— Was he strong and handsome? — Was he big and tall? — There’s nobody like him, anywhere at all… Snow White and the Seven Dwarfs (1937)
Today's Document

Janaina Medeiros

roma★

Origami Around

Discoholic 🪩

blake kathryn

if i look back, i am lost
Not today Justin
todays bird
YOU ARE THE REASON
cherry valley forever
Monterey Bay Aquarium
occasionally subtle

祝日 / Permanent Vacation
trying on a metaphor

PR's Tumblrdome
Keni

ellievsbear
noise dept.
Alisa U Zemlji Chuda

seen from Switzerland

seen from France

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seen from United States
seen from Germany
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seen from Poland
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@cinemagpie
— Was he strong and handsome? — Was he big and tall? — There’s nobody like him, anywhere at all… Snow White and the Seven Dwarfs (1937)
Don’t let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner. Heat (1995) dir. Michael Mann
Sin City (2005) dir. Robert Rodriguez & Frank Miller
Yes, monsters. You know—witches, warlocks, demons, ghouls, zombies, creatures, vampires. Monsters. MAD MONSTER PARTY? (1967) by Rankin/Bass Productions
BREAKFAST AT TIFFANY’S (1961) dir. Blake Edwards
Predator 2 (1990) dir. Stephen Hopkins
And so we are all connected in the great circle of life.
The Lion King (1994)
Hey, pretty girl. Time to wake up.
Mulholland Drive (2001) dir. David Lynch
Blade Runner (1982) dir. Ridley Scott
I met Death today. We are playing chess.
THE SEVENTH SEAL (1957) dir. Ingmar Bergman
“My mother, father and I are all borrowers. We borrow things like soap and cookies and sugar - things that beans won’t miss if they’re gone.”
8½ (1963) dir. Federico Fellini
8½ (1963) dir. Federico Fellini
Haku, listen. I just remembered something from a long time ago, I think it may help you. Once, when I was little, I dropped my shoe into a river. When I tried to get it back I fell in. I thought I’d drown but the water carried me to shore. It finally came back to me. The river’s name was the Kohaku river. I think that was you, and your real name is Kohaku River.
Spirited Away | 千と千尋の神隠し (2001), dir. Hayao Miyazaki
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?
TRAINSPOTTING dir. Danny Boyle released 25 years ago today
I thought my ideas were so clear. I wanted to make an honest film. No lies whatsoever. I thought I had something so simple to say. Something useful to everybody. A film to help bury forever all the dead things we carry around inside. Instead, it’s me who lacks the courage to bury anything at all.
8 ½ (Otto e mezzo) dir. Federico Fellini
THE X-FILES: FIGHT THE FUTURE 1998 | dir. Rob Bowman