ā ā PRO WHEN I SET, GO.
Ā Ā Ā Leonās āeverything' leaves a bittersweet taste in his mouth: it can't possibly be true, considering some of his intentions remain unclear even to himself, but wouldn't that be nice? No secrets, no lies, no bruised tongues ā only disastrous honesty, the ugly truth inscribed in thin, pale scars. (He knows a voice laced with silver won't get him far here, little, insignificant lies caught with ease. There's honesty on the background of deceit, and he believes in everything he says, mostly because he's not sure what is a lie and what ā over the course of their time together ā became the truth. It doesn't matter, anyway, because if there's anyone on this planet he'd trust with the hideousness of it all, it'd be Leon.)
Ā Ā Ā Ā Ā Itās a new day, but they donāt know, indulging this kind of neverending loop until neither has the strength nor will to fight any further. He can see it in the way his own shoulders slump (relaxation rather than defeat); in the way Leon leans back, mouth shut. The words left on the tip of his tongue feel a little too acidic to spill, so he doesnāt: instead, he waits until breathing becomes less hazardous for both of them, lungs still filled with noxious spite. āWouldnāt make that much of a difference, but youāre right,ā he cocks his head, picks his confidence up, smooths over the edges until nothing manic or breathless is left. (The showās over, curtains fall, itās the last time I do this, I swear.)
Ā Ā Ā Ā Ā āEverything means the ugly, too, no? Besides, believe it or not, youāre a good person to confess sins to. You donāt try to compare dicks.ā Ultimately, itās hard to say which one is worse: Leon, with good intentions gone awry, or him, with none at all. It holds no importance in this place nor in this relationship, though, and heās mildly grateful he never had to prove himself worthy (not that heāll ever be, of anything, and especially not in Leonās eyes. Strangely enough, itās a good thing.) Tense, unnerved expression gives way to a more amused one, and he settles down for good, cracking his neck idly. āAll you can get from this is the fact that Iām good with hands, anyway. Could probably improvise Moonlight Sonata.ā (He only realizes how hard Leonās grip is when he tries to wiggle his fingers, bloodstream disrupted by unmerciful strength.)
Ā Ā Ā Ā Ā His hands fall back on the table as soon as the other lets go, and he doesnāt try to move them just yet: itās uncomfortable, not exactly painful, heās had much worse, itās fine. āThereās always a choice for someone like you,āĀ or almost always, but heās not attempting to make himself look any more predatory than he already is. āSometimes, itās easier to ground yourself with simple phrases,ā he adds after a moment, thoughtful. Leonās always had a penchant for trying to imprison himself within set boundaries, but for the sake of the so-called peace and delirious beliefs (you donāt understand me, you never will), Aridai doesnāt speak up about it.
Ā Ā Ā Ā Ā āNot entirely,ā his lips twist into a smile, dispassionate and thin as ice. Thereās no salvation waiting for either of them, but no biblical apocalypse, either: this world accepts psychosis with open arms, a crown awaiting anyone who can break enough spines to get to the top (or, in his case, merely tag along.) The fingers coiling in his shirt catch him off-guard, dull gaze focused on a point somewhere behind Leonās head, there and gone. Knees straightening, fingers clutch the edge of the table as he makes sure not to fall back again, a small huff escaping his lips. āHey, hey, uncalled for,ā it takes one, nonchalant gesture to fix his shirt, hands reaching for Leon right after.
Ā Ā Ā Ā Ā One arm coils around his neck, the second wandering to his face ā he traces his cheekbone with his thumb, fingertips brushing against the skin delicately, as if heās something fragile, precious (and he would be, had his insides matched the molten gold of his eyes.) āFine, I can shoulder that for you, at least,ā thereās no use in denying heās been the instigator all alongā and if it makes him bad, heāll accept it without complaint. Reluctance makes you weak; going through all of that emotional, mental struggle Leon does on a daily basis sounds nothing but tiresome.
Ā Ā Ā Ā Ā In the end, heās hardly the one to beat himself up over things, guilt only a distant memory. A part of him is avoidant ā always wary, ready to run away from possible blame, possible need to take things into his own hands. (But this, he doesnāt mind, lips pressed against the underside of Leonās jaw, at ease only when the marrows of their bones merge.)
Everything, by default, is fragile (ever-consuming as he swallows tired minds, each and every one he's come in contact with⦠the dead not excluded), and jolts him awake. To know nothing is render yourself without use, to consider every angle and to let it slip through gaps of limber fingers. 'The ugly', too, is a concept in itself entirely capable of evading the element of surprise. Because by now, he doesn't need to look closer-- their weakness remains in plain sight, an obvious factor yielded by two souls who don't dare mention as much. Soulless, without virtue - all very debatable. Perhaps fortune alone is what ties them together, its opposite eliminating distance with bloodied pliers.Ā
"Can't say I'd be a good priest," this being a confession of his own. An image of shoulders squaring underneath such a ridiculous costume (though very well not entirely ridiculous considering the blond's perspective on a great deal of touchy subjects, none having much to do with religion) kindles a quieter peal of laughter-- rare and half-reluctant. For Leon, confirming a correction seems tiresome. Going out of his way to prove how he might be right is more often futile than it is fruitful, and explanations that revolve around expectations take a hell of a lot out of him. (Just how much can one man say I just want you to be safe when his hands are soaked red?)Ā
And the passing thought, too, makes the lower lid of one eye press up a notch. Thin. His face is contorting in several, minute ways that aren't worth mentioning; for the time being, his other seems cooperative enough -- it may or may not go unmentioned. "But there's plenty of stuff I'd be shit at. Like a chiropractor." One glance astray and it might as well be clear that he's repenting with the space between his eyes (the bridge of his nose wrinkles slightly for a fraction of a second, a tic he wills away with knitted brows and a flat mouth). It's too late to look over his hands again, it will only hurt. At least by now, he's aware of what will and what will not bludgeon his current moods - as if this wasn't bad enough as it is. "Yeah, yeah. One man show, you could do it. I get it." Maybe not just one man.Ā
Needless to say, that's a suggestion he has a bias towards avoiding like the plague. As previously stated, this should never be recognized as a lack of the urge to display weakness. Between them, movements of the least importance could be exploited and torn apart with ease. Just a wrinkling of his nose is a colossal tell, there are merely some times where he feels more comfortable in how much it is they really know than others. Now is the medium. (Sometimes it's easier to leave it at no choice. A) because he doesn't want one, and B) because if there is, he's not sure what to do with it.) "Better off grounded." No point in adding an 'I think'.Ā
"Nah," he offers with a downplay of the situation. "You're alright." Hesitance is another tell. All of this, in fact, calls for certain behavior. "Called for this a couple months ago. Already went over this." Rapt by the idea of anyone shouldering something for him - especially the notion put forwards, he allows the next gestures to quell any lingering vexes. (For the complete lack of a better word, he believes himself worthless and seeking an explanation is beyond each man in the room. One hand about his neck is no counter to that statement, though it certainly soothes like it might just provide one.)Ā
A fraction's worth of time goes to waste with lashes fluttering shut. Seeing less helps him disappear, and being partially unable to recognize his sense of self is a strength of its own dealt hand. Still, he can entertain a few ideas with a half-smile that crumbles like collapsing obelisks, archaic and leaving the earth to blanch in their wake. "I'd thank you, butā¦" Lips don't leave him without words (this is no silly novel, he's not gasping for breath-- not until skin is shattering under palms and they're under sheets colder than their flesh), not this time.Ā
Complying, he snakes an arm around the other to get a better feel of their frames flush up to one another. The room makes no sound, silence draping over it and blanketing their bodies as his hand encompasses Aridai's waist (maybe this isn't so bad, he thinks, as they lead on, indecision first). So he gives, too, if only a little, and cants his neck to slant his mouth over the other's.















