Sofia Coppola by Takashi Homma 1999
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@cemmyeyes
Sofia Coppola by Takashi Homma 1999
Me this weekend
once i read everything on earth then i think ill be prepared to write
It is the phenomenon sometimes called “alienation from self.” In its advanced stages, we no longer answer the telephone, because someone might want something; that we could say no without drowning in self-reproach is an idea alien to this game. Every encounter demands too much, tears the nerves, drains the will, and the specter of something as small as an unanswered letter arouses such disproportionate guilt that answering it becomes out of the question.
Joan Didion, On Self-Respect, 1961.
haha. yeah
i do think what gets ignored about carrie as a character is that she’s an incredibly easy target to bully; she’s a chubby, sheltered acne ridden teenage girl who wears frumpy grandma clothes and regurgitates the jesus freak shit her violently abusive mother tells her. she has violent thoughts about her classmates and is uncomfortable to be around. she’s far more interesting being a victim that’s somewhat uncomfortable to be in the head of than a tragic waif. she’s not a martyr, she’s a child and a child who’s been victimised her whole life shouldn’t have to be kind and angelic to be recognised as a victim. suffering teenage girls shouldn’t just be presented on screen as toned down glamorous thin ophelias, suffering teenage girls can be fat and poor and think violently. i do think we need to examine why culturally we need teenage girls to be beautiful and kind to valorise their suffering and treat it as bad
Se7en (1995), dir. David Fincher
Wonderful photo
Possession, Andrzej Zulawski, 1981
florence welch for elle magazine russia photography by ina lekiewicz styled by ekaterina mukhina hair and makeup by leigh keats and sarah freyton
“are u okay?” no i need more money
betsey johnson spring 1997
i love you archival work. i love you alphabetizing. i love you sorting. i love you reshelving. i love you document restoration. i love you shelf reading. i love you inventorying. i love you analysis. i love you archival work.
Fawn, 2026 by Anastasia Khudyakova (Moldovan); Oil on pressed cardboard, 5x5 in