In Praise of Dialectics, 1937, Rene Magritte
Medium: oil,canvas
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@carmi1710
In Praise of Dialectics, 1937, Rene Magritte
Medium: oil,canvas
Cornelis Schut, 1597-1655
Abduction of Europa, n/d, oil on canvas, 162.5x269.2 cm
Private Collection
“Sadness gives depth. Happiness gives height. Sadness gives roots. Happiness gives branches. Happiness is like a tree going into the sky, and sadness is like the roots going down into the womb of the earth. Both are needed, and the higher a tree goes, the deeper it goes, simultaneously. The bigger the tree, the bigger will be its roots. In fact, it is always in proportion. That’s its balance.”
— Osho
“Sadness gives depth. Happiness gives height. Sadness gives roots. Happiness gives branches. Happiness is like a tree going into the sky, and sadness is like the roots going down into the womb of the earth. Both are needed, and the higher a tree goes, the deeper it goes, simultaneously. The bigger the tree, the bigger will be its roots. In fact, it is always in proportion. That’s its balance.”
— Osho
“Sadness gives depth. Happiness gives height. Sadness gives roots. Happiness gives branches. Happiness is like a tree going into the sky, and sadness is like the roots going down into the womb of the earth. Both are needed, and the higher a tree goes, the deeper it goes, simultaneously. The bigger the tree, the bigger will be its roots. In fact, it is always in proportion. That’s its balance.” ― Osho Rajneesh, Everyday Osho: 365 Daily Meditations for the Here and Now
Art by James Jean
“The capacity to be alone is the capacity to love. It may look paradoxical to you, but it is not. It is an existential truth: only those people who are capable of being alone are capable of love, of sharing, of going into the deepest core of the other person—without possessing the other, without becoming dependent on the other, without reducing the other to a thing, and without becoming addicted to the other.”
— Osho
Attributed to Reynaud Levieux, Two Cavalier King Charles Dogs
Lambert Doomer - Comet over Alkmaar. 1681
“Hoy soñé contigo, y por alguna razón busqué todas las formas posibles para poder despertar – sabía que no eras tú- , era una simple proyección de mi mente/cuerpo extrañándote, pudiste haber sido tú , lo sé, pudiste volar e ir a un lugar que no visitas, aún así no serías capaz de recordarlo. Es increíble la forma en la que cualquier tipo de sensación es capaz de quedarse impresa en el cerebro para así poder reproducirla algún día / cualquier día. -Olí tu cabello, escuché tu voz, vi tus ojos, besé tus labios- Los dos sabíamos que algo no andaba bien. Me besaste con necedad y desesperación como solías hacerlo cada vez que tu corazón se aceleraba. Es gracioso ¿no crees? lo que un día la vida se encargo de desaparecer, un sueño viene y te lo recuerda. -Un gusto volver a verte -Un gusto volver a sentirte -Un gusto recordarte INTENTA NO REGRESAR.”
— http://errr-magazine.com/que-noche-es-hoy/ (via carmi1710)
Still
(via carmi1710)
“[…] Quiero ser libre, aunque me vuelva loca, aunque sufra como nadie, seré libre. Prefiero una libertad árida, empobrecida antes que esta adoración carente de sentido, irreconciliable con la realidad. Cuando uno no quiere amar no ama. Y yo no quiero amar así.”
— Diarios, Alejandra Pizarnik. (via viverapidomuereviejo)
Palacio de los Duques de Santoña, Madrid, Spain
My Best Friend’s Wedding (1997)
I’d like to take you to the church so you can walk down that aisle and marry the man of our dreams. Because he sure wants to marry you.
My Best Friend’s Wedding (1997) dir. P.J. Hogan
that’s just how it is on this bitch of an earth
How could she feel nostalgia when he was right in front of her? How can you suffer from the absence of a person who is present?
Milan Kundera (via quotemadness)
Staircase in Capri, 1878, John Singer Sargent
Medium: oil,canvas