transgresión venusiana @cfponte - Tumblr Blog

Sophie O'Neil

MÁS QUE COJONES

Tengo el alma agobiada de tanto amarte en silencio. Tengo el corazón cansado de caminar en soledad. Ahora no me basto conmigo para alimentar mi cuerpo y saciar de amor mi alma. Ya no encuentro ni en las flores ni en el campo mis suspiros. Ya no me apetece ni ser pájaro, ni viento, ni sol, ni agua; apenas tengo ilusión de ser blanca mariposa. Camino con mi alma triste por el campo, sin flores en las manos, sin besos y sin lágrimas. Mas que cojones, ¡viva la libertad, la rebeldía y la esperanza! - Manolillo Chinato

#Manolillo Chinato

nimrodcustard

never related more to an image in my whole life.

entomancy

@hamishsteele

hamishsteele

This is how it starts.

theartofanimation

Celia Lowenthal - http://celialowenthal.tumblr.com - https://www.inprnt.com/gallery/clowenthal - https://www.celialowenthal.com - https://twitter.com/celia_lowenthal - https://www.instagram.com/celialowenthal

sandrorybak

I dont know why but so many people got inspired by Stranger Things to play Pen & Paper. Here are some characters for friends of mine. Whattttaa bunch of nerds

https://www.artstation.com/sandrorybak

ssoja

INKTOBER, second week !

chezniimura-deactivated20210427

Eleanor Davis

xombiedirge

brianmichaelbendis

the Blade Runner inspired music & art show, “Moments Lost”

Illustrations by Raid71, Dan McPharlin, HR-FM and Kilian Eng

vaniinh

Yo quiero que la gente sea del color de mis sueños. Quiero que la gente sea mágica.

Alejandra Pizarnik. Diarios (via vaniinh)

thecolorblockcurator

The Infamous Pond, Maximilian Liebenwein

secretlesbians

infamously gay

mooncalfe-deactivated20231020

i am a child.

adayinthelesbianlife-deactivate

Patricia Cronin, Monument to a Marriage (installed at Woodlawn Cemetery, Bronx, NY), 2006

In Monument to a Marriage, Patricia Cronin disrupts the cemetery. Installed ‘for eternity’ in New York’s necropolis, Cronin and her partner lie entwined upon a modern mattress among the memorials to the partners in and products of state sanctioned heterosexuality. By taking anticipatory revenge, Cronin out-manouevres the reality that she and her partner, Deborah Kass, could not be recognized as a family in the eyes of the American state at the time the work was made. “If I can’t have it in life,” says Cronin, “I’m going to have it in death.”