Beanie Will ♦︎ Hannibal 1x08 “Fromage”
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Beanie Will ♦︎ Hannibal 1x08 “Fromage”
(gifs by @livingthegifs!)
hannibal was so crazy for this i swear to god. mlm on wlw violence
Of all the places I could be, I just want to be here with you.
EVERYTHING EVERYWHERE ALL AT ONCE (2022) dir. Daniel Kwan, Daniel Scheinert
absolutely obsessed with this letterboxd review of everything everywhere all at once
that daughterhood feeling of wanting to blame your mother for how you turned out, wanting to be angry at her for how you’ve inherited her pain and her insecurities, but at the same time wanting to keep coming home to her, out of everyone else in the universe, because you know that if there’s anyone who might be anything like you–if there’s anyone who might even have a clue of what it’s like to be you–it could only be her. and no matter how many times you’ve hurt each other, no matter how difficult it might be to get her to truly see you, you still just want her to love you as you are, to tell you that this isn’t your fault, and to show you that she would keep letting you come home to her.
using a multiverse as a narrative framework to tell an immigrant story really is THE best possible implementation of this concept. like the idea that every time you make a decision in your life a different branching universe splits off where you chose differently, while obviously broadly universal because of course everyone wonders what if (what if i had chosen differently, what would my life look like then), really does hit such a specific core question that is imo fundamental to the immigrant experience
all the time my parents talk about imagining what lives they might have lived if they had chosen differently, if they had never left home, if they had never come here, if they had not raised their daughter in a world and a culture so utterly foreign to their own where she might make her own choices that are painfully incomprehensible to them. it’s all tied up with a sense of grief and loss and regret and almost existential melancholy, not necessarily because they think they chose wrong specifically, not because they think they’d actually choose differently if they had a chance to do it over again, but merely because that choice is such a monumental one and the enormity of it and the ripples it would end up causing are only obvious in retrospect. you make the choice to uproot your life and move to a different world, a different universe, and once you cross that bridge you can never go back. you can never truly go home again. and when we do go back to visit, we see in their old friends and classmates and relatives funhouse versions of ourselves, people we might have been but never were and never will be.
every immigrant story is a ghost story and the ghosts that haunt you are all the people you left behind including yourself—versions of yourself, of your family, of your children, of the people that are you but that you are not, lives that you recognize but are not yours. immigrant stories are ghost stories are multiverse stories and in multiverse stories all of your ghosts inhabit your body simultaneously, everyone who came before you and after you and everyone you left behind, everything that is and everything that never was… it really is everything everywhere all at once i am going to scream
EVERYTHING EVERYWHERE ALL AT ONCE (2022)
[IMAGE ID: A tweet by “minh tâm h. 🌾 on concrete” @HAEDRAULICS on Apr 20: “everything everywhere all at once had me writing down english class notes in the theatre” with two drawings of sets of two nested circles, one black with a white center, one white with a black center. They are respectively labeled, “the bagel (yin) // -life is mostly dull and bad // -joy is fleeting and ultimately meaningless” and, “the googly eye (yang) // -life is mostly good and worthwhile // suffering is transient and fixable” END ID]
The universe… is so much bigger than you realize. EVERYTHING EVERYWHERE ALL AT ONCE (2022)
EVERYTHING EVERYWHERE ALL AT ONCE (2022) dir. Daniel Kwan, Daniel Scheinert
Of all the places I could be, I just want to be here with you.
EVERYTHING EVERYWHERE ALL AT ONCE (2022) dir. Daniel Kwan, Daniel Scheinert
my heart certainly feels skewered.
the adventure will be yours and mine today.
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