colour wars

If you don't want my peaches, don't shake my tree. var sc_project=7293319; var sc_invisible=1; var sc_security="8d1816d2";

[rogerwilkerson]

Night Highway

[equatorjournal]

[detailedart]

Cloudography. 1 - 2 - 3 - 4 - 5 - 6

[kiki-de-la-petite-flaque-deacti]

Hiroshima Mon Amour,  Alain Resnais, 1959

[year-1990]

Hiroshima mon amour (1959) - direct by Alain Resnais

[frachella]

[jinxproof]

Jamie Bochert × Barbara Casasola ph. Bibi Cornejo Borthwick

[artist-matisse]

Half title page, from Jazz, Henri Matisse, 1947, Art Institute of Chicago: Prints and Drawings

Simeon B. Williams Fund Size: 422 × 327 mm (sheet, folded); 422 × 650 mm (sheet, unfolded) Medium: Photolithograph in black on ivory wove paper (recto and verso)

https://www.artic.edu/artworks/230689/

[theparisreview]

“A poem is a private story, after all, no matter how apparently public. The reader is always overhearing a confession.”

Jorie Graham (via floriental)

[detailedart]

Sea shades details - Jean-Louis Paguenaud (1876-1952)

[midnight-charm]

Niko Riam photographed by Andree Martis for Vogue Portugal June 2018

Stylist: Tess Yopp

[basicartseries]

from Corporate Interiors, No. 1 (1997)

[basicartseries]

from Corporate Interiors, No. 1 (1997)

[soracities]

faceless embraces

1. alex & lutz back, 1992, ph. wolfgang tillmans 2. ph. nan goldin 3. love-In, los angeles, 1967 ph. jerry de wilde 4. joseph lorusso, “cafe lovers 4” (detail) 5. el lenguaje del limbo II by mariana restrepo 6. photographer unknown 7. lovers in a field, 2019 ph. clifford prince king 8. isle of wight festival, 1969 ph. david hurn 9. joseph lorusso, “lovers in the garden” 10. the big gamble (1961), dir. elmo williams & richard fleischer

[nobrashfestivity]

Jean-Paul Belmondo and Jean Seberg filming in a Paris hotel for Breathless

[trainstationgoodbye]

It’s continuous, it doesn’t stop. Love Streams (1984) dir. John Cassavetes

[augustnoire]