1998 Colegio de Escribanos / Juan Fontana + Clorindo Testa ZERO GRAVITY COLUMNS
Monterey Bay Aquarium
cherry valley forever

#extradirty
NASA
Show & Tell

Origami Around

shark vs the universe

Janaina Medeiros
we're not kids anymore.
KIROKAZE

⁂

titsay
I'd rather be in outer space 🛸

oozey mess

if i look back, i am lost
Game of Thrones Daily

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Cosmic Funnies
ojovivo

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@ciudadbrava
1998 Colegio de Escribanos / Juan Fontana + Clorindo Testa ZERO GRAVITY COLUMNS
fala about architectural communication (via https://www.youtube.com/watch?v=Pf19hrf4L3s)
Europa 2000 - Europa 2016
1969 Edward’s Head Office / Shiro Kuramata
TECH COLUMNS
#nextarch by @adamnathanielfurman #next_top_architects Mobile construction gantry for an overhead high speed train track in Yokohama, Japan
Bruno Taut, Movements in a house: an apartment plan for Die neue Wohnung: Die Frau als Schoepferin, Leipzig, 1924.
Villa in the forest by Kazuyo Sejima
Bruder Klaus Field Chapel, Mechernich, Peter Zumthor, 2007
Interior of the Multihalle Mannheim, Federal Garden show
Frei Otto
1975
Ejercicio poético musical de Elías Torres Sur “La Banda Sonora” publicado en A-30, 1987 dibujo en tinta roja sobre una pequeña hoja de papel vegetal superpuesto a la sección de la escalera (Nota arquicomics: se trata de una sección con efectos sonoros, un mix muy curioso entre un documento de arquitectura y un cómic) https://homenajeaenricmiralles.wordpress.com/2013/03/15/enric-miralles-y-carme-pinos-a30-no-6-publicacion-de-arquitectura-1987/ Gracias a @h_enricmiralles !!! https://homenajeaenricmiralles.wordpress.com/
La Muralla Roja | Ricardo Bofill | Socks Studio
La Muralla Roja is a housing project located in the area of Calpe in the Alicante region in Spain on a steep coastal landscape. Designed by architect Ricardo Bofill and his Taller de Arquitectura, the project was built in 1973. The plan of the complex responds to a strict geometrical control: each of the fifty apartments is based on the iteration and variation of the same order, as the single rooms are arranged into squared plans and connected together in order to form a system of crosses. In the corners where two crosses touch, the kitchen and bathrooms are superimposed on each floor to materialize the central towers.
The extruded squared spaces get volumetric relevance by detaching one with the other and allowing the presence of interior symmetrical patios. Height variations as well as systems of exterior staircases and the complex geometry of the terraces all contribute to turn the rigid plan into an almost labyrinthine structure, rich with formal invention while consistent in its fortress-like appearance. A combination of stylistic and formal references from different corners of the world emerges into a sort of out-of-place and out-of-time composition where the use of different bold colors accentuates the surreal qualities of the ensemble.
Albert Frey, Kochner Canvas Weekend House, Long Island, 1934
FREI OTTO - Form Finding With Soap Film
East-West/West-East . Zekreet, Qatar . Richard Serra
10 Examples of Cutaway/Dollhouse Sets in Film
Featuring:
The Ladies Man (Jerry Lewis, 1961) The Life Aquatic with Steve Zissou (Wes Anderson, 2004) Footlight Parade (Lloyd Bacon, Busby Berkeley, 1933) Absolute Beginners (Julien Temple, 1986) The Hand of Peril (Maurice Tourneur, 1916) Bunraku (Guy Moshe, 2010) The House on Trubnaya (Boris Barnet, 1928) Tout Va Bien (Jean-Luc Godard, 1972) The ‘High Sign’ (Buster Keaton, 1921) Synecdoche, New York (Charlie Kaufman, 2008)
The staircase shots in Buster Keaton’s The Cameraman and Frank Borzage’s Seventh Heaven could be added as well.
Rino Levi, Roberto Cerqueira Cesar, L.R. Carvalho Frano Competition entry for Brasília, 3rd prize Levi’s entry was notable for its radical solution for housing: 16 mega-slabs of 80 storeys, 16,000 inhabitants each, all within a walking distance of the administrative center