「Where others fall, I rise. That's my motto.」
I really don't have a lot of drawings for this guy, much less in colour ANYWAYS!!
Welcome to the unofficial blog page of Silence Suzuka's less successful version, Suzuka Phoenix!
In real life, they'd be brothers and owned by the same man, Nagai Keiji.
In Uma Musume, he's... Ah, an oc of mine, as you could probably guess. As I look through the official Twitter account of the farm that currently takes care of Nakayama Festa, I ended up finding out about this Suzuka Phoenix guy. And I was so confused at first, not knowing who he was. I search up his Netkeiba page, and turns out, this guy is a big deal! His most important win is his only G1 win, but that's okay because he came in fifth place against VODKA in the Yasuda Kinen 2008. Big stuff.
So, I looked through more of that Twitter account, and I soon fell in love with this guy. I just had to make an oc out of him—he's my fave's retirement buddy, for God's sake. And now we're here.
In short, Suzuka Phoenix is Silence Suzuka's underclassman, and after news of her senior getting injured, she decided to make it her mission to finish what was started. Yep, Phoenix wants to continue Silence's legacy, to add more to the already otherworldly legend. Of course, that comes with all sorts of issues, like imposter syndrome, low self esteem, the whole list. In her journey, she learns to be her own Uma Musume, to see her own worth separated from Silence Suzuka, and that helps her through her most important race, the Takamatsunomiya Kinen. It's a race that the older Suzuka doesn't have in her resume, now does she?
Admin is @vidd03k, aka the guy who made the character. I have like... Zero to no boundaries except NSFW obviously, but that's that. I just like to play and draw.
When the post is in character, I'll add the tag #carrot-phoenix, just like the handle. Also I'll have all of the text written between 「」 these two brackets.
When post is out of character, I'll add the tag #NOT-phoneix, and the text will be preceded by // two slashes.
