CKV

[evokesart]

The Pink Studio, 1911 by Henri Matisse 

[athousandmilesaday]

Hernan Bas

[huariqueje]

Portrait Of A Young Woman Vaite (Jeanne) Goupil - Paul Gauguin , 1896

French,  1848-1903

oil on canvas 75 x 65 cm.

[lawrenceleemagnuson]

Joan Miró (1893-1983) Graphisme concret (1952) watercolour, brush and pen and India ink on paper 72.3 x 100 cm

[amare-habeo]

[thunderstruck9]

Jan Wiegers (Dutch, 1893-1959), Man en kind op een brug in berglandschap [Man and child on a bridge in a mountain landscape], 1947. Lithograph.

via amare-habeo

[amare-habeo]

Jean Dubuffet (French, 1901-1985) 

Cow (Vache), 1954

Loreau X, No. 134

Lipton Fine Arts,  Ketchum, Idaho, US

[itscolossal]

Bits and Pieces: An Expandable Kinetic Toy Sphere Installation by Nils Volker

[cavinmorrisgallery]

Solange Knopf Notebook, 2013 Colored pencil accordion notebook 8.25 x 5.25 x .5 inches 21 x 13.3 x 1.3 cm SoK 75

http://www.cavinmorris.com

[dappledwithshadow]

9 versions of Morning on the Seine, by Claude Oscar Monet

c. 1897

[hikamera-deactivated20160428]

これがみたかった、、 カセットテープケースの中に 沢山の押し花や草が💐 素敵でした。

[manufactoriel]

Untitled (Phalo Blue) 1983, by Jean-Michel Basquiat

[lawrenceleemagnuson]

Ernst Ludwig Kirchner (1880-1938) Amselfluh (1922) oil on canvas 120 x 170.5 cm

[lawrenceleemagnuson]

Nikolai Roerich (Russia 1874-1947) Before the Rain (n.d.) oil on wood 50 x 80 cm

[evokesart]

Paul Gauguin - Spirit of the Dead Watching, 1892 

[crossconnectmag]

Jan Fabre is an established artist with a long rap sheet — having shown and made installations everywhere from The Royal Palace in Brussels to The Louvre Museum in Paris. It’s impossible to pigeonhole him down into one medium, since he’s worked with materials as diverse as bic ballpoint pens and beetle wings. Not to mention, he’s also an author and theater director on top of everything else.

About Jan Fabre

visual artist, theatre maker and author

For more than thirty-five years, Jan Fabre (b. Antwerp, 1958) has occupied a leading international position as a groundbreaking visual artist, theatre maker and author. In the late seventies he took courses at the Royal Academy of Fine Arts and the Municipal Institute of Decorative Arts and Crafts, both in Antwerp. He has become well known to a wide audience with The Hour Blue (1977-1992), a series of deep-blue Bic ballpoint drawings, the Tivoli castle (1990), Heaven of Delight (2002), in which he covered the ceiling of the Mirror Room at the Royal Palace in Brussels with jewel beetle wing-shields, his open-air sculptures, including The man who measures the clouds (1998), Searching for Utopia (2003) and Totem (2000-2004), and such recent installations as Chapters I-XVIII (2010) and Pietas (2011).

Selected by Andrew

[prescriptivist-blog]

[childmagazine]

Eliza Bennett - A woman's work is never done, 2011 Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, traditionally employed to represent femininity and applying it to the expression of it’s opposite, I hope to challenge the pre-conceived notion that ‘women’s work’ is light and easy. Aiming to represent the effects of hard work arising from employment in low paid ancillary jobs such as cleaning, caring, and catering, all traditionally considered to be ‘women’s work’.