YeÈil Mosque in Turkey
sheepfilms
Alisa U Zemlji Chuda
RMH
"I'm Dorothy Gale from Kansas"
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#extradirty
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Cosmic Funnies
he wasn't even looking at me and he found me
taylor price
Show & Tell
NASA
AnasAbdin
cherry valley forever
Not today Justin
I'd rather be in outer space đž

oozey mess
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JBB: An Artblog!

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@cornchipz-revival
YeÈil Mosque in Turkey
see every time i see this status i get angry because iâve played through literally every scenario in rct1 and there is no place where this is a thing. there is never more than one park per map. and in rct2 you canât make that happen i the scenario editor either. it is not remotely within the gameâs functionality to simulate two discrete parks and these games were coded in assembly for christ sake so itâs not like someone modded it in by adding the line âint const TOTAL_NUM_POSSIBLE_PARKS = 2;â. there is no conceivable way this post is anything close to true and even though i know how writing all this out reflects upon me as a person and even though i know exactly how meaningless and trifling of a takedown attempt this is on some random facebook screencap with hundreds of thousands of notes im going to post it anyway because iâm too petty to have any say in the matter
do you think the people who would build a rent reducer 9000 are the same people who are building houses
Someone just reblogged my dancing ghosts with â#digital artâ and it doesnât matter at all but Iâm still fighting the urge to dm them âthey are very much not digital! Theyâre chicken wire, tore my jeans, and left me covered in small, bleeding scratches! I got a tetanus shot about it!â
No computers were used for these - partly because I like using my hands and partly because I have genuinely no idea how to do digital animation anyway. It seems like witchcraft.
These are life-sized because I have very little experience with figure drawing/sculpting so I just used my husband and I for proportion measurements. (Which meant I was chasing him around going âcome back! Let me measure your femur!â)
Video description: green light on a chicken wire sculpture of a dancing couple. Itâs turning in the wind outside at night so they (hopefully) look alive.
i'd truly be fucked in her situation because rumpelstiltskin is not a name that would come to mind for me
to be honest i forgot he did that
it's very frustrating seeing otherwise well-structured posts about media literacy and critical thinking bookended with statements about "nowadays", "nobody has literacy anymore", "this generation is so anti-intellectual", and the like, unquestioningly falling into better past fallacies.
Do we really think the 80s and its Satanic Panic were better at critical thinking? what about the 40s? the Victorian era? societies have always had problems with critical thinking and literacy, because most societies have dealt with propaganda, corrupt leadership, difficulty providing education (due to poverty or discrimination or other issues), and/or people who resist critical thinking (due to privilege or circumstance or what have you). we can criticize media trends without pulling a "well back in the GOOD OLD DAYS" about it.
you cannot make a post about how men put women in certain boxes without someone going "but what if i love the box? what if i've decided that it's comfortable in the box? are you gonna tell me i'm not ALLOWED to like the box? not very feminist of you to police a woman's decisions... maybe you'd be less ugly and miserable if you stopped talking about the box LMFAO #Girlboss #MyBox<3"
#and its like. 'what if ive decided its comfortable to be in the box' it is always going to be more comfortable to be in the box #they will reward you for staying in the box and punish you for trying to leave it #that doesnt mean the box is like. a good place to be â @butchfaith
my kitty cat was wandering around going âmrrph?â so i was like âin here!â he goes âmrrph!â shoves open my bedroom door with his big round head and FLOPS on me. as in hard enough that he made a little âoofâ noise when he did it. followed by a category five purring event. thereâs good in this world mr frodo etc
Going to the library tomorrow to find out if I'm allowed to print hypothetical boobs for the GG copybook I wanna do
Libraries don't fuck around when it comes to copyright law
We should popularize more hispanized phonetic spellings of classic character names like we did with esnupi
Citripio y Arturito
Beautiful and kind, check. Looks like butter, sure.
But let's not overlook the elegant engineering of the soap dish itself: that graceful stem is positioned to let water drain out of the dish, avoiding the issue of "soap soup" that most soap dishes accumulate.
You guys ever see a DNI that makes you break out into laughter and almost cry
If graphic design is your passion then !!! GET OUT !!! đ«đ«đâŒïžđ„¶đ„¶đ«
I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like thereâs this amazing creature that weâve never seen before, and maybe under different circumstances we couldâve coexisted with it, but itâs trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and thatâs sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because itâs scary. I donât have a real conclusion to this I just started thinking about it for some reason.
I always felt I couldn't possibly be upset about dying to an alien monster because proof of otherwordly life is exactly what it'd take for me to die happy
Really hate that most people donât understand the difference between âself-expressionâ and âartistic-expression.â
I say this as someone who sells pottery, and many people who see my art assume I am using art as an outlet to âexpress myself.â
I am not.
I use art to challenge myself. A lot of what I do is the equivalent of doing a hard sudoko or a half marathon, answering the question of âcan I do this?â
I use art to question things and explore ideas. Finding physical synthesis between concepts and working out a design to its end state.
I use art to make money. I make some things just because I suspect theyâll sell well, and I keep making them when they do.
This idea that an artist is âputting themselves out thereâ every time they create is not only stupid, but harmful, and it kills critique and analysis.
Yes every creative work is influenced by its creator, but the most preliminary step of analysis is to define the purpose of a work of art (functional, narrative, entertainment, persuasive, decorative, ceremonial, etc.) and a vanishingly small percentage of that is self-expression. Even then, itâs generally tied to the selfâs relationship with something elseâperception, society, etc.
Itâs very tiresome to have people assume they know you because they like (or dislike) your art, to make assumptions about who you are and how you approach the world. Itâs nothing newâ people called the Impressionists insane and the Fauvists degenerate. And now people are expected to hand out their identities and traumas to prove they have the right to explore certain subjects.
But to actually understand art, you have to contextualize it beyond assuming itâs just what the artist felt like making at the moment and itâs somehow coming from their deepest soul, or youâll badly misinterpret most art you come across.
i understand that it's unreasonable to expect a band on world tour to play in every country in the world but i do think they should only be allowed to call it a world tour if they play in every continent. we need to make it embarrassing to say world tour and then not even step foot in africa