I'll raise you: my history teachers pose while we're showing him the picture of the human pyramid we did as symbolism for whatever we were learning about
Being deeply insecure is a funny thing. I'm in the middle of discussion about ethics arguing against myself because I succeed in respected someone's boundaries when that's something I have trouble with.
What matters most? Intentions or outcome. I argue intentions against myself, theyre arguing outcome in defense of me.
Sainte Esconde des Mystères, une confidence pour une prière
Sainte Esconde des Secrets, montre moi ce qui est caché
My comic La Langue des Vipères was released this week in bookstores in France, Belgium and Switzerland !
This beautiful trailer was created by my friends at Potto Collective : @lholmesharfang , Luc Armanet, @noctambuleur , @estellito , @nomnomsandwich , @shliten, Matthieu Chavane and Fanou Lefebvre
Guys, I’m so proud of this — my first digital drawing! It took so long to finish— probably 35 hours or so — because I had to learn every feature of the software as I went. I fucked up many, many times, but here it is, finally!
It feels weird to ask, but I would be so happy if you would reblog this if you like it, because I really want people to see it!
(There’s a short description of my first experience with digital below the cut if anyone is interested.)
I used a screenshot as reference for Daniel and traced the outline of the face + the general proportions placement of nose, eyes and ear. Also did a rough trace of a stock photo lamp post and then modified it a bit, because fuck spending time on a lamp post. Base reference of leaning figure was a postcard of some noir type detective with a ridiculous hat.
The most difficult part? The goddamn position of Armand’s feet and legs. I also cursed the fact that the reference picture shows Daniel on a street where he’s hit by at least three light sources, and how difficult it was to marry that fact with this style.
Layers are great, but I still hate them. Vector layers are the worst. Fear of merging layers is also the worst, and I still don’t know how the selection layer works. In general, figuring out what all the tools do was tricky since they’re not exactly elf explanatory.
I’d say the biggest problem for me over all was that I found it very difficult to guess exactly how visible tiny imperfections would be in the end result. Probably spent way too much time worrying about pixels, wishing they weren’t square.
blakekathryn
tangentwithtanner
