conversation i had with a co worker
The Stonewall Inn
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH
Show & Tell

Discoholic 🪩
RMH
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trying on a metaphor
Monterey Bay Aquarium
icyghini twinkie
noise dept.
official daine visual archive

tannertan36
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Jules of Nature

Kiana Khansmith

PR's Tumblrdome
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gracie abrams

Product Placement
seen from Italy

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@cinnamon-bat
conversation i had with a co worker
DIYHRT.market is back as valerie.vg
the main programmer at Team Cherry (the Silksong and Hollow Knight people) transitioned!!! all good things are made by trans women!
YIPEEEEEEEEEEE
im not even plural every plural meme is just fire
IT WAD PLURALITY!!!!!
forgot to post this incredible commission of me by @chimeracauldron!!
im saving it wad plurality to my google drive but if i ever loose it can i call upon you abd your loyal pack of bunnies to aid me. I loev that pic
IT WAD PLURALITY!!!!!!!
I really really like your work but sometimes I feel like 90% of the jokes go over my head. Can you recommend me anything to read/watch/experience to better understand your comics?
Of course. One of my biggest influences is the cartoonist B.Kliban. While best known for his distinctive cat drawings, most of his cartooning output was single-panel work.
Much of it is easily understandable language or visual puns, but many of his funny works are just unusual situations, with no obvious meaning:
(I think that "Household Hint" could be considered a spiritual forerunner of Tiktok ragebait food videos.)
In his 1975 collection titled "Cat," among many funny cat comics, there are several pages which are just drawings of his beloved cats.
I feel a strong connection to Kliban's approach: Direct contour-line drawing, mostly anonymous characters in novel situations, and few traditional long-term narrative stories. And yet, there are recurring visual trends. (Have you noticed that he only draws one kind of cat?)
It is said that we train our audiences, in form or content. Over time, the reader knows what to expect from an author.
I think that a lesson can be derived from this graphic design manual.
(from Notes on Graphic Design And Visual Communication by Gregg Berryman, 1979.)
I believe we can draw a correlation between broadly-defined "art" (comics, painting, drawing, sculpture, video, etc.) and logo design:
With low "abstraction" (depending upon references that many people will get, explaining things in extremely explicit terms), material will be readily understood, but it is hard to separate this material from other stuff out there. It's harder to have your individual voice known.
With high "abstraction" (sharing weird comics, but consistently over a long period of time with many people,) an artist can have their message understood- or at least received enthusiastically- even if they're weird.
I drew this yesterday. It is probably understandable as both a humorous criticism of gamer-centric marketing and also as a visual-verbal pun to most English speakers under 40. I'm not sure if "Gamer Butter" would be accepted readily without people being familiar with other drawings I've made which lampoon consumerism and gadget culture.
B.Kliban and I have had the good fortune to share our works widely enough to have such a special relationship of artist and viewer, who accept the less understandable material alongside the more easily digestible. Thank you for the kind comment and question.
saddest string of words ive ever read please get some self respect baby girl
My fren sent me this
Naturally I went down a foxhole rabbithole searching for sauce and @furrywaifus this is the mascot of the German brewery Füchschen Alt.
Forgiveness
Dignity
I fear I have found the perfect mix of dog lizard that tickles my brain.
Evening dip
can i get an amen break burger
here you go & have a great burgrer
this post is worth more than your entire gimmick blog