Frida Kahlo,  “Self Portrait Along the Border Line Between Mexico and the United States,” 1932
https://www.fridakahlo.org/self-portrait-along-the-boarder-line.jsp
d e v o n
todays bird

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Alisa U Zemlji Chuda
AnasAbdin
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Origami Around

祝日 / Permanent Vacation

Kiana Khansmith

tannertan36
PUT YOUR BEARD IN MY MOUTH
TVSTRANGERTHINGS
macklin celebrini has autism
Claire Keane
tumblr dot com

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we're not kids anymore.
Jules of Nature
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❣ Chile in a Photography ❣
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@colinashe
Frida Kahlo,  “Self Portrait Along the Border Line Between Mexico and the United States,” 1932
https://www.fridakahlo.org/self-portrait-along-the-boarder-line.jsp
*It may already be too late
Solaris (Tarkovsky, 1972)
Youth Technology
PlanificaciĂłn urbana Rusa.Â
Por: @CrazyinRussia - TweetÂ
hereby hereb here her he h ha har hara haram haramb harambe didn’t die for this
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Then who killed the world?
Tower House Gluck+
Space Age Buildings of Africa
Throughout the world, the 1950’s Space Age was known for its beautiful, bold architecture,full of swooshy curves and spaceship-shaped buildings. But some of the most vibrant and retro-futuristic buildings of the Space Age can be found in Africa. Here are the most amazing architectural achievements from Space-Age Africa. By Vince Miklos.
Mausoleum of Agostinho Neto, the first president of independent Angola in Luanda, Angola
Building in Warri, Nigeria
Kariakoo Market in Dar es Salaam, Tanzania
Memorial to the Martyrs in Ouagadougou, the capital city of Burkina Faso
Bujumbura International Airport, Bujumbura, Burundi
The CNPS building (The National Social Insurance Fund):
St. Paul’s Cathedral in Abidjan, Côte d’Ivoire (Ivory Coast), designed by Aldo Spirito, consecrated in 1980
The National Assembly, the parliament of Cameroon
See more here
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Dedicated to the Cultural Preservation of the African Aesthetic
On his last day as Mayor of London, Boris opened a new cycle highway, was called a “prick” by a passerby, and apparently had an incredulous discussion with a cardboard cutout of Jeremy Corbyn.
Detroit Jennifer Garza-Cuen
From the artist:
Detroit is the second location in a series of investigations into ideas of place as a defining force in our society.
I am particularly interested in Detroit because it is a place that has experienced an active form of extreme erasure, of transience and of loss that has embedded itself on the psyche of those that live there and those that pass through. Decadence and erasure evokes a very specific pathos and Detroit’s has reverberated around the globe as a kind of symbolic foreshadowing of the imminent end of American Empire.
That said; this is an ongoing project in which my intention is to engage the complexity of Detroit as a lived space as well as its supposed fall from grace.
Images and text via Jennifer Garza-Cuen
*The long-lost 1990s Belle Epoque.
Rostam - Gravity Don’t Pull Me
(via Selina Meyer Clarifies Recent Mis-speaking - YouTube)