"I'm Dorothy Gale from Kansas"
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sheepfilms
taylor price
Monterey Bay Aquarium
hello vonnie
JVL
Peter Solarz
Aqua Utopia｜海の底で記憶を紡ぐ
Three Goblin Art
trying on a metaphor
oozey mess
let's talk about Bridgerton tea, my ask is open
dirt enthusiast
we're not kids anymore.
DEAR READER
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Kiana Khansmith
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Misplaced Lens Cap
seen from Canada
seen from United States
seen from Malaysia
seen from Netherlands
seen from United Kingdom
seen from France
seen from United States
seen from Germany
seen from Italy
seen from United States
seen from Germany
seen from United States
seen from Canada
seen from Germany
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seen from Poland
seen from United States
seen from Germany
seen from United States
@cinemaguild
Watching your old films is really difficult, you don’t understand anything. After you finish a film, you are completely blind. You never have the chance to see your film objectively. But I’m the kind of person who always sees things negatively – I always only see the mistakes – so it’s painful and I never watch my films.
Nuri Bilge Ceylan (via heidisaman)
La Jalousie, Philippe Garrel (2013)
La Jalousie, Philippe Garrel (2013)
Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)
Jauja (2014) Directed by Lisandro Alonso
Asghar Farhadi on the set of About Elly (2009).
Counting | IFC Center | Fri Jul 31, 7:25pm Director Jem Cohen in person with Q&A moderated by Laura Poitras
Darbareye Elly (2009)
Darbareye Elly (2009)
One of the few things I can really say I love is cinema. I’ve lived a long time for cinema. I lived with it, I still like it a lot, I like doing the work. Now I think it goes a little bit beyond cinema. I was much more of a cinephile 20 years ago; I was much more a believer in all then powers — natural, supernatural [Laughs] — of films. Now cinema, for me, has become… I always say, if I’m just doing a film, I think I wouldn’t bother. There’s something else for me.
We have an extensive conversation with Pedro Costa about the mysteries of Horse Money, films about forgetting, and Bart Simpson.
35 Shots of Rum, 2008. (Claire Denis)
35 Shots of Rum, 2008. (Claire Denis)
Watch the first official trailer for Jem Cohen’s documentary Counting, which premiered last February at the Berlin Film Festival and will open in New York on July 31st.
The project is made of fifteen distinct but interconnected chapters, shot in locations from New York, to Moscow, St. Petersburg, Istanbul, Porto and a city intended to remain unknown: together, they build to a reckoning at the intersection of city symphony, diary, and essay film. Snapshots of places both popular and unknown and of people, striking observations of everyday life, a tender gauging of reality, snippets of voiceovers in passing.
Ne change rien (Pedro Costa, 2009)
“I don’t want to do what others did before or replace them. There’s no replacement for Chaplin. Ozu is great. They did it. Let’s do something else. Now it’s a matter of rebalancing things.”
Two great filmmakers, Pedro Costa and Thom Andersen, met and talked for five days of the Courtisane Festival in Ghent. Read Ruben Demasure’s report at Notebook.
Horse Money dir. Pedro Costa
