Fiyeraba + kisses
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@chisterymalky
Fiyeraba + kisses
I recently read the original plot outline for Wicked the musical, which Stephen Schwartz and Winnie Holzman drafted together in 1998 and which is on display at the Museum of Broadway in New York. The differences from the current musical are many and very interesting.
But one aspect was the same: the rewrite of the novel's ending to have Elphaba fake her death, Fiyero become the Scarecrow through Elphaba's magic, and the two of them leave Oz together.
I was surprised to see this. Somewhere I had read that in the musical's earliest workshops, Elphaba really did melt. But I guess whoever made that claim was misinformed, because this outline predates any workshops, yet Elphaba lives.
Since I read it, I've been thinking. At this early stage of the show's creation, Glinda's role was much smaller than it ultimately became. Kristin Chenoweth obviously hadn't been cast in the role yet; from all I've read, it was really only with her talent and charisma that Glinda was enhanced from a supporting character into the co-lead and the whole plot was retooled from just "the story of Elphaba" into "the story of Elphaba and Glinda's friendship." While the '98 outline doesn't revolve around Elphaba's relationship with any one person, I will say that in this early concept of the show, her most important relationship is her romance with Fiyero. (Although her relationships with Nessarose and Dr. Dillamond also get more stage time, which was reduced in favor of more Glinda time in the final script.)
This makes sense of what I've read elsewhere, that "As Long As You're Mine" was the first song Stephen Schwartz wrote for the show. The outline suggests titles for several of the songs, but "As Long As You're Mine" is the only song that already has its final title, and the show's finale was originally going to be an "As Long As You're Mine" reprise. The whole show was more Fiyeraba-centric.
(Just for the heck of it, I'd like to hear some fans record a rearrangement of the finale replacing the "For Good" reprise with "As Long As Your Mine," just to hear how it sounds intertwined with "No One Mourns the Wicked" – or rather, with "No One Loves the Wicked," as that song is called in the outline – and create a sense of what this different finale might have sounded like.)
I'm always interested in subtle inconsistencies (or what some people think are inconsistencies) within works of fiction, and looking at possible explanations for them (multiple writers, multiple drafts that changed the story, etc.) I've been thinking of how a certain subset of Wicked fans find Elphaba's ending to be frustrating and unsatisfying. Even knowing that it's supposed to be bittersweet, how can she choose to leave in the end with a man whose relationship with her has been so much less important and less emphasized than her bond with Glinda, without even letting Glinda know she's alive?
Personally, I've never had a problem with the ending, and I think Elphaba can genuinely love and be happy with Fiyero without diminishing what she shares with Glinda in the least. But for anyone who does dislike it, I think it's valid to point out that it was conceived for a very different version of the musical. One where Elphaba's romance with Fiyero was more central and her friendship with Glinda less so. If you think it doesn't quite fit with the current Elphie-and-Glinda centric musical, it makes sense to feel that way.
@cto10121 thoughts?
Arya Stark and Eloise Bridgerton get the same treatment by the fandom.
Two gnc girls, who feel restricted by the constraints of the society they live in and by the traditional femininity they're expected to embrace.
And somehow, the fandom paints them as unreasonable NLOGs who HATE and disrespect feminine women and who should just shut up and embrace their role in society, or at least tone down their criticism of society.
Not only that, but them existing as gnc girls and complaining about the treatment they receive because of that Is treated as them being hateful, self centered and asocials loners, unlike their feminine counterparts.
But in fact, it's totally the opposite.
Arya and Eloise are consistently shown as caring about the people around them and making friends, including people who are considered "beneath" them.
But because they lash out sometimes or *gasp* try to share their interests and get mad if they aren't taken seriously, then they're histerical NLOGs who hate pure and beautiful femmine women.
They're supposed to be endlessly supportive of gender conforming women, they're MUST grow up learn that it's ok to wear dresses and makeup and do embroidery and sew and get married and have babies ecc...
But they don't get to ask the same.
It's ok for other people to shame and condescend them for not being proper women.
But if they fight back?
Then they're the internally misogynistic NLOGs who need to get knocked down a peg.
And Glinda stans against Elphaba, Arwen stans against Eowyn (See Better with Bob's new video), Cosette stans against Eponine...Anyone who spouts 'feminine energy' is a red flag.
This isn't some "alternative view on female characters". This is classical misogyny disguised as feminism. At this point, i think these women are secretly i love with how the world is going, tradwives and women's rights are being rolled back. Tomorrow women would be banned from going to college and these people would be cheering.
I gotta say it 💫
Yay I based this off of Christina Chong's song
If you liked start treks musical episode from strange new worlds, she has her own ep from the actor that plays La'an :> I'd totally give it a listen ;)
@chisterymalky Here is one I did recently ^ :> stay safe!!
Fiyerabapril: Hands
More than anything else he wanted to walk the streets of the Emerald City with Elphaba— there was no more beautiful place to be in love…
— Wicked: the Life and Times of the Wicked Witch of the West. Part 3 City of Emeralds
why should I keep myself so safe?
“I love you,” said Elphaba.
“So that’s that then, and that’s it,” he answered her and himself. “And I love you. So I promise to be careful
gregory maguire
art by emmaalovesbooks! Dont trace-repost anywhere!
I wonder how would the reception to Wicked have been in fan spaces if it had come out nowadays as a new idea, like say an alternative universe where Cruella or Joker came first. I feel the reception would've been much more negative. Nowadays fandom seems to hate tomboys and complex villains.
If the other movies came first, Wicked would definitely be less well-received.
But of course if not for the success of Wicked, the other movies wouldn't have been made.
Wicked has depth and meaning. Wicked has socio-political statements to make; there's much more to it than just "making the villain sympathetic." But the same can't be said for the movies that copy it. They use the basic concept without the substance.
And I agree about the anti-tomboy sentiments that seem to be everywhere nowadays. Elphaba isn't even much of a tomboy, but I can still see that in the Wicked fandom, there's a push to defend Glinda and her femininity from "mean Elphaba fans" and to insist that sympathizing less with her than with Elphaba is "misogyny." I've always been a defender of girly girl characters too, but this increase in gender-role conservativism I've been seeing is a little disturbing.
"Mean Elphaba fans" I'm terrified to ask, honestly, since for all years i've been in the fandom, i've never seen Elphaba fans attack Glinda. unless these are new toxic girly stans who dislike seeing tomboys and nerdy girls celebrated (insecurity much?)
As for feeling sympathy...I mean...who was bullied, abused, persecuted, saw her family and her lover die in the span of a few days, and then faked her death to live a happy life?
"The balance of nature will be restored"
I made the scene from Ponyo because Studio Ghibli has me in a chokehold fr
I thought Granmamare fits for Fiyero in this scenario (Dw his hands are dry) because god of mercy hmm
And honestly Elphaba as Fujimoto fits a little too well, an over worked wizard fr LMAOO
I got to test out many textured brushes and lighting so this was really fun! And I finally found the time to listen to the Epic musical! I didn't know what it was, so I went in blind then I found out so quick it's been a while since I read the Odyssey XD It was pretty good!
Idea I based this off of @fiyeros-fulumptutious-bum theme for fiyero as a merman :>
STAY SAFEEE❤️
There was a huge missed opportunity to make movie!Fiyero more like in the book. The movies could’ve explored how Fiyero likewise feels like an outcast in Shiz (like Elphaba) and overcompensates by trying way too hard to be the Big Man on Campus (like Glinda).
We could’ve seen how Glinda fetishizes Fiyero for his Winkie background , which no doubt would’ve made him uncomfortable and made Elphaba stand up for him.
We could’ve seen Boq tell Fiyero he’s “one of the good ones” (or something like that) in a misguided effort to be nice that ultimately reveals his prejudice towards the Winkies.
We could’ve seen how Fiyero’s the leader of a marginalized society, if he joined the Wizard’s Gale Force as the only way to save his people from the Wizard’s wrath.
It would also explain why Madam Morrible so eagerly arranged Fiyero and Glinda’s marriage. A political marriage to the Prince of Winkie Country would give Morrible and the Wizard more direct control over Winkie Country . And Fiyero would be miserably aware of this. Which would be yet another reason he doesn’t want to marry Glinda.
once more defending my love, book!elphaba thropp
reading reviews of wicked and im seeing people say they hate book elphaba because she's "unlikable"
so many people love the feel good vibes of the musical while not seeing that they sound exactly like people who would have shunned elphaba at shiz for not being pleasant enough and making them feel unsettled instead of putting them at ease
I'm saying this because I find that people are often much more charitable towards fictional characters than real people -- and people IRL who have Elphaba's severe, unwavering personality and unwillingness to conform often face the same social stigma she did, no green skin required. Like yes, Elphaba was an outcast because she had green skin, but I don't think the green skin is the point of the novel. I think her being green is a visual manifestation of being so at odds with what you're "supposed" to be that people demonize you for it. Book Elphaba is queer and hinted to be intersex. I read her as neurodivergent, so this all tracks to me, and considering that other forms of oppression and stigmatization are very important themes in the narrative, I think the green-ness simply emphasizes to the other ways in which she's marginalized.
Trying not to go into the Wicked rant that I tend to do every few months but I feel it coming on
I'm all here for critiques of the novel, because it certainly has flaws, and I understand why people don't enjoy it -- but there is something funny to me about people wanting a narrative about looking beneath the surface to find true value but hating the version of that story that requires the most compassion to appreciate. Like the musical is fun and well-made but it does not require any effort to like musical Elphaba because she's conventionally attractive woman who's feisty and kinda quirky...oh and she's also green. And her being green matters more to the other characters than to us. We don't care that she's green (because we already know it would be wrong to judge her based on that) and the musical gives us no other reasons to judge her, so we don't really have to process any complex emotions.
(Sidenote, I think if book Elphaba were still green but more conventionally attractive, bubbly, and less political, she would not have been as much of an outcast -- at least not in her later adolescence. Her green-ness could have been a novelty or spectacle that she used to her advantage if she made up for it by being more palatable in other ways. Of course, she would never do this, because that's simply not Elphaba. She could never twist herself to be anything other than who she is, even out of social self-preservation.)
Book Elphaba is so much more prickly and unpleasant --and hell, so was I at the height of my social ineptitude and feeling like there was something so so wrong with me (because why for the love of God couldn't I just fit in and act the way the cool kids my age did).
Her unpleasantness and seriousness and insistence on talking about important things that make people uncomfortable are her green-ness imo. Those are the things that affect how we as the reader experience her, and we must experience her strangeness as well.
And while I understand that if the moral of the story is essentially "don't judge a book by its cover" then yes, you can tell a thematically sound story about a girl who is actually pretty cool but just happens to be green and talk about how she's ostracized simply because she looks different. That's a perfectly fine story -- but I think it can go much further -- because it's not only wrong to marginalize people who look different, it's also wrong to marginalize those who are internally different. Difference is persecuted whether its visual or behavioural.
Even if Elphaba weren't green, there are inherent aspects of who she is that prevent her from conforming to the ideal, both in her world and ours. And I think valuing her with all of those things in mind is a lot more rewarding than simply liking her despite the fact that she's green.
Anyway I love Elphaba Thropp and I don't think her being more palatable would have made the story better — it simply would have made it more popular, and I think on that at least, fans of both the book and musical should be able to agree is not an inherently better thing.
...
OK one last point, I saw someone saw they prefer the musical because it has more "girl power" meanwhile the book feels "obviously written by a man" and I just...dear god what a surface level take
Yes Gregory Maguire is a man (oh, the horror!), but he wrote the women in Wicked as people, without hand wringing about if they're likeable or pleasant enough. They are flawed and raw and not just there to make the audience feel warm and fuzzy. He writes about sexuality without making women feel like sexual objects -- I suspect because he also writes about the sexuality of his male characters (the women aren't just in the story to turn us on) and he himself is gay, so there may be less male-gaze going on than with a lot of men who write fantasy. Yes, characters are described in sexual ways, but this happens regardless of gender.
something i really love about Wicked is that, in all of it’s forms, no matter how different she varies from adaptation to adaptation, Elphaba is always a character defined by how fiercely she loves and cares about others.
in the musical/movie she extends forgiveness to those who have mistreated her without asking for anything back solely because she loves and cares about them. she has so many walls up and yet gives into Glinda and accepts her friendship so readily and is sooo quick to love her and dote on her. she’s never had a friend before and yet is so attuned to her and bends to her every whim even to her detriment at times
and in the book it’s even more extreme because book Elphaba is someone who is so deeply in denial of her own personhood, of her feelings, and never sees herself as someone as an equal to those around her with souls. and yet despite that she is the one character to say “i love you” the most in the entire book. she loves so openly that anytime she tries to act stoic or deny that she cares, other characters call her out on it and point it out. her whole life is defined by how deeply she cared. about her family, about Glinda, about her friends, about Fiyero, about Animals— even when she is at the cloister of st. glinda in a catatonic state of grief she was tending to others. and as impersonal as that was to her, what does it say about her that tending to others comes so naturally for her?
even as book Elphaba dies, her last moments are of her pondering what her life meant and what her death meant, and what any of it truly meant. and in her final moments she thinks of everyone she ever loved. even as the flesh was melting off her bones she was thinking of everyone she ever loved and cared about, and yet in spite of that, denies herself personhood up until the very end
Fans, has there ever been an actor for Fiyero that leaned into a more 'Ray Bolger-esque' interpretation of the character? That would be fun to see
What I like about Faeyero, among other things, is that it's written very much like a typical male relationship, but appealing to women. She owns the pants in the relationship, she's the dominant one, but never to a point where it looks abusive. Even in the romance genre, be it bad boys or prince charming, other het couples always have the dumb virginal girl swooning and letting the man take the lead. I like that Faeyero bucks the trend.
Elphaba definitely leads the relationship with Fiyero following her lead, although I wouldn’t call her dominant, per se (there is some give-and-take, and Fiyero does challenge and take initiative at times). But I do 100% agree the ship is the rare (and successful!) inversion of the typical Beauty and the Beast dynamics. A hot prince falling for the misunderstood ~monstrous woman? And they are both discriminated against because of their skin color??????? And he is fridged while the woman lives traumatized and haunted by his memory??????? This is the opposite of hetslop. This is Tumblr ship gold. And the fact that it’s not as popular as freakin’ Gelphie is the mystery of a lifetime.
New video of Ethan performing ‘If I Only Had a Heart’ sung by The Tin Man in ‘The Wizard of Oz’ at His Café Carlyle residency!
“For The First Time, I Feel… Wicked.”
Myra Ruiz and Tiago Barbosa perform As Long As You're Mine in the Brazillian production of 𝐖𝐢𝐜𝐤𝐞𝐝
Three Best.. Friends
They both love their little witch so much. I meant to post this like.. Monday, but oh well! I finally got around to drawing a happy thing of all three of them! The title is because one of my favorite things is when the trio on Broadway sang "three" instead of "two" during their One Short Day Ozcapella. They all cared so much for each other, yet they're so terribly doomed. And despite the line cuts I miss so terribly, I'm glad For Good felt like it did a bit better at showing us that. (Side note, Elphaba's face kept giving me imposter syndrome because it keeps not looking like I wanted it to but.. oh well!)
I love how suede leggings and a white cotton shirt is considered “strange ceremonial garb” like Boq is a munchkin. Has he not seen what his own people wear book universe and movie universe???
Also fun fact: boq is based on a character from the original oz books named Boq the rich munchkin. He let Dorothy stay with her before her journey. I believe he’s this one.
“Oh sweet Oz he's practically naked😨”