sometimes you need dialogue tags and don't want to use the same four

if i look back, i am lost

tannertan36
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Lint Roller? I Barely Know Her
we're not kids anymore.
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Cosmic Funnies

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Love Begins
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@charatkz
sometimes you need dialogue tags and don't want to use the same four
🌕💙⚜️💙Stars and the Moon💙⚜️💙🌕
Character Flaws and Their Meanings
Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates one’s abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in one’s skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and one’s own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.
Writing Advice for Brainstorming
Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.
Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.
Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.
Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.
Reverse clichés: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.
Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.
Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.
Ways I Show a Character Is Deeply in Love (and Doesn’t Realize It Yet)
Falling in love doesn’t always come with violins and kissing in the rain. Sometimes it looks like, “Why do I know their coffee order, favorite pen, and dog’s birthday?”
They remember everything. Not because they’re trying to flirt. Just because their brain decided, “This person’s data is important now.”
They get annoyed by other people talking to them. Why are you laughing at their joke? He’s not even funny.
They show up. For dumb things. Things they wouldn’t normally care about. Your cat’s vet appointment? They’re there.
Their body reacts before they do. Smiling before their brain catches up. Leaning closer without realizing. Looking at their mouth while they talk. Oops.
They pretend they’re just "helping out." You know. Just being a good friend. A good friend who stares at your texts like they’re holy scripture.
They get flustered when the other person flirts with anyone else. “I’m not jealous. I just… think they deserve better. Like someone emotionally mature. Who knows their coffee order. Who… wears this hoodie. Okay bye.”
They panic when the other person gets too close. Not because they’re scared of them. Because they’re scared of how much they care.
Writing Notes & References
Alchemy ⚜ Antidote to Anxiety ⚜ Attachment ⚜ Autopsy
Art: Elements ⚜ Principles ⚜ Photographs ⚜ Watercolour
Bruises ⚜ Caffeine ⚜ Color Blindness ⚜ Cruise Ships
Children ⚜ Children's Dialogue ⚜ Childhood Bilingualism
Dangerousness ⚜ Drowning ⚜ Dystopia ⚜ Dystopian World
Culture ⚜ Culture Shock ⚜ Ethnocentrism & Cultural Relativism
Emotions: Anger ⚜ Fear ⚜ Happiness ⚜ Sadness
Emotional Intelligence ⚜ Genius (Giftedness) ⚜ Quirks
Facial Expressions ⚜ Laughter & Humour ⚜ Swearing & Taboo
Fantasy Creatures ⚜ Fantasy World Building
Generations ⚜ Literary & Character Tropes
Fight Scenes ⚜ Kill Adverbs
Food: Cooking Basics ⚜ Herbs & Spices ⚜ Sauces ⚜ Wine-tasting ⚜ Aphrodisiacs ⚜ List of Aphrodisiacs ⚜ Food History ⚜ Cocktails ⚜ Literary & Hollywood Cocktails ⚜ Liqueurs
Genre: Crime ⚜ Horror ⚜ Fantasy ⚜ Speculative Biology
Hate ⚜ Love ⚜ Kinds of Love ⚜ The Physiology of Love
How to Write: Food ⚜ Colours ⚜ Drunkenness
Jargon ⚜ Logical Fallacies ⚜ Memory ⚜ Memoir
Magic: Magic System ⚜ 10 Uncommon ⚜ How to Choose
Moon: Part 1 2 ⚜ Related Words
Mystical Items & Objects ⚜ Talisman ⚜ Relics ⚜ Poison
Pain ⚜ Pain & Violence ⚜ Poison Ivy & Poison Oak
Realistic Injuries ⚜ Rejection ⚜ Structural Issues ⚜ Villains
Symbolism: Colors ⚜ Food ⚜ Numbers ⚜ Storms
Thinking ⚜ Thinking Styles ⚜ Thought Distortions
Terms of Endearment ⚜ Ways of Saying "No" ⚜ Yoga
Compilations: Plot ⚜ Character ⚜ Worldbuilding ⚜ For Poets ⚜ Tips & Advice
all posts are queued. will update this every few weeks/months. send questions or requests here ⚜ Writing Resources PDFs
Questions Your Character Is Too Afraid to Ask
(But desperately needs the answer to) Because these are the thoughts they won’t say out loud, but they shape everything they do.
If I stopped trying, would anyone notice?
Do they actually like me, or do I just make their life easier?
Am I hard to love?
What would they say about me if I left the room?
Would they stay if they saw the real me?
What if I’m only good at pretending to be good?
Was it actually love, or just obligation?
What happens if I fail again? What’s left of me then?
How long until they get tired of me?
What if I deserve the things I’m afraid of?
Am I healing or just hiding better?
Why do I feel more myself when I’m alone?
Do I want to be forgiven or just forget?
What if I never become the person they believe I am?
Am I still angry, or just numb?
Why can’t I let go of them, even after everything?
If they hurt me, and I stayed, did I hurt myself more?
Am I building a future, or just distracting myself from the past?
Is this what I want, or just what I’ve been told to want?
What if I was never meant to survive this, but I did anyway? Now what?
i hope this is useful for u all <3
Ooo, i dig these
Sooo, I usually write heavy angst, fights, etc but recently I’ve become interested in actually…writing fluff. But I have no idea what I’m doing, is it possible you could help?
The story I’m starting off writing is simple! Just a small one of two people cuddling after one of them can’t sleep from stress…don’t know how to write all that though, so any tips?
Writing Notes: Fluff
Fluff - filler for a work's contents; positive stories with a happy ending.
While fluffy stories are typically happy ones, they don't necessarily have to be entirely angst free.
Sad elements can enter your story, but they will generally be overcome, resulting in a cute, warm and fuzzy feel overall.
As a trope: The fillers are entries/scenes that are unrelated to the main plot, don't significantly alter the relations between the characters, and generally serve only to take up space. This could be considered "padding" (i.e., the addition of scenes to lengthen a story).
Filler has a few defining aspects:
One is a lack of momentum. It can be safely ignored without the reader missing out on any important information to the story.
If there is any pertinent new info, it tends to be a single plot point that can be adequately summed up in a short sentence with zero elaboration (e.g., "Alice got a new power" or "Bob got a new costume" or "Charlie's first appearance") because the details are inconsequential.
Tropes are not bad:
Just as a plot-related episode/scene can be unenjoyable if handled badly, filler/fluff can be great fun if done well.
It can shed new light on the characters and their relationships with one another, adding depth to the story.
Examples
J. R. R. Tolkien's The Lord of the Rings has a lot of this, mainly in the first book, as Frodo sits on the Ring for years before Gandalf returns. Not to mention the one-man Wacky Wayside Tribe that is Tom Bombadil, where Frodo, Sam, Merry, and Pippin stay for a while, adding nothing to the plot, and then move on. Probably more intentional than other examples, as Tolkien was writing the novel as a mythological epic, a genre that tends to include a string of events connected solely by the central characters and the backdrop of their quest.
Breaking Bad: The Bottle Episode "Fly" is the only episode which could be considered stand-alone, revolving around Walt and Jesse chasing a housefly around the meth lab. While it technically does not advance the plot in any way significant, it acts as an impactful character analysis of Walter and his actions as he reflects on the various misdeeds that led up to this moment in a fatigue-induced monologue.
Fluff Writing Prompts
Start or end your story with a character noticing the beauty in something they've seen hundreds of times.
Start your story with a character looking through an old family photo album.
Write a story about strangers becoming friends, or friends becoming strangers.
Write a story about two characters whose first impressions of one another are wildly inaccurate.
Write about a "found family" who are finally able to get together again after a long time apart.
Write about a character preparing a meal for somebody else.
Write your story about two characters tidying up after a party.
Set your story in the lowest rated restaurant in town.
Begin your story with somebody watching the sunrise, or sunset.
Start or end your story with a person buying a house plant.
Writing Notes: Intimacy ⚜ References: Love & Relationships Examples of Fluff Books: 1 2
Sources: 1 2 3 ⚜ More: Notes & References ⚜ Writing Resources PDFs
Here are some information and prompts from the sources linked above. More examples are provided in the original articles. Also included some links to previous posts on intimacy and relationships you can use as reference to help with the premise/scene you described, and lists of fluff books for inspiration. All the best with your writing!
Hi! Could make some writing notes regarding what happens to the human body when making out? Like the temperature increase and dopamine release, stuff like that? Or maybe just how the body reacts when you're nearby/interact to/with a loved one. I hope you're doing well! I love your posts!
Writing Notes: The Physiology of Love
Love can be distilled into 3 categories: lust, attraction, and attachment.
Though there are overlaps and subtleties to each, each type is characterized by its own set of hormones:
Testosterone and estrogen - drive lust
Dopamine, norepinephrine, and serotonin - create attraction
Oxytocin and vasopressin - mediate attachment
When we are falling in love, chemicals associated with the reward circuit flood our brain, produce a variety of physical and emotional responses:
Racing hearts
Sweaty palms
Flushed cheeks
Feelings of passion
Anxiety
Two decades of research shows that when it comes to early-stage intense romantic love—the kind we often think of when we talk about being lovestruck—a very primitive part of the brain’s reward system, located in the midbrain, is activated first.
Some Physiological Reactions to a Kiss
Pulse and blood pressure increase
Pupils dilate
Breathing deepens
Rational thought retreats, as desire suppresses both prudence and self-consciousness
Lust
Driven by the desire for sexual gratification.
The evolutionary basis for this stems from our need to reproduce, a need shared among all living things.
The hypothalamus of the brain plays a big role in this, stimulating the production of the sex hormones testosterone and estrogen from the testes and ovaries. While these chemicals are often stereotyped as being “male” and “female,” respectively, both play a role in men and women.
As it turns out, testosterone increases libido in just about everyone. The effects are less pronounced with estrogen, but some women report being more sexually motivated around the time they ovulate, when estrogen levels are highest.
Lust and attraction shut off the prefrontal cortex (includes rational behavior).
Attraction
Dopamine
Produced by the hypothalamus, is a particularly well-publicized player in the brain’s reward pathway – it’s released when we do things that feel good to us:
E.g., Spending time with loved ones and having sex.
High levels of dopamine and a related hormone, norepinephrine, are released during attraction. These chemicals make us:
giddy,
energetic, and
euphoric, even leading to decreased appetite and insomnia – which means you actually can be so “in love” that you can’t eat and can’t sleep.
Norepinephrine, also known as noradrenalin, may sound familiar because it plays a large role in the fight or flight response, which kicks into high gear when we’re stressed and keeps us alert:
Released more often at the beginning of a couple's relationship when many unknowns are present, putting the brain in a ‘proceed with caution’ mode.
Early in a relationship, there is heightened adrenalin, which causes feelings like butterflies in the stomach and a faster heart rate. There is also reduced activity in the parts of the brain that help us to make judgements, which is why you may be 'blinded' to another person’s faults in early love or infatuation,
Brain scans of people in love have actually shown that the primary “reward” centers of the brain, including the ventral tegmental area and the caudate nucleus, fire like crazy when people are shown a photo of someone they are intensely attracted to, compared to when they are shown someone they feel neutral towards (like an old high school acquaintance).
Attraction seems to lead to a reduction in serotonin:
It is a hormone that’s known to be involved in appetite and mood.
Interestingly, people who suffer from obsessive-compulsive disorder also have low levels of serotonin, leading scientists to speculate that this is what underlies the overpowering infatuation that characterizes the beginning stages of love.
This explains why people in the early stages of love can become obsessed with small details, spending hours debating about a text to or from their beloved.
Attachment
The predominant factor in long-term relationships.
While lust and attraction are pretty much exclusive to romantic entanglements, attachment mediates friendships, parent-infant bonding, social cordiality, and many other intimacies as well.
The two primary hormones here appear to be oxytocin and vasopressin.
Oxytocin
Often nicknamed “cuddle hormone” or “hormone of love”.
Produced by the hypothalamus.
Released in large quantities during sex, breastfeeding, and childbirth.
This may seem like a very strange assortment of activities – not all of which are necessarily enjoyable – but the common factor here is that all of these events are precursors to bonding.
It also makes it pretty clear why having separate areas for attachment, lust, and attraction is important: we are attached to our immediate family, but those other emotions have no business there (and let’s just say people who have muddled this up don’t have the best track record).
The Brain During a Kiss
The brain goes into overdrive during the all-important kiss.
It dedicates a disproportionate amount of space to the sensation of the lips in comparison to much larger body parts.
During a kiss, this lip sensitivity causes our brain to create a chemical cocktail that can give us a natural high.
This cocktail is made up of three chemicals, all designed to make us feel good and crave more: dopamine, oxytocin, and serotonin.
Like any cocktail, this one has an array of side-effects.
The combination of these three chemicals work by lighting up the 'pleasure centres' in our brain.
The dopamine released during a kiss can stimulate the same area of the brain activated by heroin and cocaine. As a result, we experience feelings of euphoria and addictive behaviour.
Oxytocin fosters feelings of affection and attachment. This is the same hormone that is released during childbirth and breastfeeding.
Finally, the levels of serotonin present in the brain whilst kissing look a lot like those of someone with Obsessive Compulsive Disorder.
No wonder the memory of a good kiss can stay with us for years.
Love happens less in the heart and more in the brain, where hormonal releases and brain chemicals are triggered.
Dopamine, serotonin and oxytocin are some of the key neurotransmitters that help you feel pleasure and satisfaction.
So, your body often approaches love as a cycle.
It feels good to be with that person, so your brain says, "Do that again."
Sources: 1 2 3 4 5 6 7 8 ⚜ Notes & References ⚜ Love ⚜ Kinds of Love
Thanks so much for your kind words. Hope you're doing well yourself! Would love to read your writing if these notes inspire you.
Chai tea bag + lil but of brown sugar + apple cider packet + 16 oz. mug of hot but not quite boiling water
it will not Fix You but like. maybe. maybe.
tags by @eridan-ampora
Update: this is the best post I've ever made because everyone is sharing their Warm Beverage recipes in the notes. Go check the notes for more Warm Beverages That Will Fix You.
MERLIN, 1.06 — “A Remedy to Cure All Ills”
Star Wars: Episode III - Revenge of the Sith (2005) Dir. George Lucas
I’m so sorry we didn’t learn, George.