Chloé in the Afternoon

Quarter Polish Girl in TYO

[teen-witches]

[intimatum]

Virginia Woolf, The Years

[chloeintheafternoon26]

[rinmari]

[chloeintheafternoon26]

Yasmin Eslami by Alon Shastel

[chloeintheafternoon26]

Fjura by Victoria Zschommler

[prosthetic-dance]

the stunning Maria Khoreva, aka @marachok on Instagram, posing for Beatrice Magazine Russia

© Ira Yakovleva

[jude-st-francis]

“He came. He left. Nothing else had changed. I had not changed. The world hadn’t changed. Yet nothing would be the same. All that remains is dreammaking and strange remembrance.” — CMBYN, André Aciman

[apcofficial-deactivated20180705]

A.P.C. denim.

Photography by Liam Warwick.

Available in stores and at www.apc.fr

[apcofficial-deactivated20180705]

A.P.C. denim.

Photography by Liam Warwick.

Available in stores and at www.apc.fr

[jesuisunefemmejesuisperdue]

Hiroshima Mon Amour (1959) Dir. Alain Resnais

[lamignonette]

My life was full of routine surprises. One day I was watching runners from Marathon dodge taxis near the Athens Hilton, the next I was turning a corner in Istanbul to see a gypsy leading a bear on a leash. I began to think of myself as a perennial tourist. There was something agreeable about this. To be a tourist is to escape accountability. Errors and failings don’t cling to you the way they do back home. You’re able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You’re expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walk around dazed, squinting into fold-out maps. You don’t know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysenteric, thirsty. There is nothing to think about but the next shapeless event.

From Don DeLillo’s novel The Names.

[lamignonette]

Linda Nguyen

[grandrieux]

Boyfriends and Girlfriends (Éric Rohmer, 1987)

[cafechaussette]

Le genou de Claire, dir. Eric Rohmer (1970)

[lamignonette]

[quatrocentosgolpes]

Ma nuit chez Maud (1969) - Eric Rohmer