clarke is BI and so am I

K.A.D.R. | 21 | infp | oh Canada WIP (side blog bc I'm bi as heck); just your regular ole bi programming (aka fandom & girl things). Oh, and if bi any slim chance you are even remotely curious, I'm also here.

[destroyedsmiles]

Put your lips on my body

[nicollekidman]

“with tig, my love is like… it spills out of me and i just feel like i’m always smiling” 

[booasaur]

there was gif post somewhere that i can't find anymore but this gist is that toni was standing her tip toes to kiss shelby under the lychee tree. long shot but does anyone know where this is?

Oh, hmm, I don’t remember seeing any kind of post like that. Did we get any kind of wide angle on that? Aww, I went to rewatch and I guess there is this moment where Toni very visibly kind of drops down a bit after?

[lezkissgifs]

Ammonite (2020)

[padmaddean]

Elisa & Marcela

Elisa y Marcela (2019)

[morningmightcomebyaccident]

I love that people are still discovering Portrait of a Lady on Fire and leave the viewing experience going "I can't stop thinking about it."

[morningmightcomebyaccident]

Katherine Waterston on her 19th-century LGBTQ romance 'The World to Come'

Katherine Waterston talks about her experience on 'The World to Come,' which will be released on February 12.

Had you ever worked with Vanessa Kirby before?

No, but I'd watched her in stuff and I didn't want to do this film with anybody else. I just felt it had to be her. And so it was a very good day when she said yes. Mona has a gift for casting, I think. I loved this cast. We are all very different performers and have very different qualities but really worked well together. I think she put together a bunch of people who really like to play scenes like tennis matches. There are basic rules to the thing, there's a structure to the scene, but within that, there's room to play. That's why it was so important to me that it was Vanessa because I really felt like she was someone who was strong enough and creative enough to really play the scenes with me. And the script is just so rich.

I can't imagine you were able to do much research for a story about an LGBTQ relationship in the 19th century. Were you able to dig into the time and what it must have been like?

Yeah, there's very little research you can do because there's so little written about the LGBTQ community of that period, about love stories between two women. There's the Anne Lister diaries, which I pored over while we were working, and there were a few things in there that I found really useful. However, she was a very privileged English woman, and I was playing a farm woman in New England. So there's a great difference there in terms of access, access to education and time, too — time to oneself, time to think and develop your identity. I think Abigail, my character, is a woman whose life was never really her own to choose in any way. There was basically nothing about my life, my experience, that prepared me for playing Abigail, she is of another world. It's fascinating to explore her world, and what her life would have been like. It all starts with the script, and they did a lot of that work for us by creating two women who were just fully-fledged individuals.

What would you say is the tone of the film?

In a way, I might describe it as, and I don't know that I even came up with this line in the first place, but like a Western about interiority. It feels like a female perspective of a world and an experience we've known very well from the other side. It's like another piece of a story that we've seen, if that makes any sense. That's more if we're talking about the vibe, but I really think it's about love and vulnerability, and that's true for all four of the characters. It is an ensemble, and though these two brilliant male actors have done a cool thing of supporting female leads, they too are shown in this refreshingly multi-dimensional way. It feels like a missing puzzle piece to the story of this period and this part of the world.

[morningmightcomebyaccident]

THE WORLD TO COME | Official Trailer I Bleecker Street

[nerdside]

“What did you think of my poems?”

-”I loved them. I always love your poems. But these new ones, they were… Beyond”

[wlwsource]

DICKINSON (2019- ) S02E01, Before I Got My Eye Put Out

[padmaddean]

Jinju & Bess

Snowpiercer s01e03

[rainbowkarolina]

“I don’t think I’ve got it in me to get that scared about something that could be good.”

TONI AND SHELBY in THE WILDS (2020)

[hexblooded]

shelby is just a little frazzled

[marcosllorente]

– Okay, but what if it all blows up? What if we end up making each other freaking miserable, you know? What if I hurt you? – What if our plane crashes and what if we nosedive into the ocean, and you know, end up stranded, and what if we wind up lost and starving? All of that already happened. The worst has already fucking happened. I don’t think I’ve got it in me to get that scared about something that could be good.

[evilswan]

“Teen crush?”

[ryan-cicak]

Portrait of a Lady on Fire. (2019)

dir. Céline Sciamma.

[jastrups]