LIBERATE

[arpeggia]

Amiko Li - Maiden Voyage

See more Amiko Li posts here.

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[ekugen-deactivated20241128]

[applesandpears-global]

[fornaxvoid]

[in-frame]

[heyscola]

Greenpoint, 2018

[nevver]

Nathaniel Russell

[melittabaumeister]

Matieral Turn

[planths]

moon games by Laurent Laveder

[adreciclarte]

by Slava Thisset 

[art-e-ficial]

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[arterialtrees]

Felix Gonzalez-Torres, “Untitled” (Perfect Lovers), 1991 Wall clocks and paint on wall Overall dimensions vary with installation Clocks: 14 x 28 x 2 ¾ in. overall Two parts: 14 in. diameter each © The Felix Gonzalez-Torres Foundation Courtesy of Andrea Rosen Gallery, New York

[arterialtrees]

Felix Gonzalez-Torres

Untitled (“Loverboys”), 1991, Andrea Rosen Gallery.

Felix Gonzalez-Torres was not interested in making art that allowed the viewer to remain a spectator. His work offers the viewer an opportunity to contribute his or her own experiences, and to participate in the meaning of the work.  In Untitled (Lover Boys), 1991, (on loan from the Goetz Collection, Munich), an “endless” supply of candy lies shimmering on the gallery floor, gathered together at an ideal weight of 355 pounds – alluding to the combined weight of Gonzalez-Torres and his partner.  Without any sign stating so, the viewer is invited to take and eat a piece of candy.  Every night the “spill” is replenished and lives on in a constant cycle of loss and regeneration. 

[arterialtrees]

Felix Gonzalez-Torres

Untitled (Placebo Landscape for Roni)

1993

candies, endless supply

ideal weight: 1200 lbs

[gallowhill]

He Yunchang - Earthly Possession, 2000