KIROKAZE
2025 on Tumblr: Trends That Defined the Year
AnasAbdin

izzy's playlists!
let's talk about Bridgerton tea, my ask is open
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ojovivo

if i look back, i am lost
I'd rather be in outer space đž
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sheepfilms
Claire Keane
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
almost home

blake kathryn

Discoholic đȘ©
Cosmic Funnies
Cosimo Galluzzi

ellievsbear
$LAYYYTER

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@coquette-core
me core
I want to get that bow as a tattoo đ
electra heart moodboard
Marina is my favourite icon if you couldnât tell already
i went out for the first time since october.
The Real Problem with the Coquette Aesthetic
Itâs no secret I love the coquette aesthetic. Look at my header. Pink bows. Pearl necklaces. Lana Del Rey vinyl. Diet Coke can prominently displayed for some weird dark reason probably best not examined. I love it. But itâs got a problem. And itâs not the problems I keep hearing about, by the way. This âromanticizing child abuseâ nonsense. That shits for people who canât imagine women dressingâŠ
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âLolita isnât a perverse young girl. Sheâs a poor child who has been debauched and whose senses never stir under the caresses of the foul Humbert Humbert, whom she asks once, âhow long did [he] think we were going to live in stuffy cabins, doing filthy things togetherâŠ?â But to reply to your question: no, its success doesnât annoy me, I am not like Conan Doyle, who out of snobbery or simple stupidity preferred to be known as the author of âThe Great Boer War,â which he thought superior to his Sherlock Holmes. It is equally interesting to dwell, as journalists say, on the problem of the inept degradation that the character of the nymphet Lolita, whom I invented in 1955, has undergone in the mind of the broad public. Not only has the perversity of this poor child been grotesquely exaggerated, but her physical appearance, her age, everything has been transformed by the illustrations in foreign publications. Girls of eighteen or more, sidewalk kittens, cheap models, or simple long-legged criminals, are baptized ânymphetsâ or âLolitasâ in news stories in magazines in Italy, France, Germany, etc; and the covers of translations, Turkish or Arab, reach the height of ineptitude when they feature a young woman with opulent contours and a blonde mane imagined by boobies who have never read my book. In reality Lolita is a little girl of twelve, whereas Humbert Humbert is a mature man, and itâs the abyss between his age and that of the little girl that produces the vacuum, the vertigo, the seduction of mortal danger. Secondly, itâs the imagination of the sad satyr that makes a magic creature of this little American schoolgirl, as banal and normal in her way as the poet manquĂ© Humbert is in his. Outside the maniacal gaze of Humbert there is no nymphet. Lolita the nymphet exists only through the obsession that destroys Humbert. Herein an essential aspect of a unique book that has been betrayed by a factitious popularity.â
â Vladimir Nabokov (tr. Brian Boyd), Apostrophes (1975)
VĂ©ra Nabokov, Vladimir Nabokovâs editor and wife (among so many other things), mentioned in interviews with her biographer that he threw the Lolita manuscript into a fire several times (she pulled it out). Vladimir Nabokov spoke openly about his fear that the industry and an idiot public would pervert his book into a saucy sex fantasy instead of a study on predatory patriarchal horror. I hate how right he was.
Swan Lake (detail), c. 2011. Anna Vinogradova (Russian, b. 1975)
The corps de ballet in Swan Lake (Royal Ballet 2024)
photo by Magda Hoffman