wallacepolsom
todays bird

Kiana Khansmith
One Nice Bug Per Day
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Mike Driver
macklin celebrini has autism

izzy's playlists!
trying on a metaphor
sheepfilms
Jules of Nature
cherry valley forever

JVL
Monterey Bay Aquarium
No title available
official daine visual archive
he wasn't even looking at me and he found me

No title available
PUT YOUR BEARD IN MY MOUTH
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@canthurtsteel
Always do you, even if you have to do it alone.
classycreeps
Self-Portrait, 1984, Jean-Michel Basquiat
Medium: acrylic
Fredo x Travi$
For nearly forty years, Carrie Mae Weems has been investigating family relationships, cultural identity, racism, sexism, class, political systems, and the consequences of power through interdisciplinary practices employing photographs, text, fabric, audio, digital images, installation, and video.
āIām interested in the historical past as well as the historical present, and how the past has a kind of hold on the present, how it shapes us.ā ā Carrie Mae Weems (p. 109)
Images from āFrom Here I saw What Happened and I Criedā 1995 - 1996
Carrie Mae Weems : strategies of engagement Edited by Robin Lydenberg and Ash Anderson. Weems, Carrie Mae, 1953- [photographer] Ā Boston : McMullen Museum of Art, Boston College, [2018] Distributed: Chicago : University of Chicago Press, 2018. 188 pages : illustrations (some color) ; 31 cm English Issued in conjunction with the exhibition Carrie Mae Weems: strategies of engagement, held at the McMullen Museum of Art, Boston College, September 10 to December 13, 2018. ISBN : 1892850338 ISBN : 9781892850331 HOLLIS number: 99153724480503941
Jimi Hendrix having tea with his guitar, a day before his death. September 17th, 1970.
Iāve been choosing myself lately and I love how it feels
Grace Jones by Jean-Paul Goude (1981)
Sacha Chimkevitch (1920-2006) ā Jazz VIĀ Ā (watercolor, 2002)