On ACOTARâs POC representation discourse:
I honestly donât think the seriesâ biggest representation problem would be solved by simply adding more dark-skinned High Fae characters. That might improve the visual diversity of the cast, but it would not address the deeper issue, which is that the narrative overwhelmingly centers the most powerful, wealthy, and socially privileged people in its world while treating the groups most structurally marginalized by that world as background scenery.
ACOTAR already has groups that function as racialized underclasses within the world: humans and lesser faeries.
And the narrative could not care less about them.
We have approximately two human characters who matter at all: Jurian and Vassa. Neither is part of a main pairing, neither gets remotely comparable page time to the High Fae cast, and both mostly exist on the edge of other peopleâs stories.
Then thereâs Alis, the one memorable lesser faerie character, who spends the first book serving Feyre, explaining the world to her, and helping her survive, before literally becoming an npc after Feyre becomes High Fae.
Very subtle.
Meanwhile, almost every major character is High Fae. Not merely High Fae, either, but High Fae nobility. High Lords, future High Ladies, generals, courtiers, ancient warriors, people with inherited estates and multiple houses who spend ACOFAS exchanging luxury gifts and throwing parties while ordinary people are still recovering from a catastrophic war.
But it is fine, because Feyre looks sadly at a poor person sometimes.
Revolutionary.
This is a world where species determines power, legal status, wealth, safety, beauty, and social worth. Humans are vulnerable and politically disposable. Lesser faeries are servants, laborers, refugees, or background decoration. High Fae control the land, the armies, the money, and the narrative.
And somehow the story is always about how hard life is for the people living in palaces.
Rhys owns multiple mansions, but please remember that he is sad.
Feyre feels uncomfortable about her enormous wealth for roughly six minutes, so apparently the class analysis is complete.
Cassian does nothing to adress the abuse Illyrian boys and girls suffer through, but do not worry, he has trauma.
The series does not need another conventionally attractive brown High Fae prince whose oppression begins and ends with someone making a rude comment about his appearance before he returns to his estate.
It needs human protagonists. Lesser faerie protagonists. Poor characters. Servants who are actual people rather than loyal household accessories. Characters who suffer under the High Lordsâ decisions and are allowed to be angry about it. Characters who do not think the Inner Circle is charming, progressive, or uniquely qualified to rule everyone forever.
Give me a lesser faerie love interest.
Give me a human woman who does not need to become High Fae in order to become powerful, beautiful, desirable, or narratively important.
Give me someone who walks into one of the Inner Circle's parties, looks at the piles of expensive presents, remembers that people are homeless after the war, and says, âWhat the fuck is wrong with all of you?â
Because even if all of the main characters were Black, Asian, Latino, queer, disabled, and gender-nonconforming, the story would still be racist propaganda if every person who matters remains a wealthy, beautiful, superpowered High Fae aristocrat while the oppressed species remain servants, victims, and scenery.
Representation is not just changing the skin color of the people sitting at the top.
You also have to ask why your story thinks the people at the top are the only ones worth writing about.













