independent keiko miura from monarch: legacy of monsters. low-mid activity. loved by aviva ( 25+, she/any ). CARRD.
verses include: baldur's gate 3, bridgerton, once upon a time, & more. always open to creating new ones!
trying on a metaphor
I'd rather be in outer space 🛸

@theartofmadeline

Andulka

Origami Around
Claire Keane

pixel skylines

if i look back, i am lost
Show & Tell
sheepfilms
🪼

Product Placement
Fai_Ryy
Mike Driver
One Nice Bug Per Day
Cosmic Funnies
almost home
PUT YOUR BEARD IN MY MOUTH
hello vonnie
The Stonewall Inn
seen from Philippines
seen from Peru
seen from Germany
seen from United States

seen from Canada
seen from Finland
seen from South Korea
seen from Vietnam

seen from Singapore
seen from Ecuador

seen from Canada

seen from Ecuador

seen from Singapore
seen from Italy

seen from United States

seen from Syria
seen from United Kingdom

seen from China

seen from Bolivia
seen from United States
@chasingtitans
independent keiko miura from monarch: legacy of monsters. low-mid activity. loved by aviva ( 25+, she/any ). CARRD.
verses include: baldur's gate 3, bridgerton, once upon a time, & more. always open to creating new ones!
" ... Yeah." A small, wistful voice as she looked up, gaze roaming for a moment or two as if looking for something she knew wouldn't be seen - not by her eyes, anyway. The Milky Way stretched, so much more like the spilled liquid that gave it its name than the fewer, most determined points of light that stayed visible from 'civilisation'.
Still, her focus had always been more toward the Earth, the parts of it that were vanishing faster and more permanently than the stars. But when 'permanent' had happened in the past, something else had arisen to take its place; Nature did, in fact, abhor a vacuum.
Thera contemplated that thought, eyes drifting to the terrain around them, dark and alive beyond the glow of the camp, speckled with the small bright sparks of living things giving not much of a fig about the intruding humans and their vehicles and huts. As it should be. She sighed, gave a small shrug, "Better not use up all the sugar, then." Hands slid into coat pockets, brow furrowed in thought.
"I read the reports on the Scarabs, or at least the ones I was allowed access to. They seem to be some sort of symbiotes with Co'cai? Or maybe like worker bees around a Queen?" She paused then, thumbs tapping absently on pockets' inner seams. 'Scarab' was as good a name as any, but it did put her in mind of the Egyptian kind ... but if there was a connection then finding out would have to wait.
"OK, speculative question ... what were they doing before Co'cai reappeared?"
Better not use up all the sugar, then. With a small smile, Keiko glanced back Thera's way. The flash of Billy in that line was uncanny, if fond. Herself and Lee had always had a habit of taking themselves so seriously; Billy had been the only one out of the three of them who had ever really joked about all of this.
That wave of fondness was quickly crashed over by a larger one of grief, however. One that may have already grown smaller than it had been weeks ago, yet still felt agonizing all the same. All Keiko had left of him to find were echoes - in others, in the work he'd left behind; even in how time, loss, and grief have eroded at him down the line. Her smile falling just as quick as it had come, Keiko's gaze dropped down, numbly watching herself fiddle with the wedding ring that she still couldn't bring herself to remove.
Once again, it was Thera who drew her back out. Work had always been the easiest thing to lose herself in - it helped to forget the void of so much loss that threatened to swallow her whole every day, if only for another few moments. After a short nod in answer, Keiko finally spoke again. "It seems so. The one on board a Monarch ship with us was capable of calling Co'cai back to it when it was in distress, and all of them built a nest around her egg on the beach in Australia."
Thera's final question, however, gave Keiko longer pause. "We don't know. Both times that I've encountered them, they always came with her." And, as far as Keiko knew, she was the only one here who had. Her only co-witness the first time around had been Lee, who had very much made himself scarce ever since they left Skull Island behind for good. Maybe the villagers that had once inhabited Santa Soledad would have known the answer, but they had left this place behind so long ago by now - not to mention that even if they hadn't, none of them had been particularly forthcoming to begin with, unappreciative at best and hostile at worst towards outsiders poking around where they believed they didn't belong.
"All signs point towards the theory that they should have gone back with her, too, but everything was so thrown off then. Australia is where they seem to have lost track of each other, and we were all so concerned with Lee summoning Godzilla and the loss of Co'cai's egg that no one even noticed they were missing until after she and her child were already sent back home.
"I speculated that they might return here because when Lee and I saw them back in 1957, they were already waiting for her in those caves nearby the village, before she even arrived. I felt them in the ground before she emerged out of the water. But I don't know why they were here, and the locals then wouldn't tell us anything." To put their treatment of them lightly.
Only then did Keiko make a point of looking Thera in the eye again. "But maybe you can. There were drawings on the walls those caves, and a map - that's where Billy discovered Co'cai's migratory route. Even what appeared to be a taxidermy of one of those scarabs in their bar. They claimed to believe she was a god. They only spoke Spanish around us, but if they were telling the truth, her history here seems older than that. Pre-colonial, at least. And given the way time works in Axis Mundi... it's not that farfetched of a timeline, either."
hope as a defense mechanism. as a coping strategy. as a way to see there is still a future to fight for and then to keep fighting for it. hope as in it being the thing you hold on to so it can save you. hoping so I won’t feel defeated by cruelty in the world, keeping hope alive because others desperately want us to lose it.
MONARCH: LEGACY OF MONSTERS ⇢ 1x10 | BEYOND LOGIC
Oh, she's got bite, doesn't she? Rosalind will admit that had it come from anyone else, someone grown, they wouldn't have smiled like they do. Of course, they've met cruel children, children that aim to wound, but they do not think that this girl does. She questions the world, and they certainly won't discourage her from that.
Besides, even as someone who doesn't put too much thought to the idea of gender, they have always found girls to be less cruel. Girls of this age, anyway. As with anyone, there tends to be a particularly difficult age, but Rosalind can hardly blame them. They know how it feels to live in a body that makes them uncomfortable.
"I think that depends on who you ask." Which is to say that the patrons seem to think so, but they wouldn't be too quick to judge. Really, they're trying to walk the line between their act and the truth, which is difficult when the girl doesn't seem the type to fall for an act. They like that about her.
She continues her questioning, posing a question that's complicated, but at this point, even only knowing her for a handful of minutes, doesn't surprise them. It's a good question, but the obvious differences between them will make it difficult to answer. Though they like to think they're smarter than they look, Rosalind knows very little about chromosomes. X and Y and all that, yes, but they've known a lot of people in this walk of life, and not all have been able to slot so cleanly, even into those most basic categories. Intersex doesn't get thrown around as much as hermaphrodite, as the sort of thing that can be pasted on a sign, or as the rather unimaginative half-and-half used by those on the other side of the rope. Rosalind prefers, at least as far as Robert and Roberta go, double-sexed, though Rosalind's biology is a little more cut and dry than theirs.
"There are some people that come out a little bit of both." Which can also be said for them, they suppose, but, again, they're strictly speaking of biology. "If you work at a place like this long enough, and you learn just how many ways a person can be different from what's usual."
The smile is unexpected, as is the answer that follows. Most adults would only entertain such a question as far as a silly girl having a flight of fancy at best, scold her for even having the thought at worst. Then again, this person clearly isn't like most adults Keiko has known. It's as frightening as it is exciting, the realization that settles in then: She's being taken seriously.
She doesn't know what to expect from that next.
"What if I ask you?" They were who she had been asking to begin with, after all. Again, she already knows what most would say, but what would they? Keiko doubts those two answers will be the same.
When they finally counter her next point, Keiko hums in thought. It's not proof in the concrete way she'd been hoping for, something certain and easy to categorize, but it's... interesting. Substantial, at least, for a hungry mind to chew on.
"Well, why only at a place like this?" she questions with a frown. Deep down, she knows. Understand why Papa only introduces work friends who are other men, why Mama is almost always the one home with her when she's not in school, why so many of the acts she's walked by today look nothing like everyone else she passed on the boardwalk to get here. But Keiko is still too young to fully feel it yet, the weight of the boxes that society will spend the rest of her life, until one fateful day in 1959, endlessly trying to stuff her into. "If there's so many ways, then where are they everywhere else?"
love a character that's like. i survived (<- not a brag) (<- this is a curse that weighs on me every waking hour)
Nicole watched the woman sink down with a slight frown. Calculating, more than annoyed. Seemed liked moving on was not an option, just yet. If they were lucky, maybe laying low here would do the trick. Nicole wasn’t quite ready to start carrying her around—especially since she barely knew her.
She walked to the door and leaned against the frame, crossing her arms as she naturally assumed a guarding position while they waited. She’d never heard of vasovagal syncope, of course. Nicole absorbed Keiko’s descriptions with the air of a commander taking in tactical information, brows furrowed and lips pursed. A finger tapped against her upper arm.
Her head lifted at Keiko's last, lingering line, eyes narrow. She'd stepped in without question, because there was a clear disparity of power between the chaser and the chased. It was finally time to do some questioning.
"What happens if you're caught?" the teen prompted.
With a hollow chuckle, Keiko shook her head weakly and looked away. Perhaps she shouldn't have confessed anything. After all, how could she explain her predicament to a stranger - a teenager, at that - without sounding completely insane?
A stranger who now stood between her and the door. Whether that meant safety or danger would depend entirely on how the girl took whatever she said next.
If nothing else, at least having Tim on her side had given Keiko some leverage. Enough to understand what G-Day was; that the world was now aware of not only Godzilla, but titans at large. Aware of Monarch as well, if only in part.
(Same as it had when he first unchained her from a Monarch facility hospital bed, that strange man's interference might have saved her once again today.)
Still. Before Keiko could explain herself safely, she needed to know what this girl already knew. Better yet, what she believed to be true. Only once she made eye contact again did Keiko ask, "How much do you know about G-Day? About Monarch?"
Wikipedia / Image from pinterest / Machiavelli / George Santayana / Thucydides / Image from pinterest / Abba - Waterloo / J. M. Barrie - Peter Pan / Fibonacci spiral / Catherynne M. Valente
With a significant portion of the RP community now over 40 (as a millennial these people are the ones I'm looking up to for they introduced me to Roleplay in the late 90s), normalizing and uplifting older muses is more important than ever. Reject the narrative that worth and desirability belong solely to the young. Let's diversify our writing. Reblog if you stand for mature muses (40+).
What type of symphony are you?
Prelude: The First Movement
You are the opening of the suite, the beginnings everyone awaits, the soft hum of the violins tuning as it grows louder and louder till the lights come on. You are the excitement one feels knowing they have this world to themselves, and the love one feels knowing there cannot be an end. You are the comfort of the unknown instead of the fear, and the happiness you hold, though it may fade, will always return to you. You are the beauty most lack, and the originality everyone strives for. You are the warmth of a light that never fades.
Your song: Bach Street Prelude by Vanessa Mae
having a best friend who meets your level of freak is unmatched. you present them with the most unhinged, deeply buried thought from the depths of your psyche and instead of blinking blankly they just go "oh absolutely"—and I think that mutual brain rot like that is the highest form of intimacy actually.
Don't think I don't already know that, Genesis retorted mentally, but he did not allow it to be voiced. He still couldn't meet Keiko's gaze, and he was still incredibly shaken up by the previous events.
When Keiko reiterates her question, the sorcerer sighed.
"No. Because... whatever this... this thing is... it's not who I am." Now he finally was able to look at Keiko fully, a few fire in his intact eye. "I still have no idea where these impulses come from... but I know now that I can't let anyone else suffer the same fate that Alfira did."
He still had no clue how he was going to figure out what caused it, but it definitely wasn't related to his magical heritage. If it was then it would be more intense the more he used his innate magic, but it was random and awakened at the worst moments.
"But... I don't think I can do this alone. You can tell me if I'm asking far too much of you, but... you'll help make sure that this doesn't happen to anyone else, right?"
It wouldn't have surprised him if Keiko ended up reaching for the nearest blade and decapitating him there and then. He could tell she'd been entertaining the possibility.
"I understand if you'd rather not camp with me again after this..." The faintest note of fear entered his voice.
He'd given her the answer she wanted to hear. Does she allow herself to believe it? Genesis seems sincere, if Keiko takes his words at face value, but so had far too many others that had turned around and stabbed everyone around them right in the back before. She had already learned all too long ago to not take anyone at what they simply say; what they do matters far, far more. And what he had done...
At the very least, Keiko can finally allow herself to look away. She only holds his gaze directly for a moment before her own cuts toward the flickering campfire.
Then he asks for more. Even softened out with an allowance for denial (but is that a choice she really can make when lives, including her own, are on the line?), the demand sinks under her already crawling skin and peels it upward, painful and flaying as the sharp edge of a butcher's knife. A sob chokes its way out her throat in response, one hand rising in a vain attempt to muffle the sound, before she buries her face in them both.
"You'll tell the others. Karlach, Wyll, and Gale, at least," Keiko demands after a long, shuddering silence, her gaze flint-sharp by the time she lowers her hands to look him in the eye again. The other three might make nothing of the reveal, given they all seemed to practically treat attempts at murdering allies in their sleep as foreplay - but if Keiko is going to deal with this, she's not dealing with it alone. "If I die because of you, I'm not dying with them thinking it's due to some - some animal."
Because maybe that's the true indignity of Alfira's death, in the end. Not her death in itself, if Genesis truly hadn't been in control, but all the lies that had followed after. Letting the world believe her loss was nothing more than a mere accident, and letting the rest of them believe they were still safe with him in order to save his own hide.
Keiko had been so stupid to believe she was ever safe.
Mari Yamamoto as Keiko Miura/Randa
⋈ MONARCH: LEGACY OF MONSTERS (2023) | 1.09: Axis Mundi
the lord of the forest
Were there cameras down here? It was a secure semi-governmental base, so almost certainly, but the two of them pausing to talk in the hallway wouldn't look out of place. And so Thera smiled, slowly, a chuckle rising as Keiko confirmed that yes, she remembered it, too. If anything, a kind of relief rolled through her shoulders that right here, at least, she wasn't going to have to pretend.
"I've always been a bad penny, showing up where I shouldn't." Showing up where weirdness happened, where old maps would say 'here be monsters'. Her eyes flicked over Keiko's face, a slow nod as the recognition, and the curiosity, grew.
"I'm ... " She hesitated, not from reluctance because the question was fair and valid, but for a way to put words to a long story she wasn't used to speaking about. "Immortal. More or less. Not to put too fine a point on it." Her lips tugged, knowing this was the point most people would start backing away, "I work for a very powerful being, and She grants me certain gifts ... and a good bit more than sixty years." She gave a shrug, "It's why I'm good with the whole ancient languages thing."
Thera hadn't directly seen or read every form of written language. and many were much, much older even than her, but she'd seen enough to know how to approach a new one. "I kept turning up in those places because when something old and huge is lurking around the countryside, it's part of my duties to know about it!"
And yes, that same thing might explain why she was here helping Monarch once again; what they learned, she learned, and it all helped.
Her head tilted, tone casual, but just as curious underneath, "So ... What's your side? It sure took me back, the first moment seeing you, for sure!"
A bad penny, showing up where I shouldn't. If only that didn't feel like all too familiar of a descriptor, these days. Keiko had never fit into her own era at the best of times, but in this one... She may have far more rights and respect, but how much did that impact when she belonged nowhere else but in this basement, a dead woman walking? A woman who had lost everything in the process, save for one granddaughter she'd never gotten to see grow up, and the organization she'd ultimately sacrificed her old life - not to mention Billy's, decades of Lee's, and the safety and stability of Hiroshi's and her grandchildren's - for.
"Wait - immortal?" Keiko echoed, brows furrowing. That reveal was certainly one way to snap her back out of her own spiraling thoughts. Maybe she shouldn't sound so surprised, given that she had already dedicated her life to studying creatures that seemed to survive anything and everything across generations, but... An immortal human? One who, it sounded, already had near exactly what Kentaro and Isabel were losing themselves to chase after.
Not only that, but Thera was insinuating the existence of, what? Gods and goddesses? Higher beings in secret pact with humanity? Of course Keiko had expected Thera to be different from the average woman, given how they'd met in the past - never mind that they were meeting again in the future, both untouched by time - but this? Even for Keiko, this explanation was a lot to take in. "That's... unexpected, to say the least."
She barely had any time to process that revelation, however, before her own question was hurled back her way. "Time dilation," Keiko answered without missing a beat. Her story wasn't exactly a secret within these halls, after all, even if that much was the impossibly short version of a much longer one. (Though not nearly as long as genuine immortality, to be fair.) "Space-time warping within a pocket dimension due to relative gravitational distortion. I was trapped there between 1959 and 2017... but for me, only approximately two months passed. Our last encounter was barely any time ago at all."
He does wonder if she's going to say anything, but she doesn't. It's hardly as though he expects anything cruel, anything harsher than a jape, but he does have a tendency to bristle under jokes, and that's not something he wants to happen right now. He does not want to spoil this, at least not for any longer than his occasional moments of irritation have. This may not be an intimate moment, one that needs to be held sacred, but he does want to enjoy his meal on solid footing.
Besides, he imagines that if he grows upset around her child, if he dares risk upsetting Hiroshi himself, he imagines he will see a side of Keiko that none of them want him to see.
So he keeps himself level as he places his plate on the table, returning to the uncomfortable seat that he makes no comment on. He can see, has seen, that the house is nearly empty, save for the three of them, which he does suppose that he is grateful for. There is hardly any scandal in what it is they're doing, at least none that does not boil down to the Viscount Bridgerton helping a new widow, but even that does come with a scent of something. He does not mind the help, but he has appreciate being left to work on their own. Still, he has known some houses in which it would not be welcome for the residents to eat downstairs, even if the help is not present. That does tend to be the houses of colder people, though. Houses in which the servants seek solitude from their employers. He has always thought that distasteful, though he knows there is a fair number of the Bridgerton staff that shy from him. The ones that were not present when he ran through the halls as a child.
"I see," he says, and he nods in what he does think of as acceptance. He does not necessarily consider the kitchen the woman's place, but it is certainly no place for himself. Not since he grew up. Still, here he is, and there is no one to scold him, anyway. There is a feeling to the silence that he has not experienced many times before. A silence that does not need not need to be begged for. It is pleasant.
He does suppose that there is some point in the fact that she could have been one of these women, but he never could have been anything but what he is. Oh, he supposes there is always the risk of ruin, but it would take a great deal to ruin the Bridgerton house.
"I meant no slight." It would take a true disaster for Anthony to be willingly seen as gentle, but he does allow himself a small smile, hands resting on his thighs as he looks over the kitchen. "Only where you have been welcome here, I was not. They tolerated us, my brothers and I, of course, but to your point, I do not imagine we made their jobs easier." His smile widens just so, some soft part of him being allowed to be revealed in the thoughts of simpler times. "I suppose I am still expecting to be swatted with a towel." A small pause, and his hands raise, showing that they are empty. "Though I do assure you, I have outgrown swiping sweets."
Despite the rigidity with which he moves through society now, when Anthony speaks of his childhood, it takes no effort at all to picture the scene he paints: A small boy with two even smaller ones in tow, running amok through a kitchen far grander than this one. Maybe it's because Keiko herself is now mother to a baby that she hopes will one day grow into a boy unafraid to explore the world, but the mental image inspires a fondness that she can't keep from tugging at the edges of her lips.
"Well, I am the only one here who is big enough to reach you." Though that sentence starts in address to Anthony alone, her attention splits to Hiroshi halfway through - the only one here small enough to not - and her voice rises in cadence as she reaches out to gently tickle at his stomach. The peals of baby laughter that follow draw out a giggle of her own in response, far more girlish of a sound than she often dares to let show, before she pulls her hand back and resettles her gaze on their present company. "And I am not reaching for any towel."
There is a pause, then, where Keiko's attention lingers on Anthony's empty hands, before she stands suddenly. "Wait here." She had never been given much space for mischief, not even as a girl - always expected to be mature, be docile and responsible, even when the boys were allowed to fight and play - but this is her household now. One she had already given her life and body over in service of before she had any true say in the matter at all. She can take small luxuries back from it now as she pleases.
It takes her a moment to find the cabinet filled with jars of sweets, and another to draw out a handful of colorful candy stars from one shoved away near the back. Once she makes her way back over to the table, Keiko drops half of them onto the side of her own tray first, before placing the rest near the edge of Anthony's. "You may have outgrown it, but maybe I have not. Though, save them for after the meal, at least - my mother didn't spend her entire afternoon cooking down here just for you to ruin your appetite."
A meal that Keiko finally redirects her attention to once she's seated again. Technically, there is etiquette that should be followed now, but Keiko doesn't care; enough of all the shoulds set upon her that she never asked for, due to nothing more than the coin flip of her birth. All she bothers to do is nod Anthony's way, signaling no reason to wait further, before picking up a rolled egg between both chopsticks and popping it into her mouth.