'mobsters' are part of a 'mob'. and so you'd think 'lobsters' would be part of a 'lob', but ohohohhohoho, life just isn't so simple
Cosmic Funnies

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@categorysixkaiju
'mobsters' are part of a 'mob'. and so you'd think 'lobsters' would be part of a 'lob', but ohohohhohoho, life just isn't so simple
Fire VII - Karin Kneffel , 1994.
German, b. 1957 -
Oil on canvas , 84 x 59.5 cm.
Okay once I kinda got back into the rhythm of using invisible thread it wasn’t too bad. Still more hours of work that it feels like it ought to have been, but it’s done. 410 beads attached.
Based on a Minoan dolphin rhyton in the archaeological museum in Heraklion.
UTAGAWA KUNIYOSHI (1797–1861)
One Hundred and Eight Heroes of the Popular Suikoden
You ever think about how by committing yourself so strongly to evil that you are in fact holding yourself to a moral code? And that by constantly sticking to your principles and code of ethics your actually walking your own moral high ground?
no and don’t try to advance my understanding of ethics via self-reflection ever again
(via しっぽの巻き具合が芸術的! 猫が“ぼにゃーる”ポーズをとる理由を獣医師が解説|ねこのきもちWEB MAGAZINE)
Yet to hear another critique of the odyssey that’s as pedantic as my dad’s: he could tell the ocean scenes weren’t filmed in the Mediterranean because the swell pattern was wrong
THE X FILES 1.05 the jersey devil WIDOW'S BAY 1.05 what to expect on your trip
Soccer players are the horses of men’s sports. They run around in fields for hours on end. They stub their toe and they die. They fall and they die. They run into each other and
I'd truly be the worst person to stick into a timeloop because I'd really just spend the first 5 years catching up on my book tbr, the next 7 on all the movies and shows that've Been On My List for ages, and then another decade on ao3. like sure nothing may stick but my memories will and i can just go into a supermarket to get snacks and wine each day, and i have art to indulge in. like thanks for the hints on how to get out but respectfully, I am busy
collection
A lot of criticism of delivery apps focuses on the fact that they offer convenience and variety, which I find much less compelling than criticizing the fact that the apps often send their contractors on fetch quests from Hell.
There are real labor problems here. Base pay is often insulting. Customer tips carry too much of the burden. Workers need better protections, more transparent algorithms, protection from arbitrary deactivation, and actual recourse when the app or a customer screws them over. Car-dependent delivery is also an environmental and infrastructural problem, though in a denser city I’d still be doing this work; I’d just be doing it by bike.
But when people talk about delivery work, I rarely see them talk to actual delivery workers. I see a lot of abstract arguments about convenience, consumer decadence, “hustle culture,” and internalized neoliberalism. Meanwhile, when I’m out working and waiting in restaurants for orders, the other Dashers I meet are usually people who only speak Spanish, people who read as neurodivergent, visibly physically disabled people, or some combination of the above.
I have not met this mythical Disco Elysium poor ultraliberal hustlegrinder-wannabe people seem to be arguing with. Maybe that archetype exists somewhere. If it exists among any kind of gig worker, it would probably be rideshare drivers. But most of what I see looks less like “rise and grind” and more like “this is one of the few forms of work available to people who need flexibility, low barriers to entry, limited managerial surveillance, or a way to work around language barriers, disability, burnout, chronic illnesses and injuries with symptoms that come and go unpredictably, caregiving, résumé gaps, or discrimination.”
That does not make the current system good. It means the current system is filling a real gap that a lot of supposedly better systems do not even acknowledge.
As a disabled person who is burnout-prone and demand-sensitive, contracting as a delivery driver has given me an unprecedented level of financial flexibility. I can work when I have capacity. I can stop when I’m deteriorating. I can build my day around my actual body instead of being trapped under a manager who thinks “reliable” means “able to perform the same way every day no matter what.” That matters. It does not cancel out the exploitation, but it is also not fake just because it is politically inconvenient.
And delivery itself is not some inherently decadent evil. Sometimes people live alone. Sometimes they are sick. Sometimes they are disabled, exhausted, overwhelmed, grieving, overloaded, or recovering from something else - perhaps the stress and fatigue induced by their own job. Sometimes they need medicine, groceries, or a meal that will actually unplug their sinuses instead of whatever generic community-care slop someone thinks they should be grateful for. Humans are allowed to need specificity. “Food” is not the same as “the food I can actually eat right now.”
A serious labor critique would ask how to make delivery work safer, better-paid, less tip-dependent, less car-dependent, less algorithmically punitive, and less precarious. It would ask what kinds of flexible, accessible work should exist for people who cannot thrive in conventional employment. It would ask how cities could support bike delivery, worker cooperatives, public infrastructure, and real protections without simply replacing one bad system with a moral sermon about how nobody should ever want takeout.
But a lot of the discourse does not do that. It treats convenience itself as suspicious. It treats wanting flexible work as false consciousness. It treats the needs of disabled people, immigrants, and other people who can't fit into traditional employment structures as details to be swept aside in favor of a cleaner political image.
I guess the opinions of delivery workers only count when they are politically convenient.
the near universal absence of hose in late medieval inspired visual media is so evil not for historical accuracy reasons or anything but bc I think they're hot & I'm offended by the implication that they're too weird or unattractive to include. fake men's legs enjoyers everywhere. I bet they wouldn't even appreciate the eroticism of a little flash of braies where the thigh meets the body if they got it. sad!
Kate O'Flynn as Patricia Moyer in WIDOW'S BAY (2026—)
Before, I could only trust myself. Now, I can only trust you.