’t suffer because someone says references aren’t getting.
Lots of this.
I work in animation. My boss encourages the whole team, every day, to learn how to draw the characters by tracing them over and over, before trying to draw them freehand. It helps commit their shapes and proportions to muscle memory and actual memory.
Tracing is an invaluable method of learning. As long as you aren’t tracing somebody else’s work and calling it your own, you’re in the clear. TRACE YOUR LITTLE HEART OUT.
LET YOUR ART BE UGLY!!! LET YOUR WRITING BE BAD!!! DANCE OFFBEAT!!! SING OFF KEY!!! LIFE IS TOO SHORT TO LET YOUR FEAR OF NOT BEING GOOD ENOUGH PREVENT YOU FROM LEARNING AND ENJOYING NEW THINGS!!!
For all the artists out there
Youre telling me I threw away 10 dollar markers FOR NOTHING
REBLOG to save a life and a wallet!
Plus copics are actually refillable and you can buy more colored ink online for pretty cheap! So yeah dont throw out copics.
NO NO NO NO!
Never refill a Copic with regular isopropyl alcohol unless you have absolutely no other option.
Copic markers have their own ink refills to go with each marker,
They look like this and cost around the same price as a Copic Sketch maybe slightly more however they can be used to refill a marker several times
By using isopropyl alcohol what you’re doing, in fact, is diluting what little ink you have left in your make, therefore changing the shade of it.
Of course the one exception to this rule is the colourless blender 0 which is a marker that is full of regular isopropyl alcohol.
As a side note, DON’T throw away your marker if one/both of the is damaged
Copic also make replacement nibs for all of their markers
Which are much cheaper than buying a new marker as you get multiple in a pack.
Reblogging to save an artist. Copics are meant to be reusable and I know how hella expensive those things are. NEVER throw out your Copic markers!
