todays bird

if i look back, i am lost

Janaina Medeiros

shark vs the universe
YOU ARE THE REASON

Product Placement
Claire Keane
Stranger Things
cherry valley forever

Love Begins

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I'd rather be in outer space 🛸
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Lint Roller? I Barely Know Her
Sweet Seals For You, Always
almost home
Sade Olutola
tumblr dot com
Misplaced Lens Cap
Monterey Bay Aquarium
seen from United States
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seen from Malaysia
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seen from Lithuania

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seen from TĂĽrkiye
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@coeurenvadrouille
Faunwand’s Wildcraft Tarot Deck 🌿Â
First part: Suit of Pentacles.Â
I made the whole deck with real plants; leaves, herbs, flowers, roots and reindeer moss. Backside: Real tree bark.
Study of a Witch by Luis Ricardo Falero (19th Century)
One of my favourite bits of media history trivia is that back in the Elizabethan period, people used to publish unauthorised copies of plays by sending someone who was good with shorthand to discretely write down all of the play's dialogue while they watched it, then reconstructing the play by combining those notes with audience interviews to recover the stage directions; in some cases, these unauthorised copies are the only record of a given play that survives to the present day. It's one of my favourites for two reasons:
It demonstrates that piracy has always lay at the heart of media preservation; and
Imagine being the 1603 equivalent of the guy with the cell phone camera in the movie theatre, furtively scribbling down notes in a little book and hoping Shakespeare himself doesn't catch you.
Celia Jacobs, Kissing Cowgirls
“6 wings” “2 heads” “6 legs” linocuts from the exhibition “7 maa ja mere taga”
Serge Wolf was ready with his camera when he spotted a northern harrier bird of prey getting up close and personal with a black bear sleeping on a hay bale in a field near Salmon Valley.Â
~ Beautiful Magnolias swaying in a fountain
me and who
i hope you remember it’s very human and normal to crave affection, human interaction, attention and love. you’re not “too needy” or “too sensitive” for wanting to have your emotional and social needs met accordingly.Â
If dangerous predator why ear shape like that
fuck looks. relationships NEED to based on your ability to be SILLY TOGETHER!!!!!! you better be laughing together or ELSE
saw this post the other day that talked about how so many of us are soooo scared of appearing even momentarily human towards each other these days. like you can't see me sweat or cry or without makeup or with food stuck in my teeth or laugh loud and ugly. everything must be composed and sanitised and photo ready at all times. it's like corporate office culture seeping out into our homes and our lives and for what. it's not cringe to be a real person around other real people
Robert Jones, Jr., from 'The Prophets'
Otto Mueller (German, 1874 - 1930)
Forest landscape (Waldlandschaft), 1924
Colour lithograph on paper, 24,7 Ă— 17 cm
The difference between a strike and a boycott is the focus of what is being withheald
In a strike the supply is being withheald because the workers aren’t producing whatever it is. It works by having the masses demand what the companies cannot produce and therefore, if the company wants to continue providing whatever it is in order to continue making money, they have to listen to worker demands
In a boycott the demand is being withheald because the masses aren’t buying or engaging with whatever it is. It works because companies, obviously, need to actually sell things in order to function. The point is to make the company change something about a product in order to appeal to the masses again
That’s why you shouldn’t boycott when a strike is on (unless the union says so) because it kind of cancels out the strike. If there is no demand then witholding supply is meaningless - again, unless the union says so, since that means they factored it into their industrial action plan and believe it would be beneficial
I know people want to help but the reaction to call for a boycott whenever there’s a strike just kind of…… doesn’t
Black cats waiting to be auditioned for a horror film, 1961.
Photograph by Ralph Crane.