Can't Do Right

@westabrams

[nevver]

Candy crush, Federico Javier Kaplan

[beautiful-belgium]

Jan Yoors (1958) Source

[thusreluctant]

Valley Pool Party by Jules de Balincourt

[itscolossal]

Photographs by Paul Johnson Document a Once-Thriving Farm Community Subsumed by Rising Waters

[faithistorment]

Afterlife II – New Jersey Shore: Photos by Michael Massaia

[crossconnectmag]

Jeremie Dru’s Dreamy Double-Exposure Photographs

French photographer Jeremie Dru sees hidden patterns in his everyday surroundings. The artist captures odd and intriguing moments in architecture and nature with his medium-format camera, often using double-exposure and other analog methods to create surreal effects.

My photographic practice proposes to clarify possible and real places we inhabit. A way in which the camera can capture a personal interpretation of quantum physics. The principle of photography is to capture light during a time interval which leaves room for interpretation of the photographer and can distort reality while allowing the artist to be released from his subjectivity to create scenes that do not seem to exist.

Check out his Facebook.

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posted by Margaret

[nevver]

Darkness on the Edge of Town, Efren Lozano

[semihlakerta]

Francesco Diaz & Deb Young

[truemarmalade]

[christinajorro]

Artist Taylor McKimens in his studio,

williamsburg

2015

[archatlas]

Indian Cinemas

Katherine Newbegin’s series documents the quickly disappearing cinema houses that are being abandoned unable to compete with modern mega-plexes. Katherine Newbegin was born in Portland, Oregon in 1976 and currently lives and works in Brooklyn, New York.

Images and adapted text via

[visualbookclub]

The Drips (2006) by Taylor McKimens. 6"x9" 24 pages. Published by PictureBox. Sells for $8.

[opticallyaddicted]

Taylor McKimens

Taylor McKimens initiates us in the suburban desert of the contemporary American wild west, portrayed as an extended backyard calling to be explored. Drainage ditches, weather-worn palm trees, dusty trucks make up the playing field where young characters embark on brave endeavors in an almost Edward Hopper-esque solitude. McKimens is completely unperturbed by the messier side of things and in fact revels in the drips and oozes that are the traces of life. In one of the show’s major works, Knee Deep, the bright, acidic-colored canvas shows a young, baseball-capped girl stymied in a ditch. McKimens creates a certain sense of no-time as if she has always been there and will always be there, contemplating her next move. Alternating between loose areas of color with atmospheric gesture and dense areas of confident line quality where even the slightest details, a fly on a shoe, a piece of trash in a puddle, are given equal stature on the canvas.

The Drips Comic

[thunderstruck9]

Taylor McKimens (American, b. 1976), Untitled, c.2005. Acrylic and gouache on paper, 8.25 x 10.5 in.

[cantdoright]

[cantdoright]

Photographer Spotlight: Julien Mauve - BOOOOOOOM! - CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS

[cantdoright]

Jon Fox’s Haunting, Kinetic Oil Paintings | Hi-Fructose Magazine