the MLP movie and the Monomyth
Folks, have you ever made connections between MLP and, say... Lord of the Rings?
Now, this might sound a bit too tricky to do right, since there doesn’t seem to be any connections between a princess pony and a hobbit of Middle Earth, but both movies do bare some similarities as they follow the monomyth, a theory created by Joseph Campbell. This theory is also called “The Hero’s Journey”, and it’s the main reason for movies like “How to Train your Dragon” to end up great...
...and movies like “Grown Ups” to end up as trash.
An idea behind this theory is that, wether new or old, a good story includes the exact same characters; ones you may already know. You can find many versions of them in every great story you’ve ever read, watched, or even played.
And yes, the MLP movie does include all 8 of these character archetypes. If I may have a few moments of your time, I would like to go over the list.
To make a story, you must include the hero. This character starts off as a normal joe, which makes it easy for the audience to relate to them. As they continue on their adventure, they start to become more experienced, gaining the strength and intellect they require to face whatever challenges them. Twilight Sparkle fits this role as perfectly as the likes of Agent J(Men in Black), Peter Parker(Spider-Man), Jade(Beyond Good & Evil), and even Luke Skywalker(Star Wars).
An adventure can be boring for just one person alone sometimes. This, in turn, is where the ally comes in. They stick around for the ride, helping out the hero in any way they can. They can do things that include carry the luggage, hack into the mainframe, give a guard the slip, or just be there for the hero to talk to. While the Mane Six are a great example of this archetype, so is Princess Skystar of Mount Aris.
Probably one of the coolest archetypes is the mentor; a sagacious presence who teaches the hero the ways of the world, helps them on their way with advice, and sometimes offers equipment that exceeds the armor and weaponry of a first-level hero. In the case of the MLP movie, there are actually three mentors; Celestia, Luna, and Cadance, the princesses of Equestria.
This fourth character archetype, the herald, appears near the beginning to alter the story’s course. They serve as the stimulus that starts the hero on their big adventure, for reasons good or bad. Not only can the herald be a person, but they can also be an object, message, or event. The “person” in this case here being Grubber, and the “event” being the Canterlot invasion.
5. The Threshold Guardian
The adventure in any story is seldom easy. The role of the Threshold Guardian is to test the hero, often preventing them from progressing until they can prove their worth in whatever method possible. Their message to the hero is all too easy to be mistaken. “Go back, for you shall not see the end of your quest.” They also deliver a message to the audience just as clear; “The path ahead brings danger.” The best way to look at them as is minions. Hence, the Storm Creatures.
The trickster can be found all over the place. ESPECIALLY in a kids film like the MLP movie. It’s their job to offer a more fun, comforting break from any depressing or tense moment. They provide the story with just the right amount of comic relief and can even tag along as sidekicks. Often times, they dispute the status quo by offering some outside perspectives or lampshading the actions of other characters. The ideal trickster here is Capper Dapperpaws. While he is, as he says, “the friend they need”, his efforts to help the Mane Six can sometimes do more harm than good.
This should serve as an example of one character playing multiple parts. The shapeshifter is a more mysterious archetype, having the tendency to switch their character on the fly. If they are a friend, they can become an enemy. If they are a herald, they can become a mentor. More often than not, the shapeshifter benefits the story by creating unique relationships with other characters and providing a rather stirring combination of appeal and possible menace. An effective shapeshifter in MLP would be Tempest Shadow, the commander in chief of the Storm Creature Militia. Which reminds me...
The last character archetype in any story is the shadow. They are the main antagonists who live for one purpose alone: craft a threat to struggle against and make the hero’s success more meaningful. All the hero has trained for, all they have accomplished and learned, almost always lead up to the defeat of the villain. As with some of the archetypes, the shadow can be more than just a person; in the wrong hands, the Staff of Sacanas can be as much a shadow for Twilight Sparkle as the Storm King.
And so, there you have it; the monomyth and its character archetypes described by cute, technicolored, pastel ponies. While it’s just a theory for the most part, it turns out to be correct more often than anyone might think. You should not rush to add any missing archetypes, but you’d be surprised how important it is for a story to have a character that fits more than one role. Gandalf can be both a mentor and a herald, there can be two heroes; like with the case of Woody Pride and Buzz Lightyear from “Toy Story”, and some shapeshifters can change their roles all the time(E.G., Captain Jack Sparrow). So, say what you will about it; the hero’s journey works for My Little Pony the Movie just like it works for The War of the Worlds, Super Mario Bros., and even Lord of the Rings.