RETIRED.

[commissioncd]

Hang out and enjoy free voice and text chat.

Come plot or we can chat 😌

[commissioncd]

“DON’T GO”

Send “DON’T GO” to pin my muse against something to prevent them from leaving. Please feel free to add any specifics. Add “reverse” to reverse the roles.

Her hand is firm on his chest, the door meeting his back easily enough. He remains stoic, looks down at the hand on his chest as his mind wills him to END HER. 

❝ You want me to believe, what? That you're the MOTHER OF MY KIDS? That I'd ever let my guard down long enough- ❞

The pain in her eyes rouses his silent curiosity, that heady kind that is quick to spark anger beneath his skin and make his jaw ache. Why did her pain matter? She'd chased him, had throttled him, stabbed him, even SHOT HIM all for the hell of the hunt. Why didn't she look like the woman he remembered? Why did she seem so fucking SINCERE?

❝ You know, you've done some pretty TWISTED SHIT lady but, this? It's really PISSING ME OFF. ❞

@etoilebleu !

[dinhui]

Visit Original Link

[iciminyanginlari]

[letsbelonelytogetherr]

— Captain Flint (via letsbeloneytogetherr)

[encvgh]

{{ Please reblog this if you’re a mun who’s open for angst plotting. Death, pain, drug abuse, alcohol abuse, illness, misery, fighting, screaming, tears, hate, disgust, trauma, graphic gore, etc; I’m in need of threads. Thank you. }}

[apavora]

ANTAGONISM — MEETINGS

"Still mad?" "Missed me?" "Get out. Now." "Who let you in?!" "Why are you here?" "What do you want?" "Read my lips: no." "You don't scare me." "Hey, put that back!" "You are not welcome." "Move out of the way." "Don't be like that..." "Don't test me today." "Do you mind? I'm busy." "Don't come any closer." "Showing your face again?" "You expect me to apologize?" "I won't say it again: leave it." "You know I can't let you in." "I don't trust you to behave." "You being here is bad enough." "Have you nothing better to do?" "I thought you didn't trust me?" "I don't wanna deal with this…" "I'm not here as a favor to you." "Are you still holding a grudge?" "Your presence befouls this place." "Is there a… reason you're here?" "I didn't expect to find you here." "I should just kill you right now." "What more could you possibly want?" "Do you mind getting out of the way?" "Don't you have hobbies or something?" "You're threading a dangerous line…" "What? No open arms, no welcome back?" "Cut to the chase — why call me here?" "Do they just let anyone walk in here?" "How did you… the doors were locked!" "You're not sorry, don't even pretend." "You've chosen a bad day to bother me." "Come now, no need for such hostility." "Do you find amusement in harassing me?" "You being here is enough to ruin my day." "I don't care, you need to let me through." "You should have killed me… but you didn't." "So… standoffish. Am I not allowed to visit?" "You better have a good reason for ignoring me." "Here, I brought you something!" *Middle finger.* "Seeing your face sour at the sight of me is funny." "Is that what I am to you? An annoyance? A pest?" "Were you expecting me? What a… warm welcome." "No. Whatever you're about to ask, the answer is no." "Do you just think it's funny to get me into trouble?" "You think you can just walk in here after what you did?" "I'm not going to be intimidated into letting you through." "Doesn't matter what you say, I'm not doing you any favors." "You'll forgive me for being curt, but please, leave me alone." "Grow up. We can hate each other's guts and still do business." "I won't be held responsible for what I do if you don't get out of my face." "Isn't it funny that I'm right here and you can't do anything to me right now?"

[kingsmemes]

「   RP MEME :   NONVERBAL PROMPTS.  mix of violent, caring, touching and non-touching prompts.  」     SEND PROMPT '+ REVERSE' for the inverse to happen. for example 'bandage + reverse' for the receiver to bandage wounds on the sender.

[ BANDAGE ] : sender bandages a wound on receiver.

[ GUIDE ] : sender puts a hand on he receiver's back to guide them somewhere.

[ WAVE ]: sender waves down receiver to get their attention.

[ SIGN ]: sender raises their hand to sign to receiver. what follows can be anything the sender desires.

[ LIFT ]: sender lifts receiver's chin to look at them.

[ LIGHT ]: sender lights receiver's cigarette/candle/etc.

[ FIND ] : sender finds receiver beaten and/or bloodied.

[ PIN ]: sender pins receiver against the wall during combat/sparring.

[ GET DOWN ]: sender tackles receiver out of the way of danger.

[ TAKE ]: sender takes a hit meant for receiver.

[ CAUGHT ]: sender finds receiver somewhere they aren't supposed to be.

[ TRAP ]: sender traps the receiver somewhere they don't want to be.

[ DARLING ]: sender touches receiver's cheek.

[ SNATCH ]: sender snatches receiver's wrist as they turn to go.

[ STAB ]: sender stabs receiver.

[ DRAG ]: sender drags receiver from point a to point b.

[ SIT ]: sender sits on receiver's lap.

[ EN GARDE ]: sender and receiver get into some kind of fight.

[ DRUNK ]: sender finds receiver drunk.

[ BLOOD ]: sender walks into receiver's room covered in blood.

[ FLOWER ]: sender offers a flower to receiver.

[ HOLD ]: sender reaches to hold receiver's hand.

[ BRUSH ]: sender brushes a strand of hair out of receiver's face.

[ NOTE: ] sender writes a note for receiver. the contents are whatever the sender decides.

[ EYES ]: sender notices receiver looking at them.

[ STOP ]: sender raises hand to signal the receiver to stop in place.

[ TAP ]: sender taps receiver on the shoulder to get their attention.

[ WAKE ]: sender gently wakes receiver from a nap or otherwise.

[ MORNING AFTER ]: sender and receiver wake up together for the first time after a night of passion.

[ BLANKET ]: sender drapes a blanket over receiver's shoulders.

[ HUDDLE ]: sender and receiver huddle together in an effort to stay warm.

[ TUG ]: sender pulls receiver away from them.

[ PUSH ]: sender pushes receiver away from them.

[ BULLET ]: sender shoots receiver in a non-lethal area.

[brynnsasha191]

By the way, this is what Five Hargreeves looks like when he's around his siblings (who he fought to protect for decades)

LOOK HOW FUCKING SOFT HE IS WHEN HE'S AROUND THEM. and you want me to believe that this man would do something like that to Diego??? His brother??? No way.

[sinking-fishies]

[ghostmemesource]

👻୧‿︵‿︵ Send “DON’T GO” to pin my muse against something to prevent them from leaving. Please feel free to add any specifics. Add “reverse” to reverse the roles.

[fivessuit]

this made my bones vibrate

tiktok/instagram: fivessuit_

[stringswoven]

« Continued from @commissioncd’s answered ask here. »

A reflex moving to stop Five, practically knowing him like the back of her own backstabbing hand, stepping between to stop him from pulling that damn trigger when Charlie got a little too smart with him. Amusing, always, witnessing Five getting all puffed up, but off the rails wasn’t an option here. Petite hands patted his chest seemingly soothing but were condescending, muffled smacks against pressed clothing. “Easy kitten. Remember, we need him alive, idiot.” Lila heard the words come out, onyx orbs rolling with a grimace, adding on to Five’s second outburst that rang off the walls in a lowered octave. “And before you get any ideas thinking I’m the good cop in this little charade, I’d sooner spray your brain matter all over this dump if that weren’t the case, Charlie.”

But what to do… what to do?

Lila hooked her arm through Five’s, tugging him along. “Sidebar — y’mind, Charles?” Not bothering to wait for a response, Lila took them a couple steps off before stopping, still well within Charlie’s earshot on purpose. He wasn’t going anywhere. “What’s your plan? Kill him and no deal? Make better offers.” Smirking, Lila glanced over at Charlie before gazing back at Five. “Way you two were going back and forth I thought it was flirting. A date could be a deal.” Flirting or starting a fight, the constant song and dance. Although Five and Charlie were at each other’s throats, and she was in the mood to let it happen again. After the deal was done, of course.

[commissioncd]

❝ Jealous? Don't worry, I'm sure he thinks you're pretty too ❞

He'd snark back dully, slipping his hands into his pockets. He's a quick enough draw not to have his hands out at all times. He considers her words and knows the right thing to do. The logical thing, but the satisfying thing would be to spray Charlie's blood all over the walls. 

❝ We make the deal. but if he gives me a reason, I'M TAKING IT. ❞

 It's as close to a compromise as they'd ever get to. Any snide comments, any strange remarks, any funny looks and Five would take it as a justification for killing him. The man was a waste of the hours of labor it took to get him here. 

[taiturner]

Aidan Gallagher as FIVE The Umbrella Academy | Season 2

[memepocalypse]

Send, "I don't feel so good..." for sender to pass out in receiver's arms.

Send, "You don't look good." for receiver to pass out in sender's arms!

[ssmhhh]

gorl put in work .

[commissioncd]

“Don't.” (From Lila)

𝐅𝐑𝐎𝐌 𝐓𝐇𝐄 𝐏𝐀𝐆𝐄𝐒: ＰＲＯＭＰＴＳ.

Send “Don’t” to grab my muse’s wrist to prevent them from doing something dangerous. 

His hand is on his gun and she's grabbing him, forcing his logic to override his anger as he glared daggers over her shoulder at the man they were meant to strike a so-called DEAL with. 

❝ ...He opens his mouth again, I'M SHOOTING HIM IN THE DICK! ❞

He shouts it at him over her head, moving closer meaning he's pressed to her as he tries to close the gap between him and the dumbass, using his free hand to motion to his eyes before he jabs it in the stooge's direction. 

❝ BETTER HOPE YOU'RE NOT DEAF AND STUPID, CHARLIE! ❞