A man who doesn't understand the meaning of limitation...
Stevie Wonder Drum Solo (by naufalwaffle)
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always

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"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open
hello vonnie
2025 on Tumblr: Trends That Defined the Year

izzy's playlists!
taylor price

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occasionally subtle
Cosmic Funnies

JBB: An Artblog!
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cherry valley forever
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$LAYYYTER

if i look back, i am lost

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Alisa U Zemlji Chuda

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@chocolatewasabi
A man who doesn't understand the meaning of limitation...
Stevie Wonder Drum Solo (by naufalwaffle)
#jackwhiteoriginal #thirdmanmonkeyband #nashville #tennessee
Oh my god! What an amazing day. #opentoeshoes #flowypatternedskirts #spring! Feel like a whole new person.
I like you better in black and white :) #spring #flowyskirts #opentoeshoes
Pure soul! From Rockwood Music Hall's new record label. Robbie Gil and the Band Live at Rockwood Music Hall by Robbie Gil
Personalizing SXSW. #ATX #Converse #Charley&Margaux #SXSW2013
Come together!
For the Record on Etsy
No caption needed.
Laura Kampman in “Keepin’ it Surreal”, photographed by Steven Meisel for Vogue Italia February 2012.
“Frictionless Creativity” is what Adrian Grenier has built in his Brooklyn based home studio, dubbed The Wreckroom. ”People can actually make music and have a free reign to create. And the audience can see what they are doing.”
This past Saturday night closing out CMJ it was frictionless creativity that also took over Fontana’s in the LES for The Wreckroom Showcase.
“We are going to cater to what is quality what is sincerely an up and coming band in Brooklyn, it’s a taste a flavor a certain style that is emerging," says Grenier.
I walked in just as the sultry sexy vocals of Joanna Erdos and her keyboard hit the stage. Joined by her band, The Midnight Show, she’s a more melodic, soulful 90’s revival mix of Fionna Apple and Alanis Morisette. I seriously have not stopped listening to her since I saw her on Saturday night. Being revived feels so good.
Only Child by Joanna Erdos and The Midnight Show
Unprepared, I got a little ridiculous with Ryan Egan, the lead singer of the next band who performed- The Ugly Club. They just played five showcases at CMJ, were handpicked by Grenier himself to record at The Wreckroom, and are in the middle of writing their second full length album. And they’ve only been together for a year and a half.
Under the Great Wave by The Ugly Club
Definitely the band that had the biggest impact of the night was, The Skins. A trend I noticed on The Wreckroom’s site has been the young talent coming out of the studio.“Young kids these days know how to focus their talent and how to bring it - says Grenier. They are already cultivating their own style early on.”
Managed by Joanna Erdos and Adrian Grenier- The band is made up of five young artists between the ages of 13 and 19 who found each other at NYC’s School of Rock. Three whom are siblings. They are rooted in classic influences of the past. Watching them feels like an indie Jimi Hendrix meets an indie Etta James, and they have indie babies to start a Brooklyn based rock band.
Killer by The Skins.
Of course the indie-folk quartet made up of filmmaker Ari Gold (aka Hoyt), solo musician Andrew Vladek (aka Dorian), Psychiatrist Dr.Dan Posner (aka Carl) and Adrien Grenier himself who plays drums (aka Fluffer) made an appearance with their band The Honey Brothers. They just came out with a new album this year titled “Time Flies Like a Peach” which still consists of the same humor as in “Songs for Your Sister” mixed with “a new attitude” with a rockier pop edge.
Alone No More by The Honey Brothers
Headlining was Hank and Cupcakes, Tel-Aviv based indie-pop rock band whose punk like drum beats and live show turned dance parties hit the Brooklyn scene in 2008. We interviewed them at 101.9RXP when they were first emerging and four years later they have blown up! And they did not disappoint with their endearing sexual gestures, powerhouse vocals and infectious energy to end the night.
Sweet Potion by Hank and Cupcakes
So what makes Wreckroom stand out from the rest of the social media abundance in the music industry? They are creating a curating experience, people who are going to the Wreckroom know this music is going to be music they like- a music haven. In just a few months, the Wreckroom has recorded over fifty artists with free engineer time, recording equipment, video sessions and you- a built in audience. Wreckroom also believes this music should be shared and offers downloads of all the music recorded at a pay what you want basis. Be sure to check out the other bands who made an appearance at the CMJ showcase-
Blonde Summer- Slow Daze
Slothrust - Sexual Way
and throwing in one of my favorite finds from Wreckroom.tv- Moon Hooch. Who were discovered playing in the subway.
Moon Hooch- Contra
Wreckroom Records: http://wreckroom.tv/
This has been a Chocolate Wasabi Experience.
humansofnewyork: Boom!
Tim Westergren, founder of Pandora speaking about the future of radio at CMJ #CMJ
Van Morrison's new album Born to Sing: No Plan B came out last week... and I found myself stuck going back to Astral Weeks playing it on repeat. So to being in this moment... if you haven't listened in awhile... pull it out!
Paper Bird, on the Denver music scene, collaboration in the arts, and challenging yourself creatively:
“i think the biggest musical shift we had was when the Ballet Nouveau Colorado came in and asked us to do a collaboration. that’s what Carry On is - it’s just a live recording of that show.
we were doing good work with each other but we were starting to get bogged down with playing bars and going on tour and not really knowing what we were doing. and then the ballet approached us.
they were the first outside influence that came down and challenged us creatively. we needed someone to be like, your challenge isn’t just to play the same songs every night, it’s to do anything you want. do things you’ve never done before.
we need to put ourselves in these situations where we’re forced to really focus on the creative aspect.
i love the denver music scene. there are people making amazing music but there’s not the pressure or the competition of being in new york or LA or san francisco or even seattle. there are people here writing amazing music but we don’t really compare ourselves to other people so much - we’re like, it’s denver, no one cares what we do, we can do whatever we want to.
we’re starting to figure out just how much power we have to define how we want to be a band and what that really looks like and if we want to start creating our own arts centers and doing more collaborations and if we want to build an infrastructure like that for other bands so other bands don’t have to just tour and play bars.
i mean, we still do that as a band and we love doing that but it’s nice to have other outlets and more artistic, really intentional ways of playing music.
the ballet nouveau colorado director said, we have to start collaborating or the arts are going to die. people don’t really care about ballet that much, music is getting cut from schools every day. we need to start working together, we need to take this into our own hands.
we had such an amazing experience doing the ballet with them and i started thinking of my friends bands and thinking “i want to see a ballet to this! i want to see a ballet to that! i want my friend who does costumes to make the costumes, i want a friend who makes art to do the set design, i want to do all this again and get everyone involved, i want people to make short films to project in the background! i want to do things in schools!”
i just get this feeling in denver that we could pull it off here. that people would be willing to help us grow that.”
Rhythms and Roots from the Foothills of the Rocky Mountains
There so much music rooted in the foothills of the Rocky Mountains that it is hard not to take a week long trip to Boulder and not be completely surrounded by the musical inspirations and sounds the mountains bring to a small town. From all the options between venues like Red Rocks, The Fox, and The Boulder Theater, to a local radio station that plays Jerry Douglas featuring Mumford & Sons & Paul Simon, a stroll down Pearl Street that makes you stop to listen to the beats of a local drummer or to go eat breakfast at a family restaurant and be served by two brothers whose band opened up for The Who. I think I was musically reawaken. Even the yellow Aspens were singing or maybe I was singing to them.
While I was there I stumbled upon a ton of new artists that have suddenly taken over my ipod and one of these being singer/songwriter Rob Drabkin.
I didn't know who Rob Drabkin was until I decided to attend the TEDx Boulder and a few days before the conference decided to do my research and look up the speakers and people whom I thought I would like to meet. Checked out Rob's new album Live at Bluebird Theater and immediately felt a sense of home and familiarity with his music. Maybe it's the influences of artists I grew up with- like the natural easiness of a Bill Wither's song mixed with the horn playing of John Coltrane, the guitar playing of Andy Mckee and the African percussion's of a Paul Simon album. His double record actually covers most of Paul Simon's Graceland album along with some of his own originals.
Rob covering Paul Simon's Homeless Live at Bluebird Theater 1.19.12
http://www.youtube.com/watch?feature=player_embedded&v=1Ft6A6gfQ5M
Rob has already had some pretty amazing experiences in his career like being asked to play for former President Bill Clinton, winning an opportunity to play the Mile High Music Festival with artists like The Fray, Widespread Panic, Tool and Ben Harper and opening up for two shows at the famous Red Rocks venue where he of course got to join many other artists in signing the famous hidden tunnel. For those who don't know about the tunnel it runs from the sound booth underneath all the seats and right to the stage and is tradition that all artists who play the venue must leave their name.
From the Red Rocks' hidden tunnel- Rob opened up for the Styx 2010 show which makes me laugh
After we met I had the lucky experience of him showing me around his hometown. We had a presidential breakfast at The Buff in Boulder, record shopping in Denver, and listening session from Rob's computer. Which consisted of songs from The Wood Brothers, Michael Kiwanuka, Peter Gabriel, Gregory Alan Isakov, Taj Mahal and Simon & Garfunkel.
And in between he let me sneak in a few questions for an interview.
What was your first experience with music?
Singing with records in the bath tub. I could sing really high notes and could actually match all the high pitches. But my sister made fun of me and then I got self conscious and didn't sing anymore.
How old were you really realized you wanted to do this full time?
I was 22 and had this life changing trip to New York. My dad played Jazz for over 30 years until he changed course and got into medicine When we were in New York, we re-connected with his old Jazz friends and it was so inspiring to see these guys who were well over 60 years old, still playing and grooving. It made me start thinking about my own career path.
After Rob graduated from college, he started spending eight hours a day working on his singing and songwriting skills and made a promise to pursue his music career full time.
Rob playing with his dad Harry Drabkin
Your dad plays with you on some of your songs on the new album- how did you get him playing music again after 30 years? Do you guys share similarities in your taste in music? We both love jazz! But he'll play circles around me any day of the week. He studied and played music day in day out for 30 years straight, attended and taught at Berklee School of Music in Boston. He left music and went to medicine and never played for a long time. I had 2-3 songs that would work well with a horn arrangement so I kind of forced it on him. I gave him one month to get his chops up to par and invited him on stage at the Walnut Room in Denver about 5 years ago. He killed it!
How is a Rob Drabkin song written? I'm a music guy first then a disaster lyric guy after :). Inspiration can come from all sorts of angles and of course life experiences. One step before that. It's always a passion for music or art that makes me want to start and begin a song. A basic feeling that I have something to say or give or contribute. That seems to be a driving force around a lot of it and opens myself up to a lot of other sources.
"Don't Worry About Me" is one of my favorite songs from the album- is there a story behind it?
Don't Worry About Me was written partially in my college bathroom (the guitar riff) and partially in a cabin deep in the mountains in the winter time. Originally it was this upbeat rock version just using the riff but it just wouldn't gel. So i slowed it way way down and that's the version that it is today.
So we share a mutual music friend- Suzanne Cheavens the music director at KOTO (one of my favorite public radio stations) in Telluride, CO. How did Suzanne get ahold of your music? I did a Triple A radio campaign and she was one of the first to add my music into KOTO rotation. She rocks and introduced me to the Telluride Blues and Brews Festival and the newly founded 'Ride Festival.'
Is there anyone you want to collaborate with next? Maybe Paul Simon at Red Rocks for another live Graceland album. Sure, lets make that happen! I would just steal Paul Simon's lyrics though because they are so good. I would have a lot of fun with John Mayer. We are different enough that we wouldn't clash but would be able to feed off of each others ideas. I want to collaborate with Van Morrison.
Rob also has a few more ambitions to fill...
And then I want to have tea with Natalie Portman
I want to have Breakfast with Cat Stevens
I want to Take a shot with Bob Dylan
And then I want to take A jog with Dave Matthews
I want to have Dinner with Ani Defranco
I would like to go to a yoga class with Peter Gabriel and Sting. The same yoga class and I get to sit inbetween them.
And then I would want to go dancing with Regina Spektor
To date Rob has played on the same bill with artists like G-Love & the Special Sauce, Michael Franti, John Butler Trio, Trevor Hall, Lucinda Williams, and Big Head Todd. And got the opportunity to collaborate Back Door Slam's Davy Knowles, FloBots and Gregory James Hauser.
Check out what he is up to next at www.RobDrabkin.com and while you are there download his latest album Live at Bluebird Theater 1.19.12. I did and am addicted!
Other music friends to check out from the Denver/Boulder area... (some whom you may already be familiar with, but there will be no Leftover Salmon or Mountain Yonder String Band below. Not because they are not good- but let's step out of the Colorado stereotype)
DeVotchKa
Gypsy tinged mult-instrumental quartet
http://www.youtube.com/watch?v=B7WmLrqZtAU
A Buff Brothers Original- Rose Hill Drive
Although no longer together- this is a video that shouldn't be forgotten
http://www.youtube.com/watch?feature=player_embedded&v=66oqIUnvP_E
The Yawpers
A grittier sexier Wilco
www.theyawpers.com
Gregory Alan Isakov
Lyrical Genius- If you are an Amos Lee, Belinda Carlisle or Leonard Cohen fan please listen to him!
www.gregoryalanisakov.com
Paperbird
folk, roots, americana
www.paperbird.com
Earmeal
Just listen!
Ear Meal bandmine
Kyle James Hauser
bad ass banjo player- very Berklee
www.kylejameshauser.com
FloBots
Expands the frontiers of live hip hop- super fun!
www.flobots.com